73 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of substance use, death, child death, and sexual content.
Jake, Roland, and Oy are thrown back into East Stoneham in 1999. As they enter the store, much of which is unchanged since Roland’s last visit, Jake takes stock of his weaponry: He has a gun and his throwing plates. The store is still run by Wendell “Chip” McAvoy. As Roland enters, McAvoy is slicing meat for a customer named Mrs. Tassenbaum. When McAvoy spots Roland walk in, he freezes, remembering the violence on “That Day,” which—for him—occurred two decades earlier. He tries to run, but Roland, firing a shot, commands him to stay. To McAvoy, only Roland’s whitened hair is different from their previous encounter. Jake translates Roland’s demands, asking for a car. McAvoy reaches for his keys.
Roland asks the way to Turtleback Lane but then realizes that neither he nor Jake can drive. Roland turns to Mrs. Tassenbaum. She agrees to drive them to Turtleback Lane, and Roland promises not to shoot her so long as she hurries. They take McAvoy’s truck to Turtleback Lane. Mrs. Tassenbaum struggles with the transmission, but as she comes to terms with the truck, she realizes that she is having fun. She is married to a wealthy man, but their lives are dull, so she is enjoying this exhilaration. Roland’s words have a hypnotic effect on her, helping her to relax.
A man named Bryan Smith is high on marijuana and riding in his van with his dogs. His van veers wildly across the road as he struggles to focus. As Roland explains his plan, Mrs. Tassenbaum knows about Stephen King. When they arrive at his house, however, they are told that he is taking his regular afternoon walk. Jake uses his Touch to slow Smith down. Two old women picking raspberries beside the road see Smith’s van pull over; Smith jumps out and relieves himself in the woods before resuming his wild journey. Roland notices how weary Jake looks, but Jake insists that they do not have time to spare. Mrs. Tassenbaum drives quickly to the spot where King is taking his walk. In the car, Roland recognizes Jake’s fear: Jake knows that one of them is about to die. Roland resolves that he, rather than Jake, will be that person. Much has changed since their first fateful encounter, and Jake is now more important to him than his quest for the Tower.
Stephen King ponders which direction to take on his walk. He has no real desire to work on his Dark Tower stories. He is unaware of Smith’s van hurtling toward him. Mrs. Tassenbaum pulls up behind King as Smith fumbles with his dog, taking his eyes off the road. Roland leaps from the car.
Roland’s bad hip causes him to slip. Jake leaps past him, throwing himself at King and placing himself between the author and Smith’s van. King is thrown to the side of the road while Jake takes the force of the blow. Roland looks at King, hoping that King is dead rather than “[his] boy.” Oy tries to pull Jake from under the van. Roland tries to assure himself that Jake’s wounds are superficial, but they are not. Jake urges Roland to check on King; he knows that he is dying based on prior experience. Roland is furious with King, but he wants to be sure that Jake’s sacrifice is not for nothing. He knows that there is no way for Jake to come back this time.
In the meantime, Mrs. Tassenbaum points Roland’s gun at Smith and tells him to move his van. He does not even know that he hit a boy. Roland looks at King’s wounds: He has many injuries but will probably live. King recognizes Roland, who explains that he lost Eddie and may lose Jake because “one lazy, fearful man stopped doing the job for which ka intended him” (369). He blames the cowardly King for failing to finish his books. He puts King under hypnosis and instructs him to finish the books. As Roland turns, King tells him that Susannah will need him and that Roland must “finish the job” (373). Next, Roland hypnotizes Smith and makes arrangements for everyone to forget what happened and for medical help to be brought for King. By the time he turns back to Jake, Jake is dead. Roland cradles Jake’s dead body and then receives a message, passed from Jake to Mrs. Tassenbaum, in which Jake tells Roland that he loves him. There is more to the message, but Roland needs to focus on the present. He gives her the option of leaving, but she agrees to circle back to collect him soon. When he is alone, Roland buries Jake. Oy howls. Meanwhile, Smith and King talk amiably. Neither of them remembers what happened. Mrs. Tassenbaum returns home but, relishing this recent exciting break from her monotonous married life, goes back to Roland. As the medics deal with King, Roland weeps for Jake. Returning to the road, Roland gives Oy the option of staying with Jake. The billy-bumbler joins Roland, and Mrs. Tassenbaum collects them both.
As they drive away, Roland asks her to return later and plant a rose on Jake’s grave. She reveals that Jake asked her to take Roland to New York City, where there is a door that he can use to return to his world. Roland is quiet on the drive. Mrs. Tassenbaum is attracted to him, and he admits that he is afraid to sleep in case his dead friends come to him, as “seeing them will kill [him]” (391). He falls asleep beside her in a cheap motel. The next night, they stay in another motel. This time, they have sex. She dreams of the Tower and hears his lost friends singing in chorus. Soon, she knows, she will see Roland for the last time.
Susannah rides on a train to Fedic. She senses that someone has died. Meanwhile, Mrs. Tassenbaum drives Roland into New York City. He refuses her offer to buy him new clothes. Instead, he must visit the Tet Corporation, located in a skyscraper that represents the Dark Tower “in this Keystone World” (396). Mrs. Tassenbaum goes with him to the small park opposite the Tower. They hear voices as they sit beside a turtle statue, where he asks her to wait for him.
Roland enters the tower, where he is met by a familiar face: Nancy Deepneau, the granddaughter of Aaron Deepneau’s older brother (Aaron Deepneau was a founder of the Tet Corporation). The Tet offices feature photographs of him, as well as of John Cullum and Moses Carver (another founder, and Susannah’s godfather). Nancy explains that John and Aaron are now dead but that Moses Carver is alive. Moses himself then appears, old and good-humored. Roland drops to one knee before him. Moses introduces his daughter, Marian Odetta Carver, who is now president of the Tet Corporation. Roland shows off his guns to prove his identity. A plaque in the lobby of the building, Marian explains, has just changed: It is now a memorial to Eddie and Jake. She further explains that Tet has its own psychics, similar to the Breakers, and that these psychics believe that Eddie told something to Jake that Jake then told to Oy or Mrs. Tassenbaum. Tet also has a group of people who meticulously study King’s books for any insight. Marian hands Roland a copy of Stephen King’s Insomnia, in which the Crimson King tries to kill a boy named Patrick Danville. In the story, Danville is an artist who draws a picture of Roland and the Dark Tower, with the Crimson King imprisoned in the Tower.
Roland receives a gift: a pocket watch inscribed with a key, a rose, and a tower. Roland becomes emotional. Moses makes a final gift, handing Roland the cross that was used to prove that Susannah was alive. Roland promises to lay it at the foot of the Tower. Once back outside, Roland speaks to Oy. He reads Oy’s mind, receiving Jake’s last message: “[W]atch out for Dandelo” (423).
Mrs. Tassenbaum takes Roland and Oy to the Dixie Pig in a stretch limousine. They share a drink. At the Dixie Pig, Roland shows his guns to a security guard and is granted entry. He bids farewell to Mrs. Tassenbaum, giving her the copy of Insomnia, as it makes him uneasy. Inside the club, Roland feels the echoes of the gunfight. Oy leads Roland along the secret passage, thinking about a responsibility that Jake entrusted him with. As Roland prepares to pass through the door to Fedic, he thinks about how many people he has lost on his journey. He hopes Susannah will join him on the final part of his quest and then passes through the door.
Fedic has changed a lot. Susannah is waiting there for Roland, and when he arrives, she notices that Jake is not with him. Oy rushes toward Susannah and knocks her down. When Roland offers to help her up, she briefly considers refusing his hand but then accepts. She wants him to understand that she is “in to the end” (433).
While exploring Fedic, they restock their supplies. Roland tells her what happened to Jake, and Susannah shares her own bad news: Stanley died of an infected wound, speaking of Susan Delgado and Roland. When they reach the Dark Tower, Roland says, they will speak the names of their dead friends. Susannah also tells Roland how her train nearly crashed on the way to Fedic; however, she managed to escape with Ted and the other Breakers (who have now gone to New York). She hopes that the train ride may at least have put distance between them and Mordred. Roland is less sure.
Just outside of Fedic is the Castle Discordia, and Roland and Susannah must pass through the passages beneath the structure into Discordia beyond. Ted sensed monsters in these passages that are sentient and telepathic, though not necessarily on the side of the Crimson King. Roland wonders whether the monsters might slow Mordred when they finally burst through from the catacombs below. When Roland mentions the word Dandelo, it means nothing to Susanah.
In 2002, Stephen King awakens from a dream of Fedic. He is in his house on Turtleback Lane, where he spent the morning writing about Roland. He has just written Jake’s death, and he worries about how readers will react. Thinking of his own accident, he is sure that Jake was not there when he was hit by a van. All he can do is listen to the song in his head—originating from the Beam—and write the story as it comes to him. King was surprised by Jake’s death because, according to all his notes, Jake (and the others) were “supposed to be around until the very end” (442).
In the wake of Eddie’s death, Roland’s character development becomes evident when he allows Susannah time to grieve her dead husband rather than bringing her with him to save King. Yet Roland is no stranger to death: The loss of Eddie is merely the latest incident in a life peppered with grief. His humane approach to the grief of those around him, something that would have been alien to the Roland of the earlier novels, thus suggests that his experiences with the ka-tet have changed him. This growth becomes more significant in light of the eventual revelation that Roland lives a cyclical existence. His life contains many repetitions, in which he experiences the same circumstances and has the opportunity to change his actions or his decisions, thus reflecting a change within himself. However, there is no guarantee that changed actions will produce a changed outcome. That Roland lives in cycles and loops thus simultaneously underscores his agency and the limitations on it, developing the theme of Fate, Free Will, and the Cycle of Life.
This duality is especially evident in the circumstances surrounding Jake’s death. A defining point in the overarching narrative (as well as a defining point in the lives of Roland and Jake) occurred when Roland allowed Jake to die so as to continue his quest for the Tower. Roland consoled himself with the excuse that he was acting for the greater good, but the decision has haunted him ever since. As a car hurtles toward King, Roland thus senses that he has a shot at redemption: This time, he can sacrifice his own life to save Jake, using the cyclical nature of his existence to make amends. However, Roland is denied this opportunity: Ka intervenes in the form of Jake making a decision to give up his life for the quest. The situation both echoes and diverges from Jake’s former death. On the one hand, it is a dramatic inversion illustrating how much Roland has changed: Not only does Jake give his life willingly, but Roland regrets that he was not able to sacrifice himself. On the other hand, Roland’s efforts to change the broader pattern fail, suggesting that while he may have changed, the world has not.
This interrogation of agency extends to the novel’s metafictional elements—particularly The Role of the Creator. Part 3 is also the most pronounced example of metafiction in the Dark Tower series when King appears in his own story in a deliberate attempt at self-interrogation. Through Roland, King criticizes himself as lazy and dishonorable. Indeed, he not only uses his own character to excoriate his flaws but also depicts himself as a bumbling figure whose sheer incompetence is to blame for the death of a child. However, if this situation points to the creator’s responsibility toward their creation, it also implies that they have limited control over that creation. As King later notes, he no more intended to “kill off” Jake the character than he intended to kill the boy who sacrificed his life to save King’s own. In the Dark Tower series, King the character thus becomes beholden to the forces of his own creation: He is a vessel for the power of the Beam, an extension of Gan rather than a creative force in his own right. Through this metafictional approach, King denudes himself of any creative authority and—whether as punishment for his “laziness,” excuse for it, or merely observation of the unexpected wrinkles in the creative process—turns himself into a stenographer for a greater power.
The brief but meaningful appearance of Mrs. Tassenbaum also serves a metafictional purpose, albeit a subtler one. She is a domestic presence in the novel, introduced at a deli counter exchanging gossip with the bored owner while he tries to rip her off. Mrs. Tassenbaum’s life is comfortably dull: Her husband, a tech genius, is very wealthy but shows no interest in her. Then, Roland steps into the drug store. The archetypal cowboy cuts a dashing figure, particularly compared to his humdrum surroundings, and sweeps Mrs. Tassenbaum into a daring race with the fate of the universe at stake. Mrs. Tassenbaum’s willingness to help Roland stems from her desire for excitement, and her time with him is brief but life-changing. In all of this, she is a stand-in for the reader, who similarly “escapes” their mundane existence by reading speculative fiction like The Dark Tower. In a fantastical world of wizards and vampires, Mrs. Tassenbaum also provides an important point of contrast. What for her is the defining moment of her life is for Roland a barely noticeable excursion on a grander quest. Her presence thus functions as a form of juxtaposition, reminding the audience of the cosmic stakes of the novel’s conflict.



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