The Devils

Joe Abercrombie

65 pages 2-hour read

Joe Abercrombie

The Devils

Fiction | Novel | Adult | Published in 2025

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Part 1Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of religious discrimination, gender discrimination, ableism, substance use, graphic violence, illness, and death.

Part 1: “Worst Princess Ever”

Part 1, Chapter 1 Summary: “Saint Aelfric’s Day”

Despite allocating a five-hour buffer to get through the Holy City, Brother Diaz runs late for his audience with the pope at the Celestial Palace due to the crowd gathered for Saint Aelfric’s Day. As he watches the mix of sacred devotion and squalid revelry around his carriage, Diaz urges his indifferent driver to speed up, but the driver warns that it’s useless. Diaz prays using his vial, a relic of Saint Beatrix, to help him make his appointment with the pope on time. Something then crashes onto the roof of the carriage.

Part 1, Chapter 2 Summary: “How It Goes”

A woman named Alex flees her pursuers by jumping on Brother Diaz’s carriage before falling into the gutter. Hurt, she heads into the fish market to escape but is cornered in an alley by men who have come to collect on her debts. Alex tries to pay them back with a fake holy relic, but they mock and beat her.


The men stop when a wealthy man who identifies himself as Duke Michael of Nicaea appears with his servant Eusebius. Duke Michael claims Alex is Princess Alexia Pyrogennetos, the long-lost heir to the Serpent Throne of Troy. Everyone, including Alex, is baffled, but she has the right birthmark, confirming the story. Michael offers to pay the men, then threatens them when they refuse to release Alex.

Part 1, Chapter 3 Summary: “The Thirteenth Virtue”

Brother Diaz arrives at the Celestial Palace only to be informed that he will not be meeting the pope herself, but Cardinal Zizka, the head of the Earthly Curia. Zizka warns Brother Diaz of growing threats against the Church: schisms, corrupt rulers, monsters, and the looming menace of the cannibalistic elves. She explains that he has been chosen to lead the secret 13th Chapel, the Chapel of the Holy Expediency, a branch of the Church dedicated to handling the Church’s most morally questionable but necessary tasks.


She introduces Diaz to Jakob of Thorn, a scarred and intimidating Knight Templar, and Baptiste, a flamboyant lay assistant, who will work with him. A confused and anxious Diaz tries to argue that his skills are in administration, not clandestine operations or theological warfare, but Zizka insists.

Part 1, Chapter 4 Summary: “This Much Luck”

Alex stands in a luxurious room overlooking the Holy City, now clean and dressed in fine robes. As she contemplates stealing a silver comb left behind by the nuns who cleaned her up, she’s interrupted by Duke Michael’s arrival.


Duke Michael explains that he’s Alex’s uncle; her mother Irene should have been empress when their mother died, but their sister Eudoxia murdered Irene and usurped the throne. He tells her about the grand city of Troy and that it’s time for her to reclaim her rightful place on the throne. Though she’s suspicious, Alex resolves to make the most of her situation. After Duke Michael leaves, she slips the comb into her sleeve.

Part 1, Chapter 5 Summary: “A Flock of Black Sheep”

Brother Diaz is awed by the grandeur of the Chapel of the Holy Expediency, but Jakob tells him they won’t be spending much time there. He and Baptiste take him down a hidden staircase that leads to the dungeon below. When they descend, Diaz notices the architecture shift from marble walls to the ancient, seamless stone created by the Witch Engineers of Carthage, the empire that once controlled most of Europe.


The trio passes into a prison where Diaz meets “the devils” held there, who will all be a part of his team: Balthazar Sham Ivam Draxi, a magician; Sunny, an elf able to disappear; and Baron Rikard, a withered vampire. The final cell is empty, as its occupant was deemed too dangerous to be kept there. Afterward, Baptiste and Jakob warn Diaz that success in his new role will depend on flexibility, cunning, and restraint.

Part 1, Chapter 6 Summary: “Born in the Flame”

Alex is led through the Celestial Palace by Cardinal Bock and Duke Michael. While Bock claims there aren’t any doubts about Alex’s identity, official tests still need to be performed. She takes Alex to a magically sealed chamber and tells her to stand in the sacred circle in the center of the room.


A pair of chained and corpse-like Oracles are then brought in. They take Alex’s hands and ramble out prophecies of fire, trials, a tower, a monk, a knight, a painted wolf, and Alex’s title: Pyrogennetos. The test ends with the Oracles screaming, but Cardinal Bock declares the result successful, and the Church recognizes Alex as the rightful heir to Troy.


After the ceremony, Alex is brought to a formal dinner with Cardinal Zizka and Duke Michael. She tries to behave like royalty but fails when she gets too drunk. She also learns she has four cousins, Eudoxia’s sons, all power-hungry dukes with vast resources and access to forbidden sorcery. Eudoxia, now deceased, experimented with magically blending humans and animals to access and control souls. Zizka and Duke Michael tell Alex she will be secretly escorted to Troy, and a papal bull, or document confirming her identity, will be sent to Michael’s ally, Lady Severa.

Part 1, Chapter 7 Summary: “The Start of a Bad Joke”

Balthazar reflects with disdain on his current state as an unwilling member of the devils. Stripped of his dignity, clothes, books, and freedom, he considers his presence among them an insult, as he’s “one of the top three necromancers in Europe” (45).


A group of acolytes arrives in the prison, accompanied by Cardinals Zizka and Bock and the Child Pope, Benedicta the First. While the group sets up, Balthazar steals a blank prayer sheet as part of a possible escape plan. The Pope then applies a “binding” on each of the devils, drawing a red line across their wrists to secure their obedience for the upcoming mission to bring Alex to Troy. Balthazar dismisses its power, but when he begins plotting his escape again, he becomes violently ill.

Part 1, Chapter 8 Summary: “Hold on to Something”

Alex struggles to ride side-saddle as she travels with her convoy, comprised of Duke Michael, a group of Papal Guards, a maid to attend her, and the devils. She approaches Sunny, curious about the presence of an elf in the group, but is met with sarcasm.


Meanwhile, Balthazar, perched atop a massive wagon with Baron Rikard, tries to remove the Pope’s binding. He draws a crude counter-spell using the stolen prayer-sheet, but his attempt to break the binding fails, and he throws up again.


Before long, Sunny warns Jakob that they’re being followed. The convoy tries to flee to the safety of a nearby inn, but an arrow kills the wagon driver, forcing Balthazar to take the reins. When they arrive in the inn’s courtyard, he crashes the wagon and is thrown through the building’s front wall.

Part 1, Chapter 9 Summary: “No Room at the Inn”

The group scrambles to fortify their defenses inside the inn’s courtyard. Jakob takes command and organizes a defense. As the attackers gather outside, Baptiste reports that they aren’t human but human-animal hybrid experiments created by Eudoxia. As they descend into the courtyard, Duke Michael rushes Alex into the inn. A sorceress, one of Eudoxia’s disciples, blasts her way in after them. She knocks Duke Michael aside and kills the few guards that came with them, Alex’s maid, and the innkeeper.


Outside, Brother Diaz panics and prays for divine intervention as the half-human attackers slaughter the guards. Most scale the walls, but the gate is finally knocked down by a massive goat-headed creature.

Part 1, Chapter 10 Summary: “Wrath”

Balthazar regains consciousness inside the now-burning inn and sees Alex cornered by the sorceress. Compelled by the pope’s binding, Balthazar throws himself between them, attempting to shield Alex using his improvised spell sheet. As the sorceress prepares to attack again, Balthazar animates the corpses of dead guards to attack. The undead swarm overwhelms her.


Outside, Jakob kills several half-human attackers, only to be hit by arrows from the rabbit-woman archer. He staggers to the wagon, but before he can unlock it, he’s stabbed by Duke Marcian, Eudoxia’s youngest son and the man leading the assault. As Alex stumbles out of the burning building, Marcian taunts her with the official papal document declaring her heritage. She grovels in the mud, begging him to spare her, but he ignores her.


Brother Diaz stumbles between them and begs Marcian to wait. Marcian is distracted long enough for Sunny to unlock the wagon. Its door crashes open, and a massive wolf-like creature emerges, instantly killing a nearby bull-man in a spray of gore.

Part 1, Chapter 11 Summary: “The Good Meat”

When the Vigga-Wolf is released from the wagon, she tears through the attackers, leaving a trail of mutilated corpses. Finally, she reaches Duke Marcian, crushing him and throwing his remains over the wall. She then turns on Alex and Brother Diaz, who are cowering in the mud. As she prepares to attack them, Jakob stands back up and shouts at the Vigga-Wolf like she’s a disobedient child. She hesitates, then reverts to her human form: Vigga. She cries and throws up the viscera she consumed.


With the battle over, the devils gather in the courtyard. Baron Rikard steps out of the ruined inn, appearing younger after consuming blood, and notes to a horrified Brother Diaz that the carnage is not unusual for the devils.

Part 1, Chapter 12 Summary: “Empress or Death”

After the fight, Alex is dressed in her murdered maid’s clothes to hide her identity. Baptiste digs the arrows from Jakob’s body as he tells Brother Diaz that he was cursed long ago to never die. Balthazar reappears as well, helping the wounded Duke Michael from the ruined building.


As the group plans for their next move, Duke Michael insists that returning to the Holy City is too dangerous—someone there betrayed them. The only safe option for Alex is to finish the journey to Troy and claim her throne. While Brother Diaz tries to convince them to head back anyway, an angry Alex insists on pressing on. Duke Michael, too injured to continue, returns to the Holy City alone. When he and Alex say their farewells, he reminds her that Lady Severa will be waiting for her.

Part 1 Analysis

Part 1 of The Devils, titled “Worst Princess Ever,” introduces the reader to the violent and satirical world of Abercrombie’s grimdark fantasy. One of the central structural principles in the novel is Abercrombie’s inversion of the traditional fantasy quest narrative. At its core, it is the story of a group of people with combat or magical skills escorting a princess to reclaim her throne. However, rather than following a noble figure, as might occur in a more conventional fantasy novel, the princess in question is a cowardly and manipulative young woman, and every character involved with her is similarly flawed or reluctant. The first line of Brother Diaz, the party’s priest, is “God damn it” (3), which neatly summarizes the novel’s mood. No one is righteous here, not even the priest.


Abercrombie also highlights the shortcomings of the societal institutions of the world and The Fallibility of Religious Institutions as a whole. The members of the Church are generally portrayed as corrupt, incompetent, or actively dangerous. Before even reaching the Celestial Palace, Brother Diaz’s journey through the Holy City is a tour of supposed moral decay:


All roads in the Holy City led around and around in chilly circles crawling with an unimaginable density of pilgrims, prostitutes, dreamers, schemers, relic-buyers, indulgence-dealers, miracle-seekers, preachers and fanatics, tricksters and swindlers, prostitutes, thieves, merchants and moneylenders, soldiers and thugs, an astonishing quantity of livestock on the hoof, cripples, prostitutes, crippled prostitutes, had he mentioned the prostitutes? They outnumbered the priests some twenty to one (3).


With this litany, the sacred is portrayed as having been defiled, not by heresy, but by sheer human messiness. The city is a marketplace of sin thinly veiled in piety, and Diaz himself is no better than the crowd. The nobility fares no better; Duke Michael, Alex’s uncle, appears to be well-meaning but ineffectual. Though later revealed to be part of his scheme, his reliance on outdated codes of honor gets many people killed.


Alex’s arc itself mocks the notion of heroic destiny so intrinsic to the fantasy genre. It’s later revealed that she isn’t the princess at all and stole that identity years ago. Even then, she barely wants to be involved and only goes along with it because she has very little choice in the matter. Duke Michael literally saves her when she is cornered in the street, and from that time, she isn’t left alone. On the other hand, he and the Church have little choice either. While the exact reason for this isn’t revealed until Part 4 of the novel, Duke Michael, Cardinal Zizka, and the Church all need Alex to be the real princess. Their plan to reclaim Troy hinges not on historical certainty but on religious spectacle and political theater. In such a world, truth bends to convenience. It can be overwritten by ritual, prophecy, or papal decree. As Alex observes during the meeting with the Oracles, “all I did was stand there” (39). Looking the part, saying nothing, and allowing others to project truth onto her is what secures her ascension. Alex knows she’s stepped into a game with stakes far beyond her experience. None of it fits with the world she understands, but she clings to her con because she has no better options.


The grimdark subgenre is known for its unflinching portrayal of violence, and The Devils is no exception. The central set-piece of Part 1 is the fight at The Rolling Bear. It is less of a battle than a massacre, first of the guards by the hybrid soldiers, then of soldiers by Vigga. It is unrelenting carnage, but it is not glorified. Instead, Abercrombie emphasizes the futility of the violence. The devils are resigned to it, and Alex and Diaz survive through luck. In the aftermath, she’s emotionally broken and weeps involuntarily: “She didn’t really feel like she was crying, but water kept coming out of her face” (90). Abercrombie strips supposed heroism down to its ugliest essentials, in keeping with his subversion of other aspects of the genre.


In traditional fantasy, the group’s victory might be a rallying moment, as the wounded but righteous heroes band together. In The Devils, it’s a grotesque inversion. The “fellowship” is a band of outcasts: a vampire, a werewolf, an elf, an immortal knight, a failed magician, a disgruntled monk, and a con-artist princess. Their unity is born not of shared ideals but shared trauma, illustrating the novel’s unique take on The Evolution of Found Family. Even their plan of getting Alex to Troy is born less from hope than necessity. The narrative is classic grimdark, which often features grand quests made by reluctant fools, often doomed from the start. There is no exalted Chosen One, and even the setting subverts genre expectations. Rather than a majestic departure, the party rides out from a field of butchered hybrid creatures, with the rain just cleared and the sun shining mockingly on the carnage.

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