The Fourth Monkey

J. D. Barker

70 pages 2-hour read

J. D. Barker

The Fourth Monkey

Fiction | Novel | Adult | Published in 2017

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of graphic violence, child abuse, and death.

Rats

Numerous scenes, both past and present, incorporate rats as an active threat. They eat Talbot’s CFO’s body after he is tortured by Anson Bishop, the Four Monkey Killer, nearly rendering his corpse unrecognizable. In Emory’s imprisonment, they scrabble around in the darkness, making her afraid to explore her environment in case they attack her. In Bishop’s diary, he recounts a distinctly gory scene wherein his father tortures Lisa Carter by strapping a starving rat to her chest and letting it bite and scratch her. Rats largely exist in the underbelly of society, much like how Bishop’s violence is cultivated in his childhood basement and how he uses tunnels to navigate Chicago as an adult.


Rats thus act as a symbol of the visceral, omnipresent threat of Bishop’s violence. The characters are constantly uncertain of where or who he is, much like the rats’ mysterious presence in the dark. When Emory encounters rats in captivity in the elevator shaft, she thinks, “A group of rats was called a mischief. It sounded like a silly name to her then and seemed even more ridiculous now, but there it was. The only thing worse than one rat was more than one rat. A mischief” (121). The term “mischief” implies an element of deception; the rats are not only a single-minded, animalistic threat, but an entity with a negative collective goal. This mirrors Bishop, a man who may appear to have a singular and shallow goal—to enact violence on others—but actually hides a complex ideology and ambition.

The Four Monkeys

The four monkeys function as the novel’s core symbol, representing the distorted moral philosophy that legitimizes the killer’s campaign of vigilante violence. Bishop’s father perverts the traditional Japanese proverb—“see no evil, hear no evil, speak no evil”—by adding a fourth, active tenet: “do no evil” (28). This addition transforms a passive principle of avoidance into an aggressive mandate to punish wrongdoing. This twisted code, passed down from father to son, is the foundation for the theme of The Familial Inheritance of Violence, symbolizing a legacy where murder is framed as a moral imperative. By targeting criminals who have escaped the legal system, Bishop operates under the delusion that he is not a murderer but a righteous enforcer of the one rule that truly matters. The note he leaves clenched in his victims’ hands, which simply reads, “DO NO EVIL” (28), serves as the ultimate branding for his crusade, an attempt to elevate his crimes to the level of divine or karmic judgment.


This warped philosophy also serves the theme of The Corrupting Nature of Vengeance. The new version of the proverb gives Bishop a justification to operate outside the law, positioning his brutal acts as a purer form of justice than the flawed institutional system. The murders become ritualistic punishments, with each severed body part corresponding to a perceived transgression, all under the banner of “do no evil.” This symbol exposes the dangerous logic of vigilantism, where an absolute moral conviction becomes the rationale for committing monstrous acts. By adopting this code, Bishop is able to see himself not as a killer but as a cleanser of a corrupt world, demonstrating how an ideology rooted in vengeance can irrevocably corrupt an individual seeking to do good.

The Clues

This Four Monkey Killer (4MK), Bishop, leaves a series of clues to help Porter solve the crime, and these clues allude to both the novel’s themes and the complex dynamic between the protagonist and antagonist. Bishop disguises his victim, Jacob Kittner, as the 4MK and adopts his own disguises and false identity. The fake-out of Kittner, the 4MK diary, and the false persona of CSI technician Paul Watson are central to the exploration of The Manipulation of Narrative and Identity. Bishop’s infiltration of the Chicago Metro police force as the trusted CSI technician Watson allows him to manipulate the investigation from the inside, planting clues like the calculus textbook and observing the task force’s every move. Meanwhile, the objects he leaves are the exact hints needed to solve his crimes. The change in Kittner’s pocket, the dry cleaner’s receipt, and the pocket watch all point to the location of his victim, Emory, creating a careful narrative that he waits for Porter to solve.


In this sense, the clues also represent the intimacy of Bishop and Porter’s relationship. After five years of Porter hunting Bishop, and despite having the opportunity to do so within the narrative, Bishop never kills Porter. They’ve studied each other extensively and respect each other’s intellect. He still expects Porter to rise above his peers by solving seemingly opaque crimes and chastises Porter when he struggles to understand the hints within Bishop’s childhood diary. Nonetheless, once again, he doesn’t kill Porter at the novel’s climax and, afterward, further establishes their relationship by torturing Porter’s wife’s killer and requesting Porter’s help in finding his mother. The clues left throughout the novel are thus Bishop’s way of establishing the need to look beyond misleading appearances and a means of solidifying his dynamic with Porter.

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