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Bendrix spends the night with Henry, the first time he has stayed at the Miles home. They stay up late, drinking whisky and talking about Sarah and their jealousies. Henry tells Bendrix how it happened. The night the two of them met on the common—when Henry told Bendrix about the detective agency—Sarah was out in the inclement weather and caught a cold. The illness spread, but Sarah told no one and stayed in bed. Sarah did not leave the bed until, eight days ago, she left the house for reasons Henry cannot fathom and came home “soaked through worse than the first time” (72). Her condition worsens and a doctor tells Henry that, if Sarah had taken penicillin a week before, she might have survived. Sarah died at four o’clock in the morning, the day Henry called Bendrix. Henry was not there, neither was the nurse.
Bendrix decides that he does not hate Henry, but he hates God, if God exists. Henry does not know how to handle the death in a practical sense. Although they talk, Sarah looms “at the end of every path” (73) of conversation. Sarah will be cremated in two days’ time, and Bendrix think to himself that he wants her to be “burnt up” (73). Bendrix offers to take the funeral arrangements “out of [Henry’s] hands” (74). Bendrix stays the night, sleeping in the room where he and Sarah spent so much time together. When he finally sleeps, Bendrix dreams of Sarah.
The next day, a litany of visitors arrives while Henry sleeps. The undertaker calls in to see Sarah’s body, still lying in the guest bedroom. Next, Richard calls and Bendrix meets him, feeling “very superior to Smythe” (75). He warns Richard that Henry does not know him and that it would be inappropriate for Richard to turn up at the funeral. Richard reveals that Sarah was on the cusp of converting to Catholicism and then asks to see the body. When he returns, Richard asks Bendrix to allow Sarah to have a Catholic funeral, and Bendrix can do nothing but laugh at the absurdity of the situation. Richard reveals that he has taken a lock of hair from Sarah’s body, and this image jolts Bendrix into realizing that “we are possessed by nobody, not even by ourselves” (77).
As he walks home across the Common, Bendrix realizes that he can no longer approximate Sarah’s voice in his mind. “The process of forgetting her had set in” (78), he decides. Arriving back at his home, he finds a letter from Sarah waiting for him on his desk. He reads the letter.
In the letter, Sarah says that she will not be able to go away with Bendrix. She tells a story about visiting a Catholic priest and asking him whether she and Bendrix could ever be together, married. The priest says it would be impossible. Sarah storms out but cannot dissuade herself from the belief that God exists. Asking Bendrix not to be angry, but to be sorry, Sarah says that “it’s all your fault, Maurice” (79) and prays that God will not keep her alive.
Bendrix arrives late for the funeral. He has met with Waterbury, a man writing an article about Bendrix’s writing career. Since Sarah left him, Bendrix has found little enjoyment in his work. But with little else to do and after feeling lonely, Bendrix decided to meet with Waterbury.
They meet in a sherry-bar, and Waterbury arrives with a “girl much taller and better-looking than he was” (80), an apprentice to Waterbury’s trade. “Even now,” Bendrix thinks, “I could get her from him” (80). Bendrix finds himself more inclined to the girl (named Sylvia) than he is to Waterbury. Waterbury is irritable when Sylvia offers to escort Bendrix to the Golders Green (where the funeral is being held), thus cutting the interview short. They travel together and Bendrix is “reminded of desire” (81) as they discuss funerals and preferences. Bendrix lies about his own preferences, confessing to himself that it was he who “persuaded Henry against burial” (82).
The previous afternoon, Henry had invited Bendrix to his home. Henry was wavering. Bendrix notes that it is “odd how close we had become with Sarah gone” (82). A priest named Father Crompton is with Henry when Bendrix arrives. They discuss Sarah’s burial arrangements. Bendrix lies and says that there is no reason to believe Sarah wanted to become a Catholic, despite Crompton’s suggestions. They quarrel over the funeral arrangements, and when Crompton stands up to leave, there is clear animosity between him and Bendrix.
Sylvia offers to go all the way to Golders Green with Bendrix, and he begs her to attend the funeral, as he needs “her beauty to support [him]” (84). Sylvia agrees. She knows her way around the crematorium, as her father was “done here two years ago” (84). They arrive just as everybody is leaving. Bendrix walks around the rapidly-empty venue and meets Parkis, who points out the names and backgrounds of each of the attendees. When a pang of jealousy strikes Bendrix, he invites Sylvia for dinner, almost as challenge to Sarah and evidence that he can “get on without [Sarah]” (86). Bendrix suddenly wishes to retract the invitation when he is interrupted by a “grey old woman” (86): Sarah’s mother.
Sarah’s mother knows of Bendrix, who Sarah described as “her best friend” (86). Bendrix struggles to remember the woman’s name but eventually recalls that it is Mrs. Bertram. With tears swelling in her eyes, the old woman asks to borrow a pound from Bendrix. Instead of giving her money, Bendrix invites her to dinner and then has to explain to Sylvia the change of plans.
When he speaks to Mrs. Bertram, Bendrix feels as though he is “speaking again to Sarah” (87). They dine together at the Isola Bella and talk about the service and Henry, who does not care for Sarah’s mother. Mrs. Bertram reveals that she was once a Catholic and that she believes Sarah to have been one too. When Sarah was young, her mother had her secretly baptized to spite her father. But the Catholicism “didn’t take” (89), Mrs. Bertram laments.
On the way home, the phrase “it didn’t take” (89) stays with Bendrix. He argues with an imaginary God and tries to sleep. He goes to sleep and dreams about how Sarah belonged to him, not God.
The above chapters are the novel’s most stringent attempt to make sense of Sarah’s faith. The confessional tone of the diary reveals that Sarah had constantly interrogated herself over the existence of God during the months following the bomb attack on Bendrix’s home. As a result, there is the suggestion that she may have converted to Catholicism and as a result, should not be cremated. The argument over the funeral arrangements becomes a proxy war, fought by the various factions in Sarah’s life, fighting for control over her memory.
Bendrix is adamant that he wishes to see Sarah cremated. When discussing the matter with Henry, he states that he “wanted her burnt up” (73), almost as an act of defiance. He hopes that, in the event that God exists, Sarah’s cremated body will not be available for resurrection. It is a theological spite, a way to take revenge on religion for robbing him of the woman he loved. Bendrix has come to view God as an enemy: He obstinately refuses to believe in a God but is aware that Sarah increasingly did, which means that he has no agency over whether God affects his life. Sarah’s belief in God forced the breakdown in their relationship, even though Bendrix does not believe in such a force. In cremating Sarah, he is trying to wrestle back control of the matter, committing a profane act on Sarah’s behalf to spite her belief in God.
Further to this point, Bendrix’s meeting with Sarah’s mother reveals a new dimension to the debate over her faith. In previous chapters, Bendrix has fought back against Father Crompton and Richard Smythe over the possibility that Sarah had wanted to convert to Catholicism before she died. Mrs. Bertram reveals this to be a moot point, as Sarah was secretly baptized when she was a child. In explaining this, she says that the religion “didn’t take” (89). Her point of reference for the acceptance of faith is akin to a disease, lodging itself in her body and replicating to the point of taking over. Bendrix mulls this over, unable to disassociate the idea of religion from this image. It appeals to him, as it gives religion its own subversive agenda and seems to suggest that Sarah had been infected by religion as much as the cold which killed her. It removes a portion of his blame for her death, though he does not spend long reflecting on whether he made the right decision to have Sarah cremated. Like so many other memories of Sarah, this too will haunt him for the rest of his life. Even if the religion “didn’t take” (89) in Sarah, its aftereffects will be felt in Bendrix’s life for years to come.



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