53 pages 1-hour read

The Case For a Creator: A Journalist Investigates Scientific Evidence That Points Toward God

Nonfiction | Book | Adult | Published in 2004

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Chapters 1-3Chapter Summaries & Analyses

Chapter 1 Summary: “White-Coated Scientists Versus Black-Robed Preachers”

Strobel relates his experience as a young reporter for the Chicago Tribune in 1974. His editor gave him an assignment to travel to West Virginia and cover an emerging story about a community protest against textbooks in the public schools—specifically, against textbooks that challenged the locals’ view of Christian morality. One of the key sticking points was the presentation of evolutionary theory in science textbooks, which community members felt would undermine their children’s belief in the biblical creation account. In West Virginia, Strobel interviewed community members on both sides of the issue, trying to report fairly but feeling that the protestors were obviously in the wrong. In Strobel’s view, Darwinian evolution was clearly true, and the Christian understanding of origins was clearly false: “White-coated scientists of the modern world had trumped the black-robed priests of medieval times. Darwin’s theory of evolution—no, the absolute fact of evolution—meant that there is no universal morality decreed by a deity […]” (16). 


At one point, Strobel and his photographer caught wind of a closed meeting to be held in a nearby town, at which no outsiders (and especially no journalists) would be permitted. They decided to try to sneak in to cover the event but were noticed and confronted by the crowd. Despite the tense scene, a local pastor stood up and vouched for Strobel, telling the crowd that Strobel (who was already known from his earlier interviews) seemed to want to write in a way that covered both sides fairly. Strobel therefore stayed, recorded the event, and tried to write a balanced piece of reporting, but for his own part, he was convinced that the West Virginians had it wrong and that the textbooks had it right.

Chapter 2 Summary: “The Images of Evolution”

Strobel returns to 1966, recounting the story of how his innate curiosity as a teenager encountered the hard scientific answers of a biology class. For Strobel, this was the tipping point, convincing him that Darwinism and atheism were true and that the nominal Christianity of his upbringing was not: “To me, science represented the empirical, the trustworthy, the hard facts, the experimentally proven. I tended to dismiss everything else as being mere opinion, conjecture, superstition—and mindless faith” (18). 


Recalling that biology class, Strobel particularly remembers four specific images that appeared to offer strong proof of evolution, used to great effect in the textbooks of the time. The first involved the tubes, flasks, and electrodes of the famous Stanley Miller experiment of 1953, in which Miller artificially produced amino acids. This appeared to prove that the building blocks of life could emerge from nonliving chemicals. The second image was Darwin’s tree of life, which showed all life arising from a single common ancestor and then gradually branching out into more complex and varied forms. The third image was the series of embryo drawings produced by Ernst Haeckel, in which embryos of various animals (including humans) were compared with one another, apparently showing remarkable similarities that implied the homology of animal origins, pointing back once again to a common ancestral pattern of development. The fourth and final image depicted a purported missing link—the archaeopteryx, long thought to be an intermediate form between dinosaurs and birds. These images, Strobel notes, exercise a powerful effect on the student of biology, seeming to show the truth of evolution. He further suggests that this truth-claim leads one inexorably toward an agnostic or atheistic stance: “These images were just the beginning of my education in evolution. By the time I had completed my study of the topic, I was thoroughly convinced that Darwin had explained away any need for God” (21).


Strobel notes that his early embrace of atheism came during the years of the sexual revolution and his early career as a journalist, adding extra motivations to do away with God so that he could live his life unhindered by any thought of an external morality. This season of his life would come to an unexpected end when his wife, Leslie, converted to Christianity, leading Strobel to launch an investigation into the evidence for the Christian faith. To his own surprise, this investigation ended up confirming Christianity (and led to his first two books, The Case for Christ and The Case for Faith). Now a Christian, Strobel seeks to unravel the knotty problems of evolution-versus-faith that first started him on his path to religious skepticism.

Chapter 3 Summary: “Doubts About Darwinism”

Strobel heads to Seattle to interview Jonathan Wells, a scientist at the Discovery Institute. Wells, like Strobel, went through a period as a young man in which his growing knowledge of Darwinian evolution led him to embrace atheism. However, he says that he eventually learned that the story he had been taught about evolution was unreliable. He earned two doctorates, at Yale and Berkeley, and then came into public view with his 2000 book Icons of Evolution, which took aim at the series of images that Strobel lists in Chapter 2.


Strobel’s interview quickly turns to those images, and they discuss the current scientific view of Stanley Miller’s famous 1953 experiment. In this case, Wells says, it is now widely recognized that the experiment’s parameters and results both render it effectively meaningless. Wells also dismantles several other ascendant hypotheses concerning the emergence of life from nonliving chemicals, including the “RNA world” theory, and suggests that the lack of evidence, compounded with the mounting problems each such theory must overcome, makes the idea of abiogenesis (the origination of life from non-life) more of a philosophical position than a scientific one. 


With regard to Darwin’s tree of life, Wells is no less critical. The key problem is that the fossil record in no way substantiates Darwin’s simplistic illustration. Rather than a smooth and orderly complexification of life forms over vast spans of time, the fossil record appears to show new classes of animals emerging, fully formed, all at once. This is particularly striking in the so-called “Cambrian Explosion,” in which all the major orders of future animals appear together in a geological blink of the eye, without transitional forms leading to this multiplication of varied body structures. 


Wells contends that the third image, that of Haeckel’s embryos, is simply fraudulent. Even Haeckel’s contemporaries criticized it for dishonestly representing the data, both in terms of cherry-picking his evidence and intentionally adapting it to better fit his thesis. The fourth image, that of Archaeopteryx, is also a casualty of misrepresentation, in Wells’s view. The evidence appears to show that Archaeopteryx is not a missing link or transitional form between dinosaurs and birds; rather, it is simply a bird (specifically, a representative of an extinct group of birds). Wells relates that paleontology has so struggled with the quest to find the ever-elusive missing link that outright frauds have become unfortunately pervasive in the field. Wells summarizes his position at the end of the interview: “I believe science is pointing strongly toward design” (66).

Chapters 1-3 Analysis

The first three chapters of Strobel’s The Case for a Creator establish both its tone and its structure. With regard to tone, the first two chapters set the book’s scientific and philosophical questions in the context of Strobel’s own life experiences, thus giving it a personal quality. This tenor will pervade the book: Not only do Strobel’s own experiences frame the narrative, but the personal backgrounds of his interviewees also help to shape perspectives on much of the evidence they share. This personal tone makes The Case for a Creator accessible as a work of Christian apologetics. Science and philosophy are not framed as dry, abstract topics. Rather, the real-world relevance of the book’s ideas is underscored by the personal context in which they are presented. Essentially, that personal tone indicates that these ideas are powerful enough to change someone’s life because they have already changed the lives of all the book’s interlocutors.


Strobel structures his book in two particular ways: with regard to the narrative, as a journalistic investigation, and with regard to the evidence, as a legal case. Since Strobel’s professional training is as an investigative journalist, this is the lens that he brings to his book. Like the others in his “Case for…” series, then, Strobel’s book is largely formatted as a series of interviews. This enables him to present even challenging ideas in a narrative fashion, as part of the story of a conversation between two (or more) interlocutors, and thus renders his book more broadly accessible than a straightforward rendering of the scientific and philosophical arguments would be. These opening chapters introduce the journalistic paradigm: two chapters that touch on Strobel’s background in journalism, and a third chapter that begins the pattern of interviews. While the legal paradigm of his approach is less evident in this section than it will be later in the book, the compiling of evidence is nonetheless presented as part of a comprehensive case for either materialism (the philosophical position that only matter exists) or theism.


Of the book’s major themes, one emerges as particularly important in this early section: The Complexity of Biological Systems Challenging Materialism. Strobel’s interview with Jonathan Wells underscores this theme, particularly in his discussions of the 1953 Miller experiment and Darwin’s tree of life. In both Miller’s and Darwin’s cases, the assumption was that the molecular and biological realities needed to explain the emergence of life were simpler on smaller scales, gradually becoming more complex at larger scales. Thus, Miller’s experiment, which managed to produce a few amino acids, was hailed as proof that life could emerge from nonliving chemicals. The progress of science in the decades following, however, demonstrated that the sheer complexity of making the building blocks of life is far beyond what Miller anticipated—the amino acids must be present in the right quantities, folded the right way, and structured into the right assemblages to form even the most basic biological molecules. This is a task so immensely complex that not only did Miller’s experiment not get close to it, but the solution that he produced also rendered molecular byproducts that would make it more difficult, according to Wells. 


The principle of unexpected complexity also surprised those scientists trained on Darwin’s tree of life, where Darwin’s assumption that smaller, simpler life forms could gradually complexify themselves into larger and more varied forms is evident. In reality, life at the smallest scales is quite complex (sometimes requiring longer sequences of encoded genetic information than much larger animals do), and the evidence that should demonstrate a clear pattern of transitional forms from simpler to more complex does not appear in the fossil record. By focusing on these points, Strobel begins to build a theme that will become a dominant arc throughout the middle portions of his book: The sheer scale of complexity woven into the universe appears to preclude a purely naturalistic course of development. 


However, it is important to note that while Strobel raises some counterarguments to Wells’s claims—for instance, the particular conditions required for fossilization as an explanation for gaps in the fossil record—he does not have the specific scientific expertise that would allow him to respond to his interviewees’ specific claims. The argument that emerges is thus one-sided, with Strobel’s rebuttals functioning more as straw man argumentation than debate. In a similar vein, the text presumes conflict between theism (particularly Christianity) and the Darwinian theory of evolution, but this is not a mainstream Christian position: Several major sects, including the Catholic church, regard Darwinian evolution as compatible with Christian teachings.


Another theme also makes its first appearance in the opening chapters, though in more muted form: The Scientific Method as a Means of Assessing Evidence for Supernatural Realities. Strobel will deal more fully with the epistemological ramifications of his method in subsequent interviews (epistemology being a branch of philosophy concerned with the nature of knowledge), but the first three chapters make it clear that he regards scientific evidence as an instructive means by which to infer truths about the nature of reality—including, if it exists, supernatural reality. Whereas certain other philosophical models have attempted to keep scientific questions and religious questions in separate spheres (such as paleontologist Stephen Jay Gould’s famous attempt to define science and religion as a matter of “non-overlapping magisteria”), Strobel takes the approach that truth is truth regardless of the domain of knowledge in which one finds it and that there may be clues in the natural domain that point to a supernatural influence being exerted upon it. Once again, however, it is worth noting that Strobel’s framing of his investigation as scientific is itself open to debate. For example, his use of the four images—all relatively old—to structure his conversation with Wells limits the scope of inquiry, bypassing many more recent and nuanced developments in evolutionary science.

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