Plot Summary

The Copywriter's Handbook

Robert Bly
Guide cover placeholder

The Copywriter's Handbook

Nonfiction | Reference/Text Book | Adult | Published in 1985

Plot Summary

The book opens by defining a copywriter as a salesperson, establishing its core principle that the goal of advertising is to sell products, not merely to entertain. It champions an approach that prioritizes persuasion and sales results over creative awards. The text asserts that for copy to be effective, it must get attention, communicate clearly, persuade the reader, and ask for a response.


The introduction then addresses the evolution of copywriting in the digital age, identifying three key factors that now drive success: human psychology, data analytics, and compliance with the rules of digital platforms like Google and Facebook. While these platforms create new opportunities, they also introduce challenges, such as the complexity of multichannel marketing and the difficulty of accurately attributing sales to specific ads.


The guide first focuses on the most critical element for getting attention: the headline. It posits that headlines are the most important part of an ad, with five times as many people reading the headline as the body copy. A headline has four functions: get attention, select the right audience, deliver a complete message, and draw the reader into the body copy. The text outlines eight primary headline types (including direct, news, how-to, question, and testimonial headlines) and introduces the “4 U’s” formula, which states that the most effective headlines are urgent, unique, ultra-specific, and useful.


Next, the book details how to write clear, communicative copy. It provides eleven tips, starting with putting the reader first. Other advice includes organizing selling points logically, using short sentences and simple words, and avoiding technical jargon. The text advocates for a concise, direct style that gets straight to the point. It also recommends a friendly, conversational tone and the use of stylistic devices like sentence fragments and graphic emphasis to improve readability.


The focus then shifts to persuasion, or writing to sell. The distinction between features, or facts about a product, and benefits, what the customer gains, is established as fundamental. The book presents a five-step sequence for structuring copy: get attention, show a need, satisfy that need with the product, prove the product’s claims, and ask for action. It also introduces several key concepts for building a persuasive argument, including the unique selling proposition, a compelling benefit the competition does not offer.


Other techniques include “False Logic,” which frames facts to lead to a favorable conclusion; the “Secondary Promise,” a smaller, more believable benefit to persuade skeptical customers; the BDF formula, which encourages writers to understand their customers’ core beliefs, desires, and feelings; and the Copy Length Grid, a tool that determines whether long or short copy is appropriate based on the purchase’s levels of Emotion and Involvement.


Before writing, a copywriter must prepare. The book outlines a research process that involves gathering all existing materials on the product, asking targeted questions about the product and its audience, and defining the copy’s objective. It provides detailed guidance on conducting interviews with experts to gather facts. The writing process is broken down into three stages: a drafting stage to get all ideas down, an editing stage to refine the message, and a final proofreading stage for cleanup. A nine-step method for generating advertising ideas is also presented, which includes assembling facts, looking for new combinations of old ideas, and getting feedback.


These principles are then applied to specific advertising formats, beginning with print. The book explains that print ads serve various missions, such as generating direct sales, producing leads, or building brand awareness. It details nine criteria for a successful ad, including a benefit-driven headline, a visual that supports the message, and a clear call to action. The text also covers smaller formats like fractional and classified ads, emphasizing conciseness and a clear offer.


The guide moves to direct mail, a personal, one-to-one medium that benefits from a conversational tone. It details the components of a classic direct-mail package, which includes an outer envelope, a sales letter, a brochure, and a reply device. Fifteen different methods for opening a sales letter are provided, such as telling a story or flattering the reader. The text discusses strategies for the outer envelope, such as using “teaser copy” or a “blind” envelope to arouse curiosity. It also lists numerous techniques for increasing response rates, such as offering a premium or putting a time limit on the offer.


The book then covers other printed sales materials. It presents eleven tips for writing effective brochures, emphasizing that they must fit into the customer’s buying process and contain a strong selling message on the cover. Catalogs are differentiated from brochures by their focus on many products with brief, terse descriptions. The section also touches on other formats like annual reports, flyers, and white papers.


Next, the guide addresses public relations materials. It distinguishes PR from advertising by its reliance on earned media, which is more credible but less controllable. The text explains how to write press releases that contain genuine news, as well as how to pitch and write feature articles, ghostwrite speeches, and create promotional newsletters to build a company’s reputation.


The principles of broadcast advertising are then explored. The book describes twelve common types of TV commercials, including demonstrations, testimonials, and slice-of-life scenes, with Alex Trebek’s work for Colonial Penn Life Insurance cited as an effective example of a straightforward presentation. It provides tips for writing TV and radio scripts, emphasizing the need to use visuals and sound to create a compelling message.


The final section is dedicated to digital marketing. It introduces the “Agora Model,” which involves building an email list by offering free content. It covers writing for websites, including SEO copywriting to improve search engine rankings, and discusses how to engage users to increase sales. The guide also defines landing pages as web pages focused on conversion, or turning pages views into sales, then offers ten tips to increase their effectiveness. For email marketing, it provides fifteen techniques for writing effective campaigns, discusses how to get past spam filters, and explains how to structure an email campaign to convert prospects into customers.


The text also details how to write various online ads for platforms like Google, Facebook, and LinkedIn. Guidance on writing for social media emphasizes tailoring content for each platform and using a funnel approach that leads readers from short posts to longer content. The text then covers copywriting for video, including different script types and strategies.


Finally, the book addresses the practical challenge of actually writing copy. Options include writing copy yourself, outsourcing to a freelancer, insourcing to staff, or using AI software. For those who opt to outsource, it provides extensive advice about how to hire and work with a copywriter, as well as how to review and approve copy effectively. The book concludes with design tips, stressing that simple, readable layouts that support the copy are often the most successful.

We’re just getting started

Add this title to our list of requested Study Guides!