The Fallen & the Kiss of Dusk

Carissa Broadbent

60 pages 2-hour read

Carissa Broadbent

The Fallen & the Kiss of Dusk

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of child abuse.

Hunger

A motif of hunger underpins the novel’s portrayal of the temptations or desires that cause Asar internal conflict. Exposition regarding Asar’s childhood contextualizes the motif, linking it to the physical deprivation he experienced during his training with Gideon. However, rather than resent Gideon for honing him as a weapon, Asar “welcomed it” because “he was happy to try more torturous keys if it meant finding the one that would unlock his potential” (98). Asar’s hunger thus becomes associated with his insatiable desire for knowledge, power, and freedom. The potential costs of that desire are made clear in the first interlude, which describes Asar’s ascension to divinity as done with “the desperation of a starving soul willing to sacrifice anything, everything, for a single chance at redemption” (15).


However, this “hunger” coincides with one implied to be healthier: Asar’s desire for Mische. Gideon, for instance, warns Asar that his heart “will be [his] downfall” because he “crave[s] love like an animal craves meat” (176). Given the source, this framing pits Asar’s desire for Mische against his desire for power, godhood, etc. This struggle underpins much of the novel, gaining new dimensions via memories of his life with Gideon in Ryvenhaal. In particular, he recalls how he would avoid drinking the blood provided to him for days because he was unused to such abundance, and “if [he] never accepted it to be real, it would hurt less when it was taken away” (102). This memory contextualizes Asar’s fear of fully accepting his relationship with Mische—a fear that leaves him vulnerable to Alarus’s relics, which prey on his hunger for what Gideon taught him to desire.

Morthryn

Morthryn serves as a symbol of Embracing Rebirth. Prior to the destabilization of the realms, Morthryn was a prison falling into disrepair that Asar painstakingly attempted to fix. Since the destabilization, its decay has only quickened: Cracks run “across it like spiderwebs” and “the bone-like rafters […] [are] rusted over and cracked, some broken” (110). While its disintegration is presented as a sorrowful thing, it also provides an opportunity for reinvention into something new. The former tenant, Esme, taught Asar that while most view it as a prison, “they only call it a cage because their minds are too small to see what it truly is […] a bridge to endless possibilities […] the gate to the kingdom of the dead […] a refuge for those who have nothing else” (117). Her words imply that Morthryn exists as many things for different people and that the possibilities for reinvention are limitless.

Mask, Eye, and Heart

In particular, Morthryn mirrors Asar and his own journey toward reinvention. When he is first exiled to Morthryn, Asar wanders the cracked halls and senses how deep its wounds go, much like his own. He “look[s] down at his hand, and [at] the scars that echo[] those cracks so perfectly” and recognizes how the Shadowborn king thought the former temple “fit only to be a place of pain” (273), much like he thought Asar was only worthy of inflicting pain on others as his personal weapon. Asar’s painstaking work to heal Morthryn reflects the work he’s also doing internally to reinvent himself.

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