18 pages • 36-minute read
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The word “May” occurs three times in the poem, twice in the first stanza. In Line 1, the speaker announces, “I shall not sing a May song” (Line 1), implying that May songs are common enough to be expected in the northern hemisphere, May marks springtime, which has long been a symbol of rebirth and new beginnings, symbolized by the return of sunshine and new growth. It is a festive time, and in the western canon, springtime is also associated with the Christian holidays Easter and Pentacost, which signal the return of a joyous period after the difficult days of winter. The speaker explicitly addresses this symbolic tradition, where she says, “A May song should be gay” (Line 2), reinforcing the expectation that a May song should be upbeat because springtime is a welcomed period of the year. As such, her refusal to participate in a traditional celebration of springtime alerts the reader to a rejection of the norm in a way that goes against the collective expectation of the moment.
In the poem, November symbolizes gloom and a time of the year not regularly welcomed by a majority of people in the northern hemisphere. The month links to the onset of winter and the disappearance of light, warmth, and bountiful nature. It is a month for turning from the festivities of the summer and the harvest to a quieter, more solitary existence at home. The colorful world vanishes, and the world turns “gray” (Line 4) as leaves fall from the trees and winter sets in. As she does with May, the speaker tells the reader what November symbolizes. After the first mention of November in Line 3, the speaker says November is the month when she can “sing a song of gray” (Line 4). Gray, too, works to enhance this symbol. It is a cool color that represents gloom, sadness, melancholy, and doom. The gray symbolism reinforces the heavy and morose symbolism of November.
While May might be associated with the collective expectations of the “little people” (Line 9), November, in addition to representing gloom, symbolizes the woman’s individuality. The woman stands out due to her choice to sing in November. If, contrary to her desires, she sings in May and meets the expectations of the “little people,” she’s becomes one of the little people. By singing in May, she does not stand out, so she is not deemed crazy. The woman’s alliance with November symbolizes individuality and a break from norms and customs. The pairing makes sense: the woman is an individual, so she sings during a singular and solitary time of the year.
The woman’s singing connects to the idea of conformity and individuality. The woman stands for the individual; she does not follow the logic of the masses, because she does not sing a song in May like the majority says she should. Instead, the speaker follows a separate path and sings a song in November. Her decision to sing in November alienates the masses, marks her as different, and turns her into an outsider.
At the same time, the juxtaposition of the individual and the masses offers guidance for what a person should do if they find themselves ostracized. According to the speaker, a person should not pay the majority opinion much mind, especially when singing from the heart. While there is pressure to please others, the speaker indicates that one should not give “little people” (Line 9) much credence, ignoring monikers like “Crazy Woman” (Line 11), which exaggerate and demean.



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