73 pages 2-hour read

The Correspondent

Fiction | Novel | Adult | Published in 2025

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Preface-Chapter 31Chapter Summaries & Analyses

Content Warning: This section features depictions of bullying, illness, death, and child death.

Preface Summary

Sybil Van Antwerp settles in at her writing desk to write letters, a habit she has maintained since she was a girl and to which she attributes great meaning.

Chapter 1 Summary: “June 2, 2012”

Sybil writes to her brother, Felix, in France and thanks him for the gifts he sent for her 73rd birthday. She recounts how she spoke with her children, Fiona and Bruce; how Fiona is getting on in Australia on a work assignment; and the roses she received from Theodore Lüdbeck, her neighbor. She refuses Felix’s invitation to visit him in France, preferring to read about France and see it through a postcard than experience it in person. She gifts him a photograph of when Felix was first adopted and brought home. In her postscript, she tells him she’s had a small, inconvenient accident with her car.

Chapter 2 Summary: “June 2, 2012”

Sybil sends Theodore a note to thank him for the roses and explains she was brought home by taxi because she had a minor car accident the day before.

Chapter 3 Summary: “June 2, 2012”

Sybil writes a letter to author Ann Patchett to discuss her appreciation of her book State of Wonder. She comments on how vividly Patchett wrote the Amazonian landscape and how she could see herself in the character near her age. She extends an offer to host Patchett if she visits Annapolis, as she has an unused second floor to her house.

Chapter 4 Summary: “(Cont. June 2, 2012, Previous Pages Remaining UNSENT)”

Sybil writes to Colt and confesses that she wrecked the car in the accident on her way back from the library. She believes her eyesight is failing. She is afraid of the darkness and has nightmares about her loss of vision preventing her from writing letters. She’s only told her friend and former sister-in-law Rosalie and a child named Harry Landy with whom she corresponds.

Chapter 5 Summary: “E-mail on June 2, 2012, 1:00 PM”

Sybil contacts her friend Alice from her garden club to let her know she will be absent for their upcoming meeting. She preemptively shares her vote against the possible motion to move their gathering to the basement in the church. She believes the club has grown too large, and she dislikes the basement.

Chapter 6 Summary: “E-mail on June 25, 2025, 03:31 AM”

Fiona sends an email to Sybil and checks in with her after speaking with Bruce about Sybil’s car crash. She expresses concern and reiterates Bruce’s offer to have Sybil live with him. She also proposes Sybil consider a retirement home she’s researched for her wellness and safety.

Chapter 7 Summary: “July 1, 2025”

Harry Landy sends Sybil a letter in which he details how he received a puppy named Thor, his family’s upcoming plans to go to Botswana for a safari, how his science project won second place (and his frustration therein), how his psychiatrist moved to Alaska, and how he dislikes his new one. He asks that she send him science fiction books, and in his postscript, he asks why she’s keeping her vision loss a secret.

Chapter 8 Summary: “July 18, 2012”

Felix writes Sybil a letter and details the blissful life he leads with his partner, Stewart. He warns against commenting on and judging Fiona’s marriage. He also thanks her for the photograph and comments on how she looked wise and grave as a child. He asks about the car.

Chapter 9 Summary: “August 10, 2012”

Sybil sends a letter to her best friend and Rosalie. Sybil asks after her son, Paul, who needs a wheelchair, and her husband, Lars, who is experiencing dementia. She tells Rosalie she’s bought a new car because she needed an upgrade and bemoans Fiona’s request that she consider a retirement home. She complains about Fiona’s meddling, as they are not close. She mentions that she’s reading Verghese’s Cutting for Stone and asks what Rosalie is reading.

Chapter 10 Summary: “September 3, 2012”

Sybil writes to James, Harry’s father, and expresses her concerns over his new psychiatrist. She informs him that Guy Donnelly, the judge they both worked with over their law careers, has died. She recalls the last time she visited Guy and an article about him in The Sun that included Sybil. It discusses her 30-year career with Guy; their original law firm, Donnelly and Van Antwerp Legal; Sybil becoming his clerk when he became a judge; and how the legal world saw them as intellectual counterparts. The article ends with Sybil disappearing from public records after her retirement, and the journalist couldn’t reach her for comments.

Chapter 11 Summary: “September 7, 2012”

Sybil writes to the journalist and insists that her letter be off the record. She lambasts the journalist for falsely claiming that she tried to reach her. She also corrects the journalist’s assumption that in her decision to become Guy’s clerk, Sybil relinquished her ambitions. She alludes to the misogyny of the labor market at that time and how lucky she’d been to work with Guy, who respected her.

Chapter 12 Summary: “September 12, 2012”

Sybil receives a threatening note that questions every good thing about her in the article. The sender, signed as DM, describes her house to her to prove that they know where she lives and wishes her the worst.

Chapter 13 Summary: “November 14, 2012”

Sybil writes back to Joan Didion, who asked after her well-being. November 7th was Gilbert’s birthday—Sybil’s second son who died 39 years ago at age 10. Sybil describes how Gilbert has never left her, and she still grieves. She compares difficult times and the cycle of human life to seasons. Sybil thinks life is more like a long road that is lonesome but with stopovers. Her family, prior to Gilbert’s death, was one such stopover. After his death, she feels like she tried to go back to that time with him. She sympathizes with Joan, who is also going through difficulties, and says the winter season is always the hardest for her.

Chapter 14 Summary: “December 25, 2012”

Theodore wishes Sybil a merry Christmas and gifts her caramels.

Chapter 15 Summary: “January 1, 2013”

Sybil sends a thank-you note to Theodore and wishes him a happy new year.

Chapter 16 Summary: “January 5, 2013”

Sybil receives an invitation for Guy’s memorial service on February 16th. Guy’s wife, Liz, asks if Sybil might say a few words.

Chapter 17 Summary: “(Cont. January 9, 2013, Previous Pages Remaining UNSENT)”

Sybil expresses her worries about speaking at Guy’s memorial service. The last time she did so was at her mother’s funeral, and she vomited. Her father was not able to speak, and her brother became nonverbal after their mother’s death, so Sybil felt pressured. She resolves to speak at Guy’s service, as she believes it will allow her to address questions about her decision to leave her law practice. She notes that her sight is holding.

Chapter 18 Summary: “January 18, 2013, 10:26 AM”

Sybil sends James an email. She inquires whether he was invited to the service and whether he would accompany her to it.

Chapter 19 Summary: “January 18, 2013, 11:11 AM”

James notes that the reason Guy’s service was postponed was because they wanted to avoid any grudge holders disrupting it. He agrees to pick her up, asks about Theodore and his roses, and supports her decision to speak at the service. He expresses his appreciation for her continued correspondence with Harry, as he’s been worried about him ever since his daughters moved out.

Chapter 20 Summary: “January 19, 2013”

Sybil writes James an email to tell him he will never stop worrying about his children. She is astounded he remembers Theodore and his roses.

Chapter 21 Summary: “February 4, 2013”

Sybil writes to Rosalie about Fiona’s pregnancy and the bitter knowledge that she will never really know the baby, as Fiona only visits once a year. She expresses her anxiety over Guy’s service and what she will wear. She feels old and hates her short height. She tells her she is reading Agatha Christie’s Murder on the Orient Express and asks what Rosalie is reading and if she’s heard from Daan, Sybil’s ex-husband.

Chapter 22 Summary: “February 8, 2013”

Rosalie encourages Sybil to visit Fiona in London. She supports Sybil’s decision to speak at Guy’s service and comments on how his wife’s invitation to do so shows a lack of animosity between them. She speaks about Paul, her son, and his progress with the new wheelchair. She shares that her husband, Lars, has moments of lucidity, despite the growing silences between them. She admits she never imagined she would be caring for both her husband and son. She confirms Daan remains in touch and asks after Theodore and the state of Sybil’s vision loss.

Chapter 23 Summary: “Feb 18”

Mick Watts, a lawyer who once faced off against Guy, sends Sybil a letter to express his appreciation for meeting her after so many years of hearing her name. He pokes fun at her letter-writing habit, mentions his interest in her career path, and asks to have dinner with her on April 29th at the Capitol House restaurant to trade stories. He won’t take no for an answer.

Chapter 24 Summary: “February 18, 2013”

DM sends Sybil another note and details how he waited months for a notice of Guy’s death. He went to Guy’s grave, faked being a mourner, and spat on his grave—a treatment he intends to repeat when Sybil dies.

Chapter 25 Summary: “February 18, 2013”

Sybil writes to Liz, Guy’s wife, to thank her for giving her the opportunity to speak at the service and explain how important her work with Guy was to her. She gifts her a 25% voucher for Applebee’s in case she doesn’t feel like cooking.

Chapter 26 Summary: “March 13, 2013”

Sybil writes to Mick and refuses his invitation. She remembers him from a challenging case, the Evansberg suit. She answers some of his questions about her career and how it felt comfortable for its black-and-white structure. She explains that her letter writing was born from a desire to create a legacy that will preserve her life and survive time, as well as being one of the original forms of civility. She notes that the Evansberg suit was terrific fun.

Chapter 27 Summary: “April 6th, 2013, 9:40 PM”

Alice informs Sybil by email that Debbie Banks, another garden club member, is looking to overthrow Sybil as secretary. Alice has sided with Sybil.

Chapter 28 Summary: “April 7th, 2013, 12:02 PM”

Sybil responds to Alice. She is furious with Debbie, as she is convinced Debbie wants to invite her son to try and persuade the older women in the club to sell their high-priced, waterfront properties to his benefit. She recounts how she witnessed him flirting with 80-year-old Maude O’Reilly, a wealthy widow.

Chapter 29 Summary: “May 1, 2013”

Joan gifts Sybil a book, asking for her thoughts on it, and thanks Sybil for her thoughts on grief and life. She has also lost a child. She comments on how spring is her favorite season.

Chapter 30 Summary: “May 13, 2013”

Sybil writes to Harry and praises him for his writing improvements. She addresses the cruelty he’s facing from other children and offers him support. She tells him of her brother Felix’s similar experience as a child and how she’d impersonated the vice president of the United States and written his bully a letter, which scared him into leaving her brother alone. She tells him of her studies, her career, and how she met his father when he became a clerk for a judge she was acquainted with and took him under her wing. She recounts how she’d been adopted at only 14 months, and she was like him as a child: a quiet, curious, rule follower. She, like Harry, had a hard time understanding the roundabout way in which people spoke and could never conform to gendered expectations for women. She denies being lonely and wonders if Harry is lonely.

Chapter 31 Summary: “(Cont. May 13, 2013, Previous Pages UNSENT)”

Sybil writes about the weather and the flowers blooming. She mentions the letter she wrote to Harry and dismisses his assumption that she is lonely. Recalling her younger years has brought up the memory of her birth mother’s letter. When she was nine, Sybil was tormented by her adoption despite the good relationship she had with her adoptive parents. She used to imagine her mother was Mary Poppins from P. L. Travers’s Mary Poppins book and even wrote a letter to the author. Her adoptive mother shared her birth mother’s letter with her, which she’d received when she adopted Sybil, because of how troubled Sybil had been. The letter is a loving note containing the hope that Sybil’s adoptive mother will take care of her. Sybil believes the letter writing began with her adoptive mother’s first and only letter and wonders what will happen when she can no longer see. She thinks she might die.

Preface-Chapter 31 Analysis

In this section, Evans uses an epistolary format and the recollection of Sybil’s car accident to explore Sybil’s unreliability as a narrator. In her letter to Felix, Sybil presents the event as a dismissible anecdote included in her postscript: “Felix, I got into a little scrape last night. It was nothing, really, I’m fine, but the Cadillac is in the shop. More of an inconvenience than anything else, honestly” (14). The tone of Sybil’s narrative voice attempts to imply a triviality to the event, but her insistence on diminishing the real circumstances of the crash (it being “a little scrape” and that she is “fine” and it’s only “an inconvenience”) suggests otherwise. The minimization functions as self-protection in the face of age-related surveillance, since acknowledgement of impairment could trigger loss of independence. Her subsequent letter to Theodore, wherein she insists she had “a minor car accident” (15), creates a sustained lie that further cultivates suspicion on her reliability.


Evans links concealment to Sybil’s fear of institutional pressure, prefiguring later conflicts when Fiona recommends assisted living. When she writes to Colt, her lack of her credibility comes to the fore as she admits to the actual state of her vehicle: “I wrecked the car. […] I ran into a low concrete wall. The vehicle is most likely irreparable, according to the mechanic” (18). Here, Evans exposes how much Sybil intentionally omits from her written letters to loved ones and how, in comparison, her unsent letters to Colt—the ones that will never be seen by anyone else—become a confessionary document where readers glimpse the truth of Sybil’s circumstances and character. The private address to a dead child removes the risk of reply, which converts the letter into a safe repository for destabilizing truths about disability, guilt, and control. This tension between concealment and confession also gestures toward the theme of Perpetuating Cycles of Grief, as Sybil’s honesty emerges only when directed toward her deceased son, suggesting that her unresolved mourning continues to shape how she relates to the living.


Juxtaposing these two types of documents (her sent letters to her network of correspondents and the unsent ones to Colt) emphasizes the nuances in Sybil’s character and creates a “published” persona, which she presents to her friends, family, and the world at large, and a private and more truthful narrator when she addresses Colt. The contrast also foregrounds audience design: diction, disclosure, and even genre (email versus handwritten note) shift with the imagined reader, signaling that truth is mediated by social role. Evans implies that this dichotomy between both facets of her personality and the access to her more honest self are only accessible to the reader because of Colt’s death. Given Sybil’s reticence to be honest with her surviving children or her other relatives, Evans suggests that Sybil’s honesty isn’t directly related to the relationship she had with Colt when he was alive. Rather, she can confess all her thoughts, struggles, and fears because he represents a safe correspondent who can never answer. This dynamic reframes the epistolary ethic from dialogue to monologue, where correspondence preserves the rituals of communication without the vulnerability of exchange.


This juxtaposition also highlights Sybil’s feelings of awkwardness in how to present herself and connect with others. While Sybil can lay out her vulnerabilities with Colt (“I am fine in the body, but it’s given me an awful shake. An awful shake” [18]), she puts forward a self-made image of invulnerability with others. Even after her admission to Colt about how disturbed she feels over the crash and her declining eyesight, she continues to maintain an impervious and dismissive facade when she later writes to Rosalie: “You remember I mentioned I was in a little car accident. Well, it’s all sorted and I was due for an upgraded vehicle, so now I’m driving a modern Volkswagen Beetle” (25). Though she will often credit her letter writing as the reason behind her awkward relationships with others—a fundamental tenet in Evans’s overarching theme of The Stagnation Within Fear—it is this maintenance of facades that keeps her from intimacy and closeness with her loved ones. Evans thus uses the mechanics of correspondence to dramatize self-fashioning, showing how polite forms conceal risk while compounding isolation.


Lastly, this section also challenges the notions of a protagonist’s typical narrative role. Through the narrative’s preface and epistolary format, Sybil is by and large presented as a passive character. In the case of the former, Evans foregrounds an image of Sybil as a character who is routinely sitting to write letters and who has centered most of her life around this act: “On Wednesday it’s the same. And on Friday. And on Saturday. On Monday around ten or half past Sybil Van Antwerp sits down at her desk again. It is the correspondence that is her manner of living” (12). Of the seven days of the week, four are spent writing letters and, given that the narrative is written as a collection of letters, readers are meant to picture the protagonist not in action but at her desk, nearly immobile. The stillness, however, masks administrative power: Through letters, Sybil orchestrates social networks, adjudicates disputes, and curates her legacy. Likewise, the narrative format cements this passivity as readers encounter the tale of Sybil’s life as a retelling of events rather than in medias res. Instead of reading the acts as they happen, readers only read Sybil’s curated tale of them, thus rendering them as acts of the past. Evans converts retrospective stance into a method for thematic argument about memory, accountability, and the politics of who gets to narrate events after they conclude. This perspective also frames her failings as a mother (especially toward Fiona) as part of the theme of The Trials of Parenthood, since her reliance on letters as a substitute for presence reveals both ingenuity and inadequacy in how she manages family bonds.


The early correspondence also establishes gifts, tokens, and seasonal markers as a motif that structures Sybil’s social world. Roses, caramels, and book recommendations serve as material proxies for care, while the winter emphasis in the letter to Didion aligns grief with diminished light. These recurring objects stabilize Sybil’s routines even as vision loss destabilizes her autonomy.


Evans develops a second axis of tension through publicity and surveillance. The newspaper profile and DM’s threats situate Sybil between institutional visibility and private risk. She is celebrated as an accomplished legal mind, yet the same public record exposes her to harassment. The epistolary archive becomes both shield and evidence, a place to contest mischaracterization while documenting harm.


Formally, the section foregrounds heteroglossia, or the coexistence of multiple distinct linguistic voices. Sybil’s voice is interleaved with Felix’s, Rosalie’s, Theodore’s notes, and Harry’s list-like missive. The shifts in register and medium produce a chorus that counters Sybil’s perceived passivity. Polyphony also allows Evans to contrast generational perspectives on care, professionalism, and mental health, especially in the exchanges concerning Harry’s therapy and Sybil’s fears about assisted living.


The book’s attention to professional history emerges in the Guy Donnelly thread, which exposes gendered constraints in mid-century legal practice. Sybil’s correction of the journalist’s assumptions is not mere defensiveness; it reframes her clerkship as a strategic adaptation to misogyny. The point matters for characterization because it links present secrecy to past gatekeeping, suggesting that concealment is a learned survival tactic.


Finally, the Mary Poppins memory and the recovered birth-mother letter recast the origin of Sybil’s epistolary practice as an adoption narrative. Writing becomes a technology for imagined kinship, first with a fictional governess, then with a biological mother who can be addressed only through an intermediary text. This history clarifies why the unsent letters to Colt feel both necessary and inescapable: They repeat an early script in which letters promise proximity where physical presence is impossible.

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