57 pages 1-hour read

The Family Next Door

Fiction | Novel | Adult | Published in 2018

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Chapters 53-69Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of illness and mental illness.

Chapter 53 Summary: “BARBARA”

At midday, Barbara stops at a fuel station with Mia, whom she keeps calling Essie. In the restroom, the girl repeatedly says her name is Mia and calls Barbara “Gran,” which confuses her. Mia asks for candy; when Barbara refuses, she has a loud tantrum.


A cashier tells Barbara that bushfires have closed the highway ahead and she must turn back. Outside, as Barbara struggles with the child, a woman films the scene on her phone. Agitated, Barbara forces Mia into her car seat and drives away, intending to return to Melbourne.

Chapter 54 Summary: “ISABELLE”

At Essie and Ben’s house, Isabelle pleads with the police to issue an alert for Mia. Officers interview Ben and Essie, who downplay Barbara’s actions, blaming them on confusion. Jules arrives to support Isabelle.


A police officer shows them a citizen-submitted video from a gas station. It shows Barbara roughly handling Mia. Ben identifies them both. The police report that Barbara’s car appears to be heading toward Sydney. Confronted with this evidence, Essie breaks down and turns to Isabelle for support as Ben looks on.

Chapter 55 Summary: “FRAN”

At the hospital, Fran waits with a sick Ava and her older daughter, Rosie. Consumed by guilt, she blames herself for not recognizing Ava’s illness sooner. A nurse distracts Rosie while the staff examines Ava.


An administrator urges Fran to call someone. Fran phones her husband, Nigel, in Brisbane. He responds with concern and promises to fly back immediately.

Chapter 56 Summary: “ANGE”

After Essie learns of the video, Ange arrives at the hospital with Polly. She finds Ben outside the room, distressed, and Essie inside, leaning on Isabelle. Ben brings Polly to Essie, and the baby’s presence calms her.


Ben holds Essie and Polly protectively. Watching them, Ange compares Ben’s focus to her own marriage with Lucas, whose infidelity destroyed their bond. The contrast clarifies her decision.

Chapter 57 Summary: “BARBARA”

Hours later, Barbara drives aimlessly through St. Kilda. Disoriented and fearing she has Alzheimer’s disease, she parks and leaves Mia in the car to ask for directions. When she returns, the car is empty.


Barbara spots Mia wandering into the road before an oncoming car. She runs into the street, pushes Mia across to the tram tracks, and lifts her onto the platform. As she lifts Mia to safety, a tram strikes Barbara.

Chapter 58 Summary: “ESSIE”

During Mia’s disappearance, Essie waits in her hospital room, overcome with guilt. She remembers leaving Mia alone in a park and the chaos that followed. Isabelle stays by her side.


A police officer enters to announce that they have found Mia, physically unharmed. Ben collapses with relief. When Essie asks about her mother, the officer says Barbara’s situation is complicated, implying serious news.

Chapter 59 Summary: “ANGE”

That evening, Ange confronts Lucas. She tells him she is leaving him over his affair with Erin and their daughter, Charlie. Lucas pleads for another chance but does not deny the affairs.


Ange states she will not continue the marriage and walks out.

Chapter 60 Summary: “ESSIE”

In Essie’s hospital room, a police officer explains that Barbara pushed Mia from a car’s path but was hit by a tram. Barbara is in critical surgery. Police bring Mia to the room; she is physically fine but shaken.


Isabelle comforts Essie, recalling her mother’s hope of finding her lost daughter. A doctor prepares Essie’s discharge papers. Essie realizes her mother will not be coming home.

Chapter 61 Summary: “FRAN”

On the evening of Ava’s hospitalization, Nigel arrives from the airport. He checks on Ava, then turns to Fran. She explains the doctors diagnosed heatstroke and confesses her guilt over both the affair and missing signs of Ava’s illness. Nigel comforts her.


A nurse reports that Ava’s condition is improving. Fran asks Nigel for a final decision about their marriage. Before he can answer, a doctor enters.

Chapter 62 Summary: “ESSIE"

A week later, DNA results confirm Essie is Sophie Heatherington. At Essie and Ben’s house, Essie meets Graham, her biological father, and Freddy, her biological brother. They arrive just after Essie learns Barbara has woken from her coma.


Graham and Freddy remark on Essie’s likeness to their late wife and mother. Graham embraces Essie and Isabelle. As her biological family wishes their mother could see this day, Essie thinks only of Barbara.

Chapter 63 Summary: “BARBARA”

After regaining consciousness, Barbara absorbs her diagnoses: postpartum psychosis and PTSD, linked to her stillbirth. She has also been told the DNA results. Isabelle visits, and Barbara apologizes for the trauma she caused, offering Isabelle the mementos she kept from Essie’s childhood.


Isabelle asks what Barbara knew. Barbara insists she knew nothing and believed Essie was hers. Isabelle leaves with a noncommittal response.

Chapter 64 Summary: “ISABELLE”

After the hospital visit, Isabelle returns to the place she shares with Jules and feels light. On impulse, she suggests they move permanently to Melbourne to be near Essie. Jules raises practical concerns about his job in Sydney.


Isabelle backtracks, worried she pushed too hard, but Jules stops her. He says he is open to the idea and suggests they discuss it over dinner.

Chapter 65 Summary: “BARBARA”

Days later, Barbara’s friend Lois leaves after a supportive visit. Alone, Barbara admits she may have ignored signs that Essie was not her biological child. Essie arrives and asks what happened.


Barbara breaks down and says she cannot explain more than that she believed Essie was her daughter. Seeing her distress, Essie strokes her back and addresses her as her mother. Barbara drifts to sleep.

Chapter 66 Summary: “ANGE”

Weeks later, Ange paints on her back porch, embracing a more spontaneous life after her split from Lucas. Her sons adjust to the new routine. Fran, Essie, and Isabelle arrive with their children for a get-together, and Ange ushers them in despite the mess.


They settle into an easy gathering, forming a new community. Isabelle shares that she is pregnant.

Chapter 67 Summary: “FRAN”

A few weeks after Ava’s illness, Fran reflects on rebuilding her relationship with Nigel. She finds him in Ava’s room. Nigel says he checked Ava’s hospital chart and saw her blood type is O negative, which could match them both.


He tells Fran that the odds are good enough for him, and he accepts Ava as his daughter. Fran feels reassured about their future.

Chapter 68 Summary: “ESSIE”

Six months later, Essie’s family has a new rhythm. Ben now works part-time. While a movie plays, Mia excludes Barbara from a game. Essie reflects on Barbara’s trial, where she was found not guilty because of her mental condition at the time. Barbara lives nearby and has supervised visits.


Isabelle, now heavily pregnant and living in Melbourne, drops by. As the family jokes, Essie glances toward the kitchen and feels a pang for how Barbara once filled that space.

Chapter 69 Summary: “BARBARA”

Nine months later, Barbara receives a text from Essie with a photo of Isabelle’s newborn, Sophie Elizabeth. Soon after, Essie arrives with Mia and Polly. Mia runs to her grandmother, comfortable again.


When the girls squabble, Barbara suggests they bake. Essie jokingly says she is taking applications for a grandmother. Mia calls from the kitchen, and Barbara winks at Essie and goes to help, embracing her renewed role.

Chapters 53-69 Analysis

The novel’s climax and resolution are structured as a polyphonic narrative, interweaving the collapse of one family with the fraught reconstruction of others. Hepworth juxtaposes Barbara’s fragmented, dissociative perspective with the objective, external horror of her actions. While Barbara experiences the abduction of Mia as a confusing attempt to care for a younger Essie, the narrative cuts to a bystander’s video, which frames her as a violent aggressor, and to the police, who interpret her flight as a calculated crime. This structural choice holds two contradictory realities in tension: Barbara as a survivor of decades-old trauma, and Barbara as a dangerous perpetrator. By placing the parallel resolutions for Fran and Ange within this same compressed timeline, the novel suggests that the carefully constructed tranquility of Pleasant Court was always a collective illusion, dependent on the suppression of individual truths. The crisis does not create chaos but rather reveals the chaos that was always simmering beneath the surface of suburban life.


These concluding chapters bring the theme of The Cost of Maintaining Idealized Motherhood to its culmination. Barbara’s postpartum psychosis, triggered by the trauma of a stillbirth and repressed for over three decades, illustrates the most extreme consequence of the psychological pressures associated with motherhood, coupled with a lack of support. Her delusion—the unwavering belief that Essie was her biological child—is a defense mechanism born from an unbearable loss, complicating any moral judgment of her actions. Her character arc is a dark mirror to Essie’s own postpartum depression, illustrating a continuum of maternal mental health crises. This exploration extends to the novel’s other mothers, whose resolutions hinge on embracing a more authentic, less idealized version of family life. Fran’s guilt over Ava’s illness is inextricably linked to her infidelity, but the crisis ultimately leads to a moment of grace. Nigel’s acceptance of Ava’s uncertain paternity, based on the shared blood type he declares is “good enough for me” (325), prioritizes chosen love and committed fatherhood over biological certainty. This redefines parental bonds as an emotional and ethical commitment rather than a genetic fact.


The resolution of the central mystery offers further exploration of Defining Family and Identity Beyond Biology. Essie’s journey is not about discovering her origins; it is about actively constructing her identity in the aftermath. When she meets her biological father and brother, her thoughts remain with Barbara, demonstrating that she prioritizes her lived experience over her genetic heritage. This aligns with the novel’s core assertion about identity: It is forged in relationships, memory, and love, not merely inherited through blood. Her decision to initiate a fragile reconciliation with Barbara in the final chapters reinforces this idea, suggesting that the powerful bond of their shared lives cannot be erased by the revelation of its origins. The novel ultimately posits that family is a complex tapestry woven from both biological ties and enduring emotional connections. This redefinition is mirrored in the community of women—Essie, Isabelle, Fran, and Ange—who form a new, supportive network. Their bond, forged through shared vulnerability, becomes a chosen family that offers a more resilient and honest form of community than the one predicated on the curated perfection of Pleasant Court.


The subplots involving Ange and Fran conclude by resolving key conflicts and reinforcing the novel’s overarching movement from pretense to authenticity. Ange’s decision to leave Lucas marks the final dismantling of her role as the architect of a perfect-looking life. Her return to painting is a significant symbolic act; unlike her previous life, which was curated for an audience, her messy, experimental art is created purely for herself, signifying a reclamation of a private, authentic self. This act of creation replaces her previous efforts to create a flawless family image. Similarly, Fran’s journey finds its resolution in the cessation of her punishing daily runs, a physical manifestation of her guilt and a desperate attempt to outrun her secrets. Once she confesses to Nigel and he accepts their family’s future, the compulsion to run disappears, signaling her self-forgiveness and a newfound internal peace. The cautiousness that characterizes her and Nigel’s interactions as they rebuild their marriage is not a sign of distance; instead, it illustrates a more deliberate and honest form of intimacy.


Through Barbara’s experiences throughout the novel, the narrative delves into the intersection between trauma and memory, challenging a binary understanding of guilt and innocence. The narrative from her perspective positions the reader inside her confusion, fostering a degree of empathy even as her actions become increasingly dangerous. The novel explicitly questions the nature of her culpability when Barbara wonders if she truly did not know the truth about Essie or if “she didn’t want to know” (317). This ambiguity suggests a liminal space between conscious deception and self-delusion, where a truth too painful to acknowledge is actively, if subconsciously, suppressed. With her diagnosis of postpartum psychosis and PTSD, the narrative provides a clinical framework for her actions, shifting the focus from moral condemnation to an examination of the long-term consequences of unresolved grief. The narrative subverts the idea of Barbara as a simple antagonist; with her depiction, it offers a case study in how trauma can shape an individual’s reality.

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