52 pages • 1-hour read
Carrie RyanA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes descriptions of death.
The idea of female agency in the novel is subtle and complex. While the Sisters wield ultimate authority in the village, young women like Mary and Cass have very little autonomy and are expected to conform to limited roles in this rigid society. Specifically, they must wait passively for a man to “speak for” them and marry them, thereby providing them with a defined role that forces them to sacrifice their own interests and work for the benefit of others. Yet because a ruling class of women perpetuates this oppressive cycle, the novel presents an intricate dynamic that examines the compromised nature of female power within innately patriarchal social systems. The nuances of these interactions are extensively explored through the rebellious Mary’s fraught relationships with Sister Tabitha, the male characters, and Cass.
The Sisterhood strongly influences the villagers’ religious beliefs by compelling everyone to believe in God and to studiously examine the Scripture. They also suggest that perpetuating the human race in the face of the undead scourge should be every villager’s primary concern. Yet although their many social rules are ostensibly designed to aid humanity’s survival, the Sisters take actions that decrease the villagers’ quality of life—particularly when they arrange the lives of young people like Mary with no regard for these young adults’ true preferences. Sister Tabitha exerts a special degree of control over Mary when she forces the protagonist into close proximity to the undead in order to force her into “choosing” the Sisterhood. Later, Sister Tabitha even goes so far as to punish Mary’s curiosity about the Sisterhood’s secrets by determining that Mary should be betrothed to Harry instead. However, the true extent of Sisterhood’s sinister actions, while never fully confirmed, are nonetheless heavily implied in Gabrielle’s sudden transition from a patient to a vicious and fast-paced Unconsecrated. Gabrielle’s initial isolation and ultimate loss of agency demonstrate the inherent risks that Mary faces when she seeks the full truth about the Return, the Sisterhood, and the state of the outside world.
In addition to contending with the will of the Sisterhood, Mary finds that her agency is constantly tested by the male characters, who seek to influence her choices in life and love. However, in each instance, she shows a quiet assertiveness, and her determination to remain true to her ideals leads her to even more empowered patterns of decision-making. For example, Mary initially assumes that Travis shares her hope of finding a better life beyond the village, but when he admits to having doubts about the very existence of the ocean, Mary realizes that she must follow her heart even at the expense of her romance with Travis. Likewise, when Harry betrays her trust and calls her selfish at Gate I, she leaves him behind and pursues her own path. Finally, Mary’s own brother, Jed, shuns her after their mother’s death, but Mary’s fortitude, hope, and survival instincts eventually influence him into joining her cause, and in the novel’s conclusion, he is the only person to follow and aid her when she chooses to seek freedom beyond the fenced paths. While Jed proves himself an ally in the end, he, Travis, and Harry consistently represent the limits that try to rein in Mary’s inquisitive nature, and it is up to her to either change the men’s behavior or escape their influence entirely.
While the male characters’ overbearing nature challenges Mary to rely more heavily upon her own judgment, Cass serves as a foil to Mary, for her passive approach to life highlights the protagonist’s growing sense of agency and determinism. This dynamic comes to the fore when Cass insists that she and Mary bury their true feelings and accept their poorly arranged marriages. In this moment, Cass makes no effort to assert her love for Harry and change the course of her life, and it is only the crisis of the breached village—yet another external factor—that ultimately changes the course of her life. Later, when Cass tries to convince the others to return to the village, their decision to ignore her and her rapid acquiesce further reflect her lack of agency. By contrast, Mary’s power increases as she engages in self-reflection, actively seeks to uncover the Sisterhood’s secrets, and remains determined to seek the promised freedom of the ocean.
According to the Sisterhood, the villagers’ only hope for the future is in having children, but Mary has always felt that a safer, more fulfilling future requires leaving the village and finding the sea. Ironically, she only gains the chance to test her theory when the village is completely lost, and the narrative therefore implies that the loss of the community’s hope for stability ultimately allows a much riskier, more daring form of hope to flourish. As the survivors are pushed to find new territory, Mary herself becomes the avatar of this ultimate form of hope, goading her companions into more decisive actions than they would otherwise be willing to take.
Mary’s own persistent hopes can be seen on the group’s journey, when she realizes that she has found Gabrielle’s village and urges the others to explore it with her in the hopes of finding a new haven. Later, when she understands that Gabrielle left to escape the invading undead and not of her own free will, Mary nonetheless keeps up her hopes by noting the size of the village and the wide range of supplies and shelters that it offers. In Mary’s mind, the food supplies left behind prove that these villagers were subsisting in a healthy way and planning ahead. Within this context, the brick home that she and Travis briefly inhabit serves as a symbol of hope in the midst of death, for its strong walls literally keep out the Unconsecrated, while the stashed supplies and courtyard garden sustain the two in the midst of their confinement.
Even when the undead breach the house’s perimeter, Mary’s hope is sustained by the artifacts that she discovers. Finding the newspapers is a particular thrill because they represent her first honest clue about the Return. When she understands that the Unconsecrated condition initially spreads like an epidemic, this critical piece of information diminishes the Sisters’ authority, given that Sister Tabitha portrayed the Return as divine punishment for humanity’s greed. The newspapers make Mary realize that factors other than sin may have been involved in the fall of the world. Additionally, the postcard of New York City symbolizes hope by emphasizing the literal and technological heights that humanity once achieved, and the photos of the ocean confirm that her faith in the existence of better places has always been justified. When she gives the postcard of New York to Jacob, she is actively passing the flame of her hope on to him.
Even with the weight of these developments, Mary’s strongest boost of hope comes from the meaning of the coded letters—which are not words, but Roman numerals. To Mary, the proof that the builders of the paths numbered them with logic and reason is crucial, for it suggests the existence of more enclaves of people and implies that the builders had enough hope for humanity’s survival to design organized ways connecting these various groups. Compelled to act on her various discoveries, Mary relies upon her persistent hope to escape the seeming inevitability of death at the hands of the Unconsecrated, and her discovery of the ocean proves to her that her faith has not been misplaced.
Faced with the ongoing threat of the Unconsecrated, several characters take actions that demonstrate the moral struggle between prioritizing self-interest or sacrificing their own needs for the sake of others, and Mary, Sister Tabitha, and Jed best exemplify this dichotomy. In the novel’s first few chapters, Mary extensively demonstrates her unconditional love for her family and friends. For example, she stays at her dying mother’s side until the woman succumbs to the undead infection, and much later, she disregards all need for caution and rushes to Travis’s side when he sacrifices himself to string the escape rope for her and the other survivors. However, Mary also demonstrates a tendency to pursue her own interests despite the consequences for others, as when she purposely isolates herself in the brick house, leaving Travis alone so that she can investigate the trunks and indulge in private reflections on the attic porch. While she later claims to be brainstorming ways to escape, Mary privately recognizes that her time alone is more aptly characterized as a form of self-soothing. Later, when she realizes that merely living with Travis can never bring her the fulfillment that she would experience upon finding the ocean, Harry and Cass condemn her as selfish for her choice to pursue her dream over all other considerations. Yet the novel provides an implicit reconciliation for the contradictions in Mary’s character, suggesting that although Mary knows she must serve her heart and goals, she also seeks to serve the greater good by proving that a brighter future is possible for everyone.
In a contrast to the balance that Mary strikes between serving herself and others, Jed’s arc exemplifies a distinct shift from selfishness to unconditional love and self-sacrifice. Initially, he callously turns Mary out of the family home because he blames her for the loss of their mother, and he uncaringly banishes her to the cruel dictates of the Sisterhood. This pattern intensifies when he later punishes Mary for revealing Beth’s undead infection, even though Beth’s very presence amongst the survivors is an existential threat that they deserve to know about. When Jed strikes Mary, their sibling relationship is deeply damaged. However, Jed’s crucial change of heart occurs when he realizes that Mary is his only remaining family member, for in this moment, he risks his own life to rush through Gate I after her and protect her from the undead. In the end, his unconditional love for Mary prompts his reckless attempt to save her, precipitating his fall into the river. While his fate remains unknown at the end of the novel, the about-face in his actions represents the inner realization that he must not prioritize his own needs to the point that he negates his relationship with his sister.
Although she is a secondary character, Sister Tabitha also demonstrates a complex mix of selfishness and generosity. In her initial antagonistic actions, she demands that Mary curtail her inquiries into the origins of the Return, and this prohibition suggests that she sees Mary’s curiosity as a threat to the Sisterhood’s power base. Likewise, when she fears that Mary may learn too much, she approves the protagonist’s ill-matched betrothal to Harry, just to get her out of the Cathedral. Yet despite these cruel and self-serving actions, Sister Tabitha acts to save others during the breach that destroys the village, and it is her willingness to keep the door open for the fleeing Harry and Mary that ultimately results in her demise at Gabrielle’s hands. While such a fate can be interpreted as an overdue comeuppance, given Sister Tabitha’s implied role in creating the undead Gabrielle, the complex mix of motivations governing her actions also illustrates the novels overall examination of the ethical dilemmas involved in saving humanity at all costs.



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