73 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of rape, death, death by suicide, and graphic violence.
The Dark Tower resumes the story at the point that Song of Susannah ended. Father Donald Callahan (a character from ‘Salem’s Lot who entered the Dark Tower universe through a magic door), Jake Chambers (a boy from 1970s New York), and Oy the billy-bumbler (a dog-like creature) enter the Dixie Pig, a club in New York City. Susannah Dean, a woman from 1960s New York, has been taken to this club to give birth to a demonic entity while she is being possessed by a being named Mia. Before they burst into the Dixie Pig, where a host of vampires and other threats wait, Callahan assures Jake that he will not hesitate to use his gun. Jake, meanwhile, approaches the danger with the calm, collected mind of a gunslinger. He coaches the old priest on how to acquit himself in the gunfight.
Callahan holds a scrimshaw turtle, a magic object carved from ivory that has the power to entrance anyone who sees it. When the trio bursts into the room, Callahan uses the “lovely thing” to distract their opponents. As Oy fights off bugs (insect-like creatures that can mend or destroy flesh), Jake receives a message from Roland, voiced by Callahan. As the more powerful Type One vampires emerge, Callahan stands to do battle against them while Jake and Oy search for Susannah. Callahan understands that his part in the story is nearly over. He sacrifices himself to allow Jake to continue his quest. For the first time in many years, he feels “the shadow of shame” lift from him (10). Empowered by his renewed faith, he drops the ivory turtle and fights off the vampires. When they are about to overpower him, he turns his gun on himself. As he dies, he calls out, “[H]ile, gunslinger”—a traditional greeting.
Roland Deschain and Eddie Dean (a man from 1980s New York) search for the house of author Stephen King, who lives on Turtleback Lane in Lovell, Maine. Roland, sensing that events are growing out of control, feels an urgent need to find King. As they are in their car, a sudden wave of cosmic energy hurls them into a space that resembles a todash (a place between universes). As their physical forms are “floating” in the car, Roland and Eddie’s spiritual forms see the room where the Wolves, robotic agents of the villainous Crimson King, took children from the town of Calla in Wolves of the Calla. They see Mia in bed, surrounded by doctors as she prepares to give birth. They see Susannah beside her. Spotting her friends, Susannah is able to communicate a single word with the help of one of the Dark Tower’s Beams, or supports: “Chassit.” Roland understands that chassit is an old word for 19.
As Mia’s labor continues, Roland is cast out of this space. He next sees Callahan and Jake in the Dixie Pig, surrounded by “misbegotten things” who work for the Crimson King. Projecting himself into Callahan, urging him to save Jake “while there’s still time” (22), he intervenes directly, putting his voice in Callahan’s mouth before being cast back to his physical form.
Eddie returns to his physical body beside Roland in the car of John Cullum. Eddie and Roland both feel Father Callahan’s death; Roland assures Eddie that Callahan has won, as he died by suicide before the vampires could turn him into one of them. Roland explains their spiritual visitation as “like a tidal-wave that runs along the Path of the Beam” (26). The Beam transported them to aid in its protection.
Eddie is desperate to go to Susannah but has a moment of clarity: He suggests that they must finish their business in this world “because this world is one-way” and they may not be able to return (28). He suggests that they track down Moses Carver, the head of Holmes Dental Industries and Susannah’s godfather. They can merge the Tet Corporation into Holmes Industries, starting a “corporate giant” charged not only with protecting the lot but also with combating the Crimson King at every opportunity by thwarting any business involving Sombra and North Central Positronics, which serve his interests. Roland hopes that Cullum may be able to help them, provided he has not yet left town. Roland believes that ka (fate) may have kept Cullum nearby.
With change found in Cullum’s car, Eddie sends Roland to buy medicine and food. As something explodes in the distance, Eddie calls Cullum from a payphone and learns he has not yet left town. He agrees to meet them in a place near Turtleback Lane for “a little more palavering” (37). At the meeting, Roland and Edie agree, they will ask Cullum to seek out Carver. They will give him the name of Aaron Deepneau and secret information that only Susannah would know so that he can convince Carver that the plan is real and that his goddaughter is still alive somewhere. On the way to the meeting, they meet one of the notorious walk-ins: a being from Roland’s world. When Roland announces himself as a gunslinger, the Child of Roderick (a mutant, or former human exposed to the pollutants of a past civilization, dying of radiation sickness) kneels before him. Roland puts the mutant out of its misery. Watching this scene, Eddie realizes that Roland has become a father figure in his life.
As Eddie and Roland appear above her, Susannah counts the enemies around her, just “as Roland had taught her” (43). They include low men (humanoid creatures that work for the Crimson King), low-ranked vampires, mutants, and animalistic “low folken [in] humanizing masks” (44). Susannah organizes them according to which she should take down first while they try to deliver Mia’s baby. As Mia’s pain intensifies, she summons the last of her energy to say a single word to Susannah, who has promised Mia that she will kill both mother and child if she cannot help them escape. Susannah passes along Mia’s “password”—chassit—to Roland and Eddie. As Roland and Eddie vanish, she briefly hears Jake’s voice, followed by gunfire. Susannah puts aside her fears to focus on Mia and her enemies. Mia gives birth to a baby boy; he has Roland’s blue eyes and a crimson mark on his left heel, just as a prophecy foretold. Susannah stares at the supposed “destroyer of worlds” (49), who seems like any other crying baby. As Susannah is about to lunge for one of the enemies’ guns, the baby changes form. The baby human becomes a spider and suckles from Mia. She coos at the spider, named Mordred, even as he begins to consume her for his first meal. Hearing the British accent of a serving robot, Susannah breaks out of her trance. She snatches a gun and shoots at the Crimson King’s minions. She blinds the robot, shoots Richard Sayre (a high-ranking low man) to avenge Mia and Callahan, kills the low men, and shoots off one of Mordred’s legs, though he escapes. Addressing Nigel the robot, she asks to be taken to whatever magic door will transport her to New York. Dismissing Nigel, she then waits beside the door with her gun.
Jake follows Callahan’s command. With Oy at his side, he runs into the kitchen of the Dixie Pig. Through the threat of violence, he extracts information from one of the kitchen workers and learns that Susannah was taken through the Dixie Pig to Fenic, a town in the desolate region of Thunderclap. Oy picks up her scent, and Jake follows the billy-bumbler into the back corridors. They reach a staircase, but in a vaulted area far below, Jake realizes that he is being chased. He must close his mind to Susannah lest he expose himself to danger. He runs through the underground passages, reciting lines from “The Lion Sleeps Tonight” by the Tokens. He knows Callagan is dead, and his tears “[make] him once again look like a child” (71). Weeds and plants grow along the corridors; the walls are graffitied with references to the Crimson King.
The corridors seem to transform into a jungle, and Jake hears lions and dinosaurs. Oy urges Jake to put his fears aside and follow Susannah’s scent. Jake is thrown into a bout of nostalgic fear; the corridor is a trap to read his mind and confront him with his deepest fears, which come from the jungle scenes in a scary movie Jake watched when he was young. Thanks to Oy, Jake realizes that the scary dinosaur is not real. He can mentally “change places” with Oy, and, together, they escape the mind trap. Their pursuers chase them right into the trap, which transforms to reflect the fears of the new arrivals. As the Crimson King’s men try to navigate the trap, Jake reaches a magic door. He prepares to make a last stand, if required. Susannah reaches out to him and shares the password, allowing Jake and Oy to slip through to safety.
A storm threatens to break over western Maine as Eddie and Roland meet John Cullum. Eddie worries about Susannah and Jake, though he believes that they will be safe once they are together. Cullum is pleased to see them. He leads them to a small, empty house beside a lake. Cullum says that Jack Andolini, assistant to a crime boss hired by the Sombra Corporation, and his companions have been arrested by the local police, Cullum says. As per their agreement, Eddie tells Cullum everything, starting with the moment when Roland first came into his mind. Outside, night falls and the storm continues to threaten as the men are caught in a state of “queer suspension.”
Eventually, Eddie reaches the current point in the story. Cullum believes everything. He understands the importance of protecting the Rose (a nexus of reality that helps maintain the Dark Tower) in New York. There are two remaining Beams left: One is being protected by the Rose, and the other is being protected by Stephen King. Roland explains that they need Cullum to set up the Tet Corporation and contact Moses Carver. They give him a cross and a story from Susannah, sigils that will convince Carver that she is still alive. They also give Cullum stock tips so that he can make a fortune by investing in upcoming technologies, thus funding everything the Tet Corporation needs to accomplish.
Everything is agreed, but Eddie is confused as to why Cullum is so willing to do as they ask. Cullum feels that Eddie and Roland “want all the right things” (101). He is fascinated by the potential for what they want him to do, even though he admits to being scared. As they part ways, Cullum surprises the gunslingers with their weapons, which he recovered from the shootout at the drugstore. Roland makes a point of handing Eddie his gun; they have work to do against the men who threatened Callahan and Jake. They drive to Turtleback Lane, which is infested with walk-ins (creatures from another world). Eddie and Roland pass through the magic door.
Flaherty is the leader of the small band of the Crimson King’s men who chased after Jake and Oy. Having missed his target, he is distraught. He takes out his anger on his men, particularly a taheen (humanoid creatures with animal heads) named Lamla. Roland and Eddie appear through a door and shoot them all. Eddie calls out to Susannah, and the ka-tet is reunited. Jake addresses Roland as “father,” pleasing both of them. Jake knows that Roland has betrayed him before and may again. For now, however, being with Roland is enough.
The Dark Tower picks up exactly where Song of Susannah ended in terms of both plot and character arcs: Father Callahan, standing beside Jake, is ready to storm a room filled with vampires to free Susannah. For Callahan, the imminent battle is a chance for redemption: He struggled with his faith after failing to defeat a vampire that was plaguing a small town in ‘Salem’s Lot. With Jake at his side, advising him in the ways of the gunslingers, and his recent experiences restoring his faith in God, Callahan is better equipped to battle the vampires. When he brandishes his crucifix, which failed him in ‘Salem’s Lot, it scares the vampires because it is imbued with the strength of Callahan’s renewed faith. This emphasis on Callahan’s character development as opposed to the power of the cross is related to the novel’s depiction of The Duality of the Cosmos. Although it borrows elements of Christian iconography, the series ultimately has its own moral schema, which even Christian characters like Callahan respect, as evidenced by the progression of his battle cries: “The power of Christ commands you! The ka of Mid-World commands you! The power of the White commands you!” (10). Within this moral schema, the pattern of redemption through battle is one that will repeat throughout the book, foreshadowing Roland’s fate.
Jake’s maturation is another important element of the novel. Callahan is older, but Jake is the more experienced gunslinger, so he advises Callahan (who has fought Type 1 Vampires before) on how to conduct himself in battle—a significant responsibility. When Roland glimpses this through his spiritual teleportation, he is incredibly proud of Jake, recognizing that Jake is not just maturing into a man; he is growing into a gunslinger and thus becoming Roland’s heir.
By contrast, Susannah is reduced to the role of a spectator, forced to watch as Mia hijacks her body to give birth to the demonic entity Mordred. Susannah must watch her own body give birth to a child who was conceived (partly) during a sexual assault and will spend his short life attempting to kill her and Roland, his half-father (Mordred’s name alludes to the son of the legendary King Arthur, a villainous figure conceived through a different sexual transgression—incest—who ultimately usurps his father’s throne). The predestined nature of this threat relates to the theme of Fate, Free Will, and the Cycle of Life, raising questions about the characters’ agency, particularly when juxtaposed against Susannah’s helplessness.
At the same time, the novel does not discount the potential for characters to make meaningful choices. In spite of the painful nature of this situation, Susannah feels empathy for Mia. She understands Mia’s desperation to have a baby, even if she cannot forgive Mia for using her body as a vessel for this desire. This ability to empathize with her tormenter foreshadows Susannah’s ability to feel empathy for Mordred later in the novel. Moreover, for all its fatedness, the birth of Mordred is also the point at which Susannah regains control over her body and her fate, killing the doctors who delivered the baby (and nearly killing Mordred) before escaping and drawing the ka-tet to her. Susannah experiences the nadir of her helplessness but does not lose her capacity for empathy, nor does she lose her desire to act. Like Jake, she proves herself a worthy gunslinger.
The Dixie Pig and the room in which Mia gives birth to Mordred are examples of the forces that the ka-tet must defeat on their quest. Throughout the series, the specter of the Crimson King has loomed large. The Crimson King himself has not made an appearance—a fact that builds suspense by heightening his mystique—but by the time The Dark Tower starts, there can be no doubt that many of the villains are working for him. Even the series’ original antagonist, the man in black, is in a loose alliance with the Crimson King. The vampires, taheen, low men, and other creatures, drawn from many worlds, constitute a dark counterpart to the ka-tet and suggest both the power of the Crimson King and the kind of power that he wields. While Roland has taught his ka-tet the way of the gun, instructing them in honor, duty, and skill, the Crimson King wields power through sheer numbers. These servants cower in fear of failure, whereas the members of the ka-tet enjoy relatively equal standing and show affection for one another. The small band of dedicated warriors faces off against the villainous horde of the Crimson King, creating a duality not just between the moralities of the respective sides but also between the way in which they wield their power.



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