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This guide explains that the allegorical labyrinths are “tangible manifestations of corrupted philosophies.” Analyze how the narrative structure, which progresses through these distinct realms, mirrors the psychological stages of Rintaro’s journey from grief-induced incapacitation to active engagement with the world.
How do Rintaro’s companions, Sayo (representing human connection) and Tiger (embodying literature’s magic), work in tandem to facilitate his psychological development?
What does the antagonists’ progression from the Imprisoner’s personal vanity to the Seller’s corporate commercialism suggest about the evolving nature of modern threats to literature?


