65 pages • 2-hour read
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Claire North’s novel grounds its speculative premise in concepts from 20th-century physics, exploring how temporal paradoxes and quantum mechanics challenge traditional understandings of causality and reality. The central fear of the Cronus Club is a version of the “grandfather paradox,” a classic thought experiment in which a time traveler prevents their own existence by altering the past. The Club’s strict rule against interference was established after the “first cataclysm,” an event where a kalachakra named Victor Hoeness manipulated history based on information he learned about the future, creating a catastrophic new timeline. His story serves as a large-scale illustration of the grandfather paradox, demonstrating that even a single change can invalidate the future from which it originated.
The novel also engages with ideas from quantum mechanics, particularly the observer effect, which posits that the act of observing a system fundamentally alters it. Vincent’s ambition is to build a “quantum mirror,” a device capable of deducing the state of the entire universe from a single particle, thereby giving the person wielding it a god-like omniscience that defies quantum uncertainty. Ironically, his attempts to accelerate technology in service of this goal create a chaotic, unstable future where “the end of the world is getting faster” (2). Vincent’s actions become a macro-level demonstration of the observer effect: His effort to know the future is the very thing that corrupts it. By anchoring its narrative in these scientific concepts, the novel transforms a fantasy premise into an exploration of determinism, consequence, and the limits of human knowledge.
The First Fifteen Lives of Harry August serves as an extended thought experiment on existentialism, using the cyclical lives of the kalachakras to explore the search for meaning in a seemingly purposeless existence. A 19th- and 20th-century philosophical movement associated with thinkers like Jean-Paul Sartre and Albert Camus, existentialism posits that individuals are free and responsible for creating their own meaning in a world devoid of inherent purpose. Harry’s journey embodies this struggle. He spends his early lives seeking an external explanation for his condition, turning first to God and then to science. Finding none, he must confront the “absurd” nature of his reality, a core existentialist concept. The stages he identifies for kalachakras—“rejection, exploration and acceptance” (7)—mirror an individual’s process of forging personal meaning in the face of an indifferent universe.
In particular, this journey closely parallels Albert Camus’s interpretation of the Sisyphus myth. In his 1942 essay The Myth of Sisyphus, Camus presents the Greek king who is condemned to endlessly push a boulder up a hill, only for it to roll back down. Camus argues that Sisyphus becomes an absurd hero by accepting his fate and finding meaning in the struggle itself. Harry’s repeating life is a Sisyphean task. His initial despair, captured in the question, “Why did it matter?” (2), eventually gives way to a life of active engagement, suggesting that he, like Sisyphus, ultimately finds meaning not in a final outcome but in the perpetual act of living.



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