66 pages 2-hour read

The Fort Bragg Cartel: Drug Trafficking and Murder in the Special Forces

Nonfiction | Book | Adult | Published in 2025

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Themes

Cycles of Trauma and Addiction in the Military

Throughout The Fort Bragg Cartel, a motif develops as friends, family members, and associates of the key figures describe these figures’ lives before they enlisted in the army. William Lavigne’s mother, for example, insists that her son was “never a bad kid” (52). The goofy, silly, fun child whom she describes is starkly contrasted against the brutal, paranoid figure who—two chapters before—kills his friend in front of their children. The Lavigne that his mother remembers and the Lavigne who emerges from the military are starkly different figures, and through this contrast, the book frames war as a corrupting force in American society. The small town boys such as Lavigne (or Leshikar, Dumas, or Vallejo) lose their innocence in the crucible of combat, returning as traumatized and pained figures who do not know how to operate in the society they once knew. In bringing the trauma of war home with them, they perpetuate the cycles of violence even further.


The cycles of violence are fueled by drugs and illicit narcotics. Harp describes the prevalence of prescribed medicine in the armed forces. Doctors write prescriptions for any kind of physical and mental issue, urged by the representatives of the institution to ensure that the soldiers remain as effective as possible during their deployment. When these soldiers return home, they are cut off from easy access to prescription narcotics, and many seek out alternative means of self-medication, including through the illegal drug trade. Harp describes a culture of rampant drug use at Fort Bragg, so much so that two soldiers cannot envisage a trip to Disney World without “uppers, downers, ketamine, and bath salts” (156). The men become dependent on these substances to numb the pain in their bodies and their minds. The trauma inflicted upon them does not leave their bodies when they return, but the armed forces, in Harp’s view, often fail to offer appropriate treatment, thus fostering a culture of addiction. The soldiers of Delta Force and Fort Bragg are products of a traumatized and traumatizing environment, in which cycles of violence echo back across the ocean.


The Fort Bragg Cartel depicts not only of a group of soldiers and veterans addicted to narcotics, but of an entire country addicted to war. In the historical sections of the book, Harp outlines the near continuous state of war that has gripped the United States, particularly in the aftermath of the September 11 attacks. The Global War on Terror is a symptom of this addiction, in which the entire country itself is suffering from the trauma and cycles of violence that echo across generations and geographical space. The opioid crisis and the economic malaise Harp describes in the book produce more soldiers, men who seek a better life in the armed forces but who ultimately find themselves trapped in the same continuous cycles of violence that define life in the modern United States. The book is about the traumatized men of Delta Force, as well as the victims they leave strewn behind them, but their struggle is analogous to the broader plight of the country itself. The book paints a picture of a United States addicted to a never-ending cycle of violence and trauma.

Blowback as a Consequence of Military Interventionism

The term blowback was originally used by the CIA to describe the unforeseen repercussions of secret operations abroad. In the context of The Fort Bragg Cartel, blowback refers to the unintended, destructive consequences of America’s decades-long covert wars returning home to the very soldiers and institutions that waged them. 


One of the most pronounced illustrations of blowback in the book involves the Mexican drug cartel Los Zetas. Unlike earlier cartels, Harp notes, Los Zetas are “real soldiers, elite ones, trained in the United States” (167). Originally intended as a project to combat drug trafficking in Mexico, the commandos trained by the American military to fight the cartels instead took their military training and used it to displace the cartels and to take over the drug trade. The emergence of these narco-terrorists, Harp suggests, “inaugurated the darkest era in all of Mexican history” (168). The violence on the boarder intensified, fueled by the training and equipment that were intended to put a stop to the cartels. Rather than ending the drug trade, this US intervention escalates the violence and destruction, creating a new form of blowback as Mexican drug traffickers with US military training begin to infiltrate the drug trade in the US. Ironically, what began as a joint training exercise between Mexican and American law enforcement becomes a joint training exercise between the cartels and the men who Harp portrays in his book. Figures like Dumas and Huff, for example, not only do business with the cartels, but exchange information and training to make the trade more profitable. The equipment and the violence is not the only thing which bounces back to the American society; the very notion of a mutually intelligible institutional knowledge exchange is weaponized in the name of the drug trade.


After years of clandestine missions, assassinations, and counterinsurgency campaigns carried out in places like Iraq and Afghanistan, the tactics and moral corrosion of those conflicts reappear within Fort Bragg itself, a form of psychological blowback. The same soldiers trained to operate without oversight abroad later turn their “advanced infantry skills” and trauma inward on their own communities (70).  In certain instances, this is direct and specific. The aftermath of the killing of Leshikar, for example, involves discussion of Lavigne’s particular skillset. A domestic dispute between two friends is intensified in part because Leshikar’s tactical training fuels his paranoia. Both men have advanced combat skills that make the fight much more serious. Lavigne kills Leshikar using the same techniques he learned fighting enemy combatants; he is, in a very literal sense, bringing his violent methods into his home. Harp broadens the scope of this analysis of blowback, showing how the techniques and skills learned by Delta Force operators become even more of an issue when—amid untreated trauma and drug addictions—domestic disputes occur. Domestic violence and murder are so prevalent among the men of Fort Bragg in part due to blowback, as every fight or dispute is made suddenly more intense due to the training and trauma of frontline combat.


Harp also describes the Global War on Terror’s unintended effects on the  opioid crisis in America. In the chapters devoted to the history of the War in Afghanistan, Harp describes how the cultivation and trafficking of heroin was almost ended under the first Taliban regime in the 1990s. Then, after the American invasion of Afghanistan, heroin production exploded. This heroin was trafficked into the United States, becoming a low cost alternative to Fentanyl and other painkillers. Many people in America, Harp writes, had become addicted to prescription narcotics and, as a consequences of their addiction, turned to an illegal network suddenly flush with Afghan-grown heroin, made possible due to the American invasion. Harp suggests that “the Afghan client state had functioned as the world’s biggest drug cartel, responsible for producing at least four-fifths and more like nine-tenths of all the heroin consumed during the global opioid epidemic” (264). The heroin that floods into the United States is a clear example of blowback.

The Prevalence and Power of Hidden Networks

Throughout The Fort Bragg Cartel, Harp draws the reader’s attention to the hidden networks that shape much of modern society. In a structural sense, the describing of such networks begins on an individual level. The book opens with the doomed friendship of two individuals, William Lavigne and Mark Leshikar. This friendship is driven by illegal narcotics and untreated trauma. The two men exist in the context of a larger network of similarly stricken individuals, a network of Delta Force operatives and their associates who are united not only by their training and combat experience but by their shared proclivity for drugs and violence. This is, in effect, the titular Fort Bragg cartel, an informal network of soldiers who—informed by their counterinsurgency work and off-the-books activities—have broken from their institution to work together to traffic drugs, weapons, and much more. The Fort Bragg cartel is a hidden network that exists behind the veil of a visible network. The Delta Force men effectively live double lives: the accepted, visible life of soldiers and heroes; the hidden, illegal life of drug users and traffickers.


Just as the individuals such as Leshikar and Lavigne fit into the broader network of the Fort Bragg cartel, the cartel itself fits into a broader pattern of international drug trade. In his role as the narrator and presenter of the narrative, Seth Harp pulls back the focus of his book to show how drugs flow around the world along hidden pathways of connected traffickers. He traces the heroin of Afghanistan, for example, from Afghan poppy fields to American cities. The hidden network of drug trafficking runs parallel to the official, accepted network of international trade. Much as the Fort Bragg cartel is a network hidden behind the state-sanctioned institution of Delta Force, the drug trade relies on global shipping networks to transport vast quantities of narcotics around the world. Similarly, traffickers rely on banking networks to move money around. These networks exist in tandem with the official, legal networks, but they remain hidden from the view of the public. As such, Harp’s thesis is that hidden networks exist everywhere. They are deliberately obfuscated from the view of the public, often operating behind their permissible, legal equivalents. Everything from international docks to ships to banks to military bases all straddle the line between visible and hidden, legal and illegal.


Key to this, Harp argues, are the political institutions that run cover for the hidden networks. The Fort Bragg cartel, his book suggests, is able to operate because the United States government works very hard to cover up all incidents which threaten the reputation of Fort Bragg. The deaths of Mark Leshikar and Enrique Roman-Martinez, for example, are deeply suspicious by Harp’s reckoning, but both men’s killers benefited from the intervention of the institutional authorities. The United States military tolerates the existence of these hidden networks in exchange for the soldiers and their abilities. Fort Bragg is a vital tool of American empire, Harp suggests, so the existence of a hidden network such as the Fort Bragg cartel is an acceptable byproduct. Much the same way that the massive production of heroin in Afghanistan was ignored by the American invasion forces, the institutions tolerate the existence of such hidden networks because they benefit. Harp lists other conspiracies, such as Iran-Contra, to highlight how American institutions are often directly involved in the running of these hidden networks.

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