74 pages • 2-hour read
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Content Warning: This section of the guide features discussion of gun violence, mental illness, substance use, sexual content, and cursing.
In a flashback, 16-year-old Tobias finishes showering while his girlfriend, Victoria, waits in bed. Dominic and Sean burst in, openly ogling Victoria’s naked body. After Tobias shoves them out, Victoria demands a lock, but he tells her he is leaving for a prep school in France in one week. She is hurt that he withheld this news, and they argue about his departure. After Victoria leaves, telling him he deserves better than his current life, Tobias confronts the boys. He finds Sean diluting their aunt Delphine’s vodka and scolds Dominic for disrespecting Victoria. The argument escalates as Dominic lashes out about Tobias abandoning them. Tobias briefly cancels their planned camping trip in anger, then recognizes their anxiety and decides to take them and their friend Tyler anyway to his secret spot, where he intends to explain his true plans.
Delphine returns from work, and she and Tobias discuss his departure. She thanks him for paying bills with his parents’ death settlement and expresses rare regret about her guardianship. Tobias urges her in French to treat Dominic well, and she warns him about the dangerous people he seeks in France, briefly mentioning his father.
The narrative returns to the present. Tobias hears Cecelia having a nightmare. He rushes in, comforting her in French as she sobs and clings to him. When she wakes, she pulls away, stating she has endured years of nightmares without him. He holds her through the night, reflecting that only time can heal them. He wakes alone.
In a flashback, 18-year-old Tobias is in his spartan Paris hostel when Preston Monroe arrives, insisting they go out on his last night before returning to America. Preston gives Tobias an expensive trench coat and teaches him to tie a necktie in the limousine. Tobias resents Roman Horner, his ultimate target (and Cecelia’s father), and reflects on his poverty and failed attempts to contact his parents’ old associates, who shun him due to his father Abijah Baran’s reputation.
At an upscale strip club, Tobias questions a dancer about a dangerous man in the VIP section. She warns that people who inquire about this man disappear and reveals that he closely guards a specific dancer. Outside, a knife-wielding thief attacks Preston. Tobias subdues the attacker, knocking him unconscious and saving Preston’s life. Preston tells him he is capable of doing bad things for good reasons, cementing their lifelong alliance.
In the present, Tobias finds Cecelia’s copy of The Thorn Birds, a 1977 novel by Colleen McCullough, and realizes that her café, Meggie’s, is named after the main character. In her bathroom, he discovers that her Juniper Berry lotion has the scent of gin. He receives a coded call from Preston Monroe, now the US President, who is revealed to be a founding member of the Ravenhood, a secret organization they created. Tobias texts Russell to arrange additional security for Cecelia in Virginia.
Cecelia arrives home to find her Audi, which Tobias took when she left their hometown of Triple Falls, parked in the driveway. Tobias confronts her about whether she is upset about the car or about facing him. He crowds her, asking bluntly if she wants to talk, fight, or have sex. When she remains silent, he relents, kisses her temple, and tells her he will give her more time.
At Meggie’s café, a school bus full of children arrives unexpectedly, and Tobias helps with the rush, bussing tables and taking orders. He speaks to Cecelia in French, making increasingly explicit sexual remarks that remind her of their intense early relationship. A shattering plate breaks the spell.
In the kitchen, they argue about their lack of real communication. Later, Marissa teases Cecelia about the sexual tension between them. Tobias follows Cecelia to her office, tells her he will see her at home, and gives her cash for Marissa’s tips.
That afternoon, after showering, Cecelia stands before her mirror when Tobias appears behind her, still damp from his run. He holds her from behind, saying he refuses to make small talk and is waiting for her to be ready for real conversations. His erection presses against her as he kisses her neck, but he suddenly pulls away with a pained expression and leaves. For the first time, Cecelia wonders if she is incapable of forgiving him.
In a flashback to age 20, Tobias walks through Paris, feeling isolated from normal student life. On the phone with Dominic, he lies about missing his flight home. A nested flashback reveals that six weeks earlier, during a camping trip, Dominic admitted that he had known about Tobias’s true mission all along, surprising Tobias with the depth of his understanding. On the phone, Dominic reveals that they are broke and that he has a plan to make money. Tobias reluctantly gives him permission.
After the call, Tobias is abducted off the street, hooded, and driven to a basement. A well-dressed man and his subordinate, Palo, confront him. The man reveals that he knew Tobias’s parents, Abijah and Celine. When Tobias is defiant, he is pistol-whipped. Tobias explains that he is in France to recruit help against the man who murdered his parents. The man releases him solely because he is Celine’s son.
After being freed, Tobias gets his roommate, Claude, to drive while he mentally retraces the abduction route using his near-photographic memory. He locates the hidden compound and calls Dominic for intelligence on the address. Dominic texts him the information—Tobias’s first text message. Armed with this data, Tobias allows himself to be recaptured at the gate. Brought before the man again, Tobias explains his route memorization and reveals that he knows the man’s name is Antoine, proposing an alliance.
The narrative returns to the present, with Tobias driving Dominic’s Camaro at high speed, haunted by the memory of telling his brothers and Tyler about his plans for revenge against Roman.
Cecelia comes home to find Tobias, shirtless and troubled, washing Dominic’s Camaro. He admits that driving the car triggered difficult memories of Dominic. He grabs and kisses her. Inside, he has stocked the freezer with frozen red grapes, her favorite, triggering memories of their intense early love affair. Tobias tells her they have a meetup that night to introduce her to his local security team. Though furious, she proceeds to get ready.
As she takes a bath, he showers nearby. They watch each other through the glass door, the sexual tension palpable. When he turns, the water reveals two exit wound scars on his back—one beneath his right shoulder blade, one above his right hip. Cecelia realizes with shock that he was shot while they were apart, and tears fill her eyes. Tobias sees her horrified expression, curses, and abruptly leaves the bathroom.
Haunted by the fear he saw in Cecelia’s eyes after she noticed his gunshot scars, Tobias grows more determined. On the way to meet his local security team, the tension prompts him to pull the car over, trapping her to force a conversation. He reveals the brutal aftermath of Dominic’s death: a six-month war with Miami that resulted in the deaths of numerous Ravens, including Alicia’s brother. He confesses that he stayed away because of the intense danger and admits his scars are from a near-fatal shooting that occurred a year after he sent her away—an attack that left him indifferent to his own survival. He warns that the threat to them is permanent and gives her a final chance to order him away, promising to respect her decision. Without hesitation, Cecelia reaffirms her commitment.
The narrative structure in these chapters, moving between the present timeline and a series of flashbacks to Tobias’s youth, enacts The Corrosive Nature of Secrecy. By juxtaposing Tobias’s formative experiences at ages 16, 18, and 20 with his tense reunion with Cecelia in the present, the text creates dramatic irony. The reader becomes privy to the origins of his calculated ruthlessness and the alliances he forged with figures like Preston Monroe and Antoine, while Cecelia grapples with the consequences of a past she cannot see. The flashback to his confrontation with Antoine, where he strategically allows himself to be captured to gain an audience, reveals a man who has long weaponized knowledge and control. This calculated approach contrasts with his current emotional powerlessness as he waits for Cecelia to grant him her trust. The secrets he still harbors, including the full extent of the Brotherhood’s activities and the nature of his injuries, are the invisible walls between them, and the narrative structure emphasizes their weight long before Cecelia can.
This structural secrecy directly fuels Cecelia’s internal conflict, which centers on The Labor of Forgiveness and Redemption as she wonders whether reconciliation is possible after Tobias’s betrayal. Her physical and emotional withdrawal after a nightmare, where she reminds him of the years in which she had to endure her nightmares alone, underscores the chasm his absence created. The narrative details her resistance, from her silence in the face of his provocations to her internal monologue, which culminates in the question, “What if I’m incapable of forgiving him?” (127). This moment crystallizes her fear that the damage is permanent. In response, Tobias attempts a quiet redemption, performing small acts of service like helping at her café or stocking the freezer with her favorite frozen grapes. These gestures are his penance and contrast with the aggressive control he exerted in their past. His patience is a performance of his changed nature, yet for Cecelia, each gesture is a reminder of the man he once was and the man he became without her, making forgiveness a difficult task.
The psychological weight of the past finds a physical manifestation in scars and nightmares, embodying The Haunting Presence of the Past. Cecelia’s recurring nightmares are the direct byproduct of her trauma, an involuntary reliving of pain that Tobias’s presence now paradoxically soothes and complicates. The discovery of two exit wound scars on Tobias’s back serves as a turning point in Cecelia’s perception of his absence. The scars are undeniable, physical proof of a violent history he has hidden from her. This revelation reframes his departure not just as a choice to leave, but as a period of intense suffering he endured alone. It prompts Cecelia to reconsider the narrative of abandonment and begin to comprehend the physical cost of his secrets, transforming his mysterious absence into a tangible history of pain.
The motif of language, particularly Tobias’s use of French, operates as a tool for navigating power, intimacy, and alienation. In the flashbacks, French is the language of his heritage and his mission, a marker of the identity he adopts to survive. In the present, he wields it with dual purpose. At Meggie’s café, his explicit French remarks to Cecelia create a private intimacy amidst the public chaos, reminding her of their shared history. Simultaneously, his ability to deliver a veiled insult to a rude customer—“Avec plaisir, salope.” (119)—showcases his comfort with deception, honed through years of clandestine operations. This linguistic dexterity highlights the duality of his character: the lover who shares a secret language with his partner, and the strategist who can manipulate situations to his advantage. The use of French becomes a microcosm of their relationship—a space of connection that is simultaneously shadowed by the skills he acquired in a world she was never meant to enter.
Tobias’s character is shaped by guilt, which complicates his quest for redemption. The flashbacks reveal a young man driven to protect his brothers, yet his methods lay the groundwork for future tragedy. The memory of revealing his plans for revenge to Dominic, Sean, and Tyler is not one of triumph but of burden, the moment he drew them into his violent world. In the present, this guilt manifests in his “bad days,” triggered by driving Dominic’s Camaro, a tangible link to the brother he lost. His pain is evident as he admits to Cecelia that his mind becomes a prison, a confession that exposes a rare vulnerability. This internal torment is underscored by the formative ideology Preston Monroe articulates, which suggests that Tobias is one of the “good men capable of doing bad things for good fucking reasons” (108). While this ethos justifies his violent actions, it does not absolve him of their emotional cost, leaving him in a constant battle with his past even as he tries to build a peaceful future.



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