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Content Warning: This section of the guide includes discussion of self-harm, child abuse, mental illness, and suicidal ideation.
The Family Next Door uses psychological phenomena to explore the pressures of motherhood and the nature of familial bonds. The novel grounds its plot in the real-world medical challenges of postpartum depression (PPD), which affects approximately one in eight new mothers in the US, according to the Centers for Disease Control and Prevention (“Symptoms of Depression Among Women.” CDC Reproductive Health. US Centers for Disease Control and Prevention, 2024). Postpartum depression can cause sadness, crying, mood swings, irritability, fatigue, anxiety, and feelings of guilt. It may lead to an inability to care for oneself or one’s baby. Psychotherapy and antidepressant medications have proven to be very effective treatments for symptoms of postpartum depression (“Postpartum Depression.” Cleveland Clinic, 2022).
The novel also depicts postpartum psychosis, a condition that disrupts an individual’s sense of reality, which affects approximately 0.013% of women who have given birth (“Postpartum Psychosis.” Cleveland Clinic, 2022). The two main symptoms of postpartum psychosis are hallucinations and delusions. Other symptoms can include mood changes, like depression or mania, insomnia, agitation, and thoughts of self-harm or harming others, especially the affected individual’s newborn. The causes of this condition aren’t fully known, but common factors include: a history of other mental health conditions, like bipolar disorder; sleep deprivation; hormone changes; and other medical conditions, like thyroid disorders or autoimmune diseases. The main treatment methods are antipsychotic or mood stabilizer medications and electroconvulsive therapy (ECT) (“Postpartum Psychosis”).
The narrative also touches on the topic of Genetic Sexual Attraction (GSA), a term that describes a phenomenon in which unexpected romantic feelings arise between close relatives who meet for the first time as adults. The term was coined in the 1980s by Barbara Gonyo, who experienced an intense attraction to the son she had placed for adoption decades earlier. Essie’s intense feelings for Isabelle, which she initially interprets as romantic, are ultimately explained by this phenomenon, which reframes Essie’s behavior as a powerful, disorienting biological response to finding her sister. Little scientific research exists on this phenomenon, and critics of the hypothesis consider it pseudoscience.
Sally Hepworth’s novel is a prime example of the domestic thriller, a subgenre that gained immense popularity in the 2010s. Works like Gillian Flynn’s Gone Girl (2012) and Paula Hawkins’s The Girl on the Train (2015) established the genre’s signature elements: a focus on the secrets lurking within seemingly ordinary homes and relationships, psychologically complex female protagonists, and shocking plot twists (Gonzalez, Cassandra. “What makes a great domestic thriller?” SheWrites. Sep. 2024). The Family Next Door is explicitly marketed as “[p]erfect for lovers of Big Little Lies” (i), a novel by Liane Moriarty that also explores the dark underbelly of a wealthy, picturesque community. Hepworth employs the genre’s key conventions, setting the story in the idyllic suburb of Pleasant Court, a cul-de-sac of families whose facades hide dark histories and secrets. The arrival of a mysterious new neighbor, Isabelle, serves as the catalyst that unravels the neighborhood’s secrets, driving the narrative’s suspense.
Beyond building suspense, the domestic thriller framework allows Hepworth to critique the societal pressures placed on women, particularly mothers. The characters struggle under the weight of maintaining appearances. Essie notes that other mothers discuss the hardships of parenting but always with a cheerful laugh and an “insistence that ‘it was all worth it’” (3), a performance of maternal perfection that she feels unable to replicate. The neighborhood’s gossip and the establishment of a neighborhood watch create an atmosphere of constant surveillance, reinforcing the theme that the domestic sphere, often idealized as a place of safety, can be a site of psychological conflict and danger, the core tenet of the domestic thriller genre.



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