57 pages 1-hour read

The Family Next Door

Fiction | Novel | Adult | Published in 2018

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Chapters 1-17Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of mental illness, sexual content, and illness.

Prologue Summary

An unidentified narrator describes her lifelong desire for a child and the shocking, painful reality of going into labor and giving birth.

Chapter 1 Summary: “ESSIE”

Essie Walker, a young mother, is on the beach with her eight-week-old baby, Mia, when rain forces her to shelter. Exhausted and detached, she reflects on her disconnection from motherhood. In a flashback, she remembers leaving Mia crying in the garden until a neighbor intervened. When the pram stops, Mia cries. Essie blocks out the sound, leaves Mia at a playground, and goes to a café.


Essie returns home drenched. Essie’s mother Barbara asks where Mia is, and Essie admits that she left her at the park. They drive back to the park to find other mothers surrounding Mia. The women challenge Essie’s claim that Mia is her daughter and refuse to give her the baby. Essie panics and screams for her child as a police car arrives.

Chapter 2 Summary

Three years later, Essie’s second daughter, Polly, is six months old. After the incident with Mia at the park, Essie stayed at a psychiatric hospital for several months to recover from the postpartum depression that followed Mia’s birth. Barbara now lives next door to Essie, Essie’s husband Ben, Mia, and Polly in Pleasant Court, a development in suburban Sandringham, outside Melbourne. 


Ben’s fitness business is thriving. When he comes home that night, the family discusses a new single woman who has moved in nearby. Later, Essie and Ben have sex. The doorbell rings, and when she answers it, Essie meets the new neighbor, Isabelle Heatherington. After Isabelle leaves, Essie realizes her thoughts were focused on her new neighbor rather than on her baby.

Chapter 3 Summary

The next morning, Essie hosts her neighbors: Ange, a real estate agent, and Fran, a lawyer on maternity leave, to discuss Isabelle. From the window, they watch Isabelle outside and note that she has introduced herself to everyone on the street. 


The conversation turns to the kidnapping of a baby from its grandmother’s porch a year earlier in nearby Chelsea. Fran blames the grandmother for leaving the baby unattended, and a tense silence follows as the women recall Essie’s incident with Mia. Ange suggests they start a neighborhood watch.

Chapter 4 Summary: “FRAN”

That evening, Fran returns from a run to find her six-week-old daughter Ava crying. She takes the baby from her husband, Nigel, to soothe her. She thinks about choosing to have a second child when their first, Rosie, was a year old. Nigel had resisted as he was experiencing depression after having recently lost their savings in a bad investment.


Later, Fran receives a message from Ange about neighborhood watch flyers. She finds Nigel watching over a sleeping Ava. Overwhelmed by a private dread, she deflects his worried questions, unable to say what is wrong.

Chapter 5 Summary

On an early run, Fran is intercepted by Isabelle, who asks probing questions about Fran’s work and newborn, arousing Fran’s suspicions about her intentions. Ange’s husband, Lucas, a photographer, greets them, and Fran uses the interruption to break away.


As Fran runs off, Isabelle calls out that Fran looks as if she has not had a baby. In a flashback, Fran recalls the severity of Nigel’s depression and her decision to tell him she was pregnant again, hoping it would help him recover.

Chapter 6 Summary

That evening, Fran overhears a tender exchange between Nigel and Rosie. Still rattled by Isabelle’s interest in Ava, she wonders why Isabelle doesn’t fear being seen as intrusive. Nigel suggests new family portraits to include Ava, then initiates sex. As they kiss, Fran breaks down crying. When he asks what is wrong, she doesn’t tell him, knowing he cannot help her with this secret.

Chapter 7 Summary: “ANGE”

Ange lies in bed, planning to have sex with Lucas. She then hears Lucas on a hushed, urgent phone call. Her desire fades, and she turns out the light. Her sons, Will and Ollie, sleep nearby.

Chapter 8 Summary

The next evening, Ange watches her younger son, Ollie, skateboard. Isabelle joins her, and Ange probes her reasons for moving to Melbourne. Isabelle vaguely cites a personal project. Their elderly neighbor, Mr. Larritt, drives into the street, distracting Ollie.


Ollie falls and breaks his wrist. Isabelle sprints to him and offers calm, practical help before a shocked Ange can react. Isabelle’s composure stands out as they manage the injury.

Chapter 9 Summary

Ange waits in the emergency room with a sedated Ollie, irritated that Lucas is not there. She notes that Isabelle reacted more instinctively than she did. Lucas returns with snacks but is intercepted by Erin, a former client, whose toddler has a burned foot.


The way Lucas interacts with Erin raises Ange’s suspicions. When a nurse calls for Ollie, Ange takes him for treatment and notices Lucas is still outside talking with Erin instead of rejoining his family.

Chapter 10 Summary: “BARBARA”

While babysitting her granddaughters, Barbara reflects that Essie hasn’t seemed like herself lately. She and Ben share concerns over the phone about Essie’s level of stress, the result of Polly’s sleep problems. They agree to monitor Essie. Barbara hangs up with a bad feeling and resolves to remain vigilant.

Chapter 11 Summary: “ESSIE”

The next morning, Essie brings muffins to Isabelle’s house. She remembers the fire that occurred there four months ago, before Isabelle moved into the home. Essie had been featured on a news report about it that night.


Isabelle opens the door before Essie knocks, holds Polly, and offers to babysit. She comments on Essie’s distinctive eyes—one blue, one brown—but does not invite her inside the home. As she closes the door, Isabelle says goodbye to Polly by name. Walking away, Essie realizes she never told Isabelle her younger daughter’s name.

Chapter 12 Summary: “ISABELLE”

Isabelle watches Pleasant Court from her window, feeling like an outsider. Her father calls, but as usual, his attention is focused on his new family, including Isabelle’s half-sister Rachel. Isabelle thinks the suburban life that she sees could have been hers and notes that she’s come here to get her life back. She thinks of Jules, her friend and lover in Sydney, as she focuses on her purpose.


An unidentified narrator describes delivering her baby in a hospital, refusing a nurse’s offer to call her husband, who had called her “unhinged.”

Chapter 13 Summary: “ESSIE”

Essie plans to attend Ange’s neighborhood watch meeting but stops to invite Isabelle, who has just burned dinner. Essie suggests takeout instead. They skip the meeting and share a meal at Isabelle’s house. Isabelle reveals that she works for the Abigail Ferris Foundation, which finds missing children, and is in Sandringham for a specific case. Essie feels drawn to Isabelle but rattled by the implications of her job and their discussion about abducted children.

Chapter 14 Summary: “ISABELLE”

Late that night, Isabelle lies awake, enjoying her anonymity in Melbourne. People often recognize her name in Sydney and treat her with fear or pity. She receives a text from her lover in Sydney, Jules, and reflects on their relationship. She knows he is unaware of her true reason for moving: to find a specific person in Pleasant Court. Her next call will be to tell him her search is over.

Chapter 15 Summary: “FRAN”

Returning from the neighborhood watch meeting, Fran finds Nigel asleep with Ava on his chest. He assumes that Fran has postpartum depression, but Fran knows her crying and behavior are the result of her secret. In a flashback, she recalls an affair with her colleague Mark, during Nigel’s episode of depression, which coincided with her pregnancy. Fran has been overwhelmed by guilt because of the affair, using excessive running as a form of self-punishment.


Unsure of Ava’s paternity, she watches Nigel’s tenderness and resolves to keep the secret. She gently wakes Nigel and leads him to bed, resolving to carry the burden alone.

Chapter 16 Summary: “ANGE”

At Will’s soccer game, Ange grows suspicious when Lucas wanders off. She picks up his ringing phone and answers, but the caller hangs up. She suspects it was Erin. When Lucas returns, she mentions the silent call.


They share a tense look, during which Ange’s thoughts about “last time” suggest a history of infidelity. Lucas dismisses it and takes Ollie for ice cream. Ange forces a smile and avoids confrontation.

Chapter 17 Summary: “ESSIE”

Ange confronts Essie about missing the neighborhood watch meeting. In front of Ben, Essie lies that she was caring for her sick mother. Later, Mia runs across the street, and Isabelle intercepts her safely, playful and at ease with the child.


Essie confesses the lie to Barbara, who is disappointed that Essie involved her. When Essie asks Barbara to babysit so she can go out with Isabelle, Barbara agrees but says she’s worried about how taken Essie seems to be with Isabelle.

Chapters 1-17 Analysis

The novel’s primary setting, Pleasant Court, is more than a backdrop; it is a symbol of suburban artifice, embodying the theme of The Corrosive Power of Secrets in Suburban Life. The name itself is ironic, promising a tranquility that the narrative immediately undermines. The physical environment—a cul-de-sac of manicured 1930s bungalows where property values have “skyrocketed”—reflects the residents’ meticulously constructed public lives, with the circular street reinforcing the idea that they are under constant scrutiny from one another. 


Ange, the self-appointed “architect of Pleasant Court” (46), functions as the enforcer of this facade. Her professional role as a real estate agent merges with her social role as a gatekeeper of appearances, curating the street’s demographic and policing its image. Her immediate suspicion of Isabelle Heatherington, a single woman who does not fit the wife/mother mold, reveals the community’s anxiety about anything that threatens its homogenous ideal. The structure of the cul-de-sac reinforces this insularity, creating a metaphoric panopticon where neighbors are perpetually on display. This constant surveillance does not foster genuine connection but instead pressures residents to conceal their personal turmoil, setting up the narrative and thematic tensions of the novel.


The dynamic of internal versus external threats, established through the setting and the neighborhood dynamic, is further crystallized through the formation of the neighborhood watch. Proposed by Ange in the immediate aftermath of a conversation about a local infant abduction—a topic that dangerously echoes Essie’s own past trauma—the watch represents the community’s collective effort to police external dangers while remaining willfully ignorant of internal threats. The initiative becomes a performance of civic duty, yet its focus is entirely misplaced. The real threats to the stability of Pleasant Court are not anonymous criminals but the internal fractures within each family and the characters’ collective unwillingness to face them. Essie’s decision to skip the first meeting in favor of a spontaneous dinner with Isabelle is a pivotal moment in which she rejects the manufactured safety of the community watch for a more authentic, albeit mysterious, human connection. This act signifies a subconscious turning away from the neighborhood’s performative cohesion and toward the very newcomer the watch was implicitly designed to monitor.


Parallel to the construction of this idealized community is a systematic deconstruction of idealized motherhood. The novel contrasts the societal expectation of maternal bliss with the intricate realities of the female characters, directly engaging the theme of The Cost of Maintaining Idealized Motherhood. The narrative opens with Essie’s experience of postpartum depression, a direct refutation of the myth that maternal instinct is automatic and universally fulfilling. Other mothers in the park insist that the hardship is “all worth it” (3), a platitude that isolates Essie in her sense of alienation. Her act of leaving Mia in the park is the novel’s foundational crisis, illustrating the dangerous consequences of a culture that fails to acknowledge the legitimacy of maternal ambivalence and mental illness. Ange, meanwhile, performs the role of the hyper-competent matriarch, yet her pristine home and curated image are constantly under tension with her husband’s infidelity, revealing that her perfection is a fragile defense mechanism to avoid dealing with problems in her marriage.


The narrative structure, which employs a rotating limited third-person perspective among the five central women, is the primary mechanism through which the theme of secrets is amplified. This technique generates significant dramatic irony by granting the reader access to each character’s closely guarded internal world, a privilege denied to the characters themselves. The audience is privy to Fran’s secret affair and her anxiety over Ava’s paternity, while Nigel misinterprets her distress as postnatal depression. Similarly, the reader witnesses Ange’s escalating paranoia about Lucas’s relationship with Erin while she projects an image of domestic harmony. This narrative choice underscores the isolation of each woman within the supposedly close-knit community: They share a geography but not their truths, leading to a series of misinterpretations and flawed judgments. The juxtaposition of their internal anxieties with their public interactions highlights the disconnect between their authentic selves and the roles they feel compelled to play. The inclusion of brief, italicized first-person fragments recounting a past hospital abduction injects a layer of overarching suspense, hinting that the individual secrets of Pleasant Court are unknowingly connected to a much larger conflict.


The recurring motif of running and physical exercise serves as a complex barometer for the characters’ psychological states. For Fran, running is a punitive act, a physical manifestation of her psychological torment. Her daily exertion is an attempt to impose order on her chaotic inner life and atone for her transgression; the physical pain offers a tangible outlet for emotional guilt. Ben’s relationship with exercise provides a stark contrast. As a fitness studio owner whose identity is built on physical discipline, he views running as a straightforward solution to life’s problems, a perspective that reveals how unaware he is of the emotional turmoil affecting the women around him. Isabelle’s remark that Fran looks as if she has not “had a baby at all” (36) complicates this motif. This seemingly complimentary observation functions as a subtle interrogation, exposing the societal pressures on postpartum bodies and calling into question the true motivation behind Fran’s relentless activity. The comment transforms Fran’s private ritual into a public performance, highlighting her vulnerability and Isabelle’s perceptive nature.


The early chapters also interrogate the theme of Defining Family and Identity Beyond Biology, primarily through the characterization of Barbara. Presented as a nurturing grandmother, her devotion to Essie is shaded with an undercurrent of all-consuming vigilance that hints at a deeper insecurity. Her constant worry is framed as an essential component of her maternal role, a duty she explicitly defines by stating, “I’m your mother […] It’s my job” (60). This statement reveals an identity wholly consumed by its maternal function. The narrative subtly suggests that this singular focus may stem from unresolved trauma, particularly in the context of her past, as she was abandoned by Essie’s father and forced to relocate. Barbara’s intense, almost suffocating, care for Essie is established as a deeply rooted need to maintain the family structure she has built. This lays the groundwork for the novel’s central revelation, suggesting that an identity so rigidly defined by a single role is inherently fragile.

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