Richard Steele’s purpose in writing The Conscious Lovers was to depict morality in the theater, which, in turn, would promote better morals in society. Dramaturgically, there are several issues with this premise. One such is that while Steele promotes straight dealing and truthfulness, Steele’s plot rests on ostensibly moral characters such as Bevil Jr. and Myrtle practicing deception and manipulation, and but nevertheless being rewarded at the play’s end. These plot elements, particularly Myrtle’s various disguises, were a standard <a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/trope-in-literature-definition-examples/">trope</a> in the comedies of Steele’s time; his reliance on such theatrical clichés undercuts to some degree his proclaimed desire to move theater in another direction.&nbsp; The most muddled character with regard to honesty and integrity is Bevil Jr., meant to be the play’s most morally upright character. Bevil Jr. is a servant of two masters: filial duty and honorable love. In trying to remain obedient to his father while also supporting <a data-internal-link data-link-type="Character" href="https://www.supersummary.com/the-conscious-lovers/major-character-analysis/#705132">Indiana</a>, he commits many lies of omission. Though Steele wants Bevil Jr. to be honest, witty, and loyal, the character’s actions belie his honesty. When Sir Bevil doubts that Bevil Jr. will marry <a data-internal-link data-link-type="Character" href="https://www.supersummary.com/the-conscious-lovers/major-character-analysis/#705133">Lucinda</a>, Bevil Jr. asks, “Did I ever disobey any command of yours, sir?”, further specifying, “As I am ever prepared to marry if you bid me, so I am ready to let it alone if you will have me” (334).

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