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Content Warning: This section of the guide includes discussion of animal death and pregnancy termination.
In a new email, Calder hints that someone on the Monarch team has been leaking updates about the project, which he is exploiting to take the job away from Olivia. Olivia writes back to get Calder to argue why he thinks she should leave the project.
Vincent gives Olivia a folder that will help her with her research. The folder contains newspaper coverage of the Taylor murders and their aftermath. One clipping calls for information on the person who gave Poppy a ride to Ventura the weekend before her death. The same article starts insinuating the notion that Vincent may be a suspect because of his tensions with Danny. Later, at the library, Olivia finds an article reporting Margot’s suspicion that Vincent was the killer. Lydia refuted this claim in a statement, stressing that she would never allow Olivia to live in the same house as a killer. A 20-year retrospective of the murders reveals that a grand jury was assembled in 1993 to retry the case, following a malpractice case filed against the coroner who performed Danny and Poppy’s autopsies.
Olivia asks Tom for advice on breaking agreements. Tom cautions her against it, urging her to keep conflicting agreements as best as she can. When she gets back to the house, she shares her findings with Vincent, who distanced himself from the reopening of Danny and Poppy’s case after his parents died. Vincent explains that he did this so that he and Lydia could move on from their shared trauma. Olivia points out that she has found nothing to corroborate Vincent’s claim that Danny was volatile. Vincent answers that he was the only person who ever saw that side of Danny. He actively tried to find ways to prove that Danny was a killer.
Olivia tries to reconcile her findings thus far but still feels that she has too many lingering questions about the night of the murders. She cannot accept the scenario that Danny killed Poppy and that Vincent killed Danny in retaliation. She conducts more research and starts to write new pieces to get a better sense of the era her father grew up in. Getting to immerse herself in the reality of her father’s youth is her favorite part of being a ghostwriter.
Three weeks into the project, Olivia visits Jack and Matt. She shares how Vincent has mistaken her for Lydia. Matt asks what Lydia is like, prompting Olivia to admit that she doesn’t have many memories of her. Instead, Olivia frequently fantasized what life would have been like if she grew up with Lydia instead of Vincent. These fantasies spun into resentment when Olivia moved abroad for boarding school. She hasn’t forgiven Lydia for leaving her behind with Vincent. Jack commends Olivia for being honest and vulnerable, implying that she usually isn’t.
Allison finally returns Olivia’s request for details on Vincent’s childhood home. The property is held by a firm called Lionel Foolhardy, LLC, which angers Olivia.
Olivia breaks into Vincent’s childhood home. She inspects each of the rooms for clues, imagining life in the Taylor household and what the crime scene must have looked like. In Poppy’s room, Olivia finds the hiding place Vincent referenced in a loose panel under one of the windows. Olivia initially thinks she has found the knife that killed Poppy and Danny. Instead, she finds a pro-choice advocacy button Poppy hid from her mother.
Olivia inspects Poppy’s closet and finds an inscription in Vincent’s handwriting promising that Poppy will die soon.
Olivia is shocked by the possibility of tension between Vincent and Poppy. She worries that by writing Vincent’s memoir, she will erase his negative reputation.
She calls Jack over to Vincent’s childhood home to show him the inscription. Burdened by the emotional weight of the book project, Olivia cries and admits her purpose for being in Ojai. Jack argues against jumping to conclusions with the evidence Olivia has uncovered thus far. He gets her to resolve to talk to the district attorney about the 1993 grand jury.
Before leaving the house, Olivia uncovers another hiding place under the floorboards. Inside are Poppy’s film reels, covering the months from March to June of 1975.
Olivia recovers 10 film reels, which she believes will help her to unlock the truth. She has the reels processed into digital files and watches them later that day. In the first reel she watches from March, she sees her parents as teenagers. The next clips show Danny and various scenes of their home life. Olivia longs to see Poppy, who remains behind the camera through the entirety of the reel.
The next reel Olivia watches is from May. It includes clips of profane graffiti in the school gymnasium, a burnt-down sports equipment shed, and Vincent sneaking out into the grove behind the house at night. Many of the subsequent clips in this reel feature Vincent, as if Poppy is monitoring him. This reminds Olivia to cross-reference the reels with Poppy’s diary entries.
Olivia looks for the March #1 reel that upset Vincent. The reel shows the bonfire party at Mr. Stewart’s old house. Olivia watches the clip repeatedly and is unsure what provoked her father. She then turns to the next reference in Poppy’s diary, dated May 10: “I don’t even know who he is anymore” (166). Olivia finds the clip, which shows Vincent, not Danny, burying the neighbor’s cat.
On May 10, 1975, Poppy is searching for the neighbor’s cat in the grove. She hears a noise and finds Vincent digging a hole and crying. Poppy asks him what he is doing, but Vincent dismisses her, ordering her to return home. Poppy moves closer and realizes that Mr. Stewart’s cat is dead and wrapped in one of Vincent’s shirts. Vincent pushes her away, reiterating his order to go home.
Olivia realizes she needs to retract the chapter draft she sent Neil depicting Danny as the cat killer. She feels that she can no longer proceed without interviewing other people. Instead of arguing her case to Nicole, it occurs to Olivia that she can interview subjects under the pretense that she is seeking closure for her relationship with her father’s family.
Excited by this loophole, she calls Tom to tell him that she found a way to keep her conflicting agreements. Just then, Alma calls Olivia to attend to her father. Tom overhears this and immediately becomes upset with the revelation that Olivia lied about her father’s death. No longer able to trust her, he hangs up on Olivia and refuses to take any more of her calls. This plunges Olivia into two days of grief for her relationship. She is too scared by the idea of returning to Tom in person, only to be rejected again. Several check-in emails from Nicole push her to refocus on the project.
Olivia visits Margot Gibson, Poppy’s best friend, and introduces herself as Poppy’s niece. Margot entertains her questions at once. Olivia asks about the driver Poppy hitched a ride with the weekend before she died. Margot explains that Poppy went to a rally that day. Going to Ventura, she hitched a ride with a woman and her child. Returning home, she hitched a ride with a creepy man. Poppy asked him to drop her off at the high school instead of her home address, though Margot stresses that this lead was a dead end in the investigation.
Margot shifts Olivia’s attention to Poppy’s mental state in the days leading up to her death. Poppy was troubled by a discovery that she wouldn’t disclose to Margot. Poppy refused to attend Mr. Stewart’s annual end-of-school party, but Margot forced her to go anyway. At the party, Poppy became drunk and made a scene. Margot guesses that it had to do with the mounting tensions between her brothers. She suggests that Poppy was afraid of Vincent, especially after he threatened Danny with a knife the week before his death. Margot speculates that Danny was Vincent’s real target and Poppy was just collateral damage, though she cannot explain the enmity between them.
Margot admits that she didn’t go to Poppy’s house the night that she died, because she thought Poppy needed space. She also expresses her doubts around the alibi Vincent and Lydia supplied, citing a conversation where Vincent asked Poppy to meet him at the house shortly before Poppy was murdered. Olivia doesn’t believe that Vincent would make Lydia wait in the grove just so he could talk to his sister first. Margot’s theory hinges on the idea that the coroner misidentified the time that Danny and Poppy died, making it possible for Vincent to keep both appointments in one night.
Olivia asks Margot who she thinks is responsible for Lydia’s pregnancy. Margot is no longer sure, but she shares Poppy’s suspicion that it was Mr. Stewart. Olivia recalls the graffiti and the equipment shed from Poppy’s reel, and Margot explains that Vincent likely did this to retaliate against Mr. Stewart. Olivia shows her the clip Poppy took of Mr. Stewart’s bonfire party, but Margot doesn’t know what to make of it. Olivia then shows her a clip of Poppy’s last birthday. Margot recalls that Poppy lost her camera the week she died, though Poppy was also evasive about how this happened. While watching more of Poppy’s clips, Margot identifies a cat in-frame as Ricky Ricardo, Mr. Stewart’s cat. This reminds Olivia about the note in Vincent’s manuscript to bury Ricky Ricardo.
On May 16, 1975, Lydia waits for Vincent to return home. She overhears Poppy and Margot discussing theories about the graffiti incident in the gym. Margot asks Lydia if Mr. Stewart mentioned it to her during their training session that day. Lydia evades the question, suggesting that she and Mr. Stewart talk exclusively about running during her sessions. Danny exits his room at one point and pays no attention to Lydia.
Poppy speculates that the graffiti was a personal attack on Mr. Stewart. Soon after Mr. Stewart’s name comes up, Lydia leaves the room to watch television. Margot thinks this proves her theory that Mr. Stewart got Lydia pregnant. Poppy is scandalized that a teacher would pursue a student, though it would explain why Vincent and Lydia have been fighting so much lately.
Several days later, the sports equipment shed burns down. The rumor that goes around is that a student did it because they had a vendetta against one of the school’s three PE teachers. Poppy wonders why Vincent would go through the trouble of defaming Mr. Stewart at school when Mr. Stewart is their neighbor. Poppy then remembers that she saw Vincent burying Mr. Stewart’s cat. She starts to believe that Margot’s theory is correct.
Olivia attends another meeting with the Monarch book team. Though Neil expresses their satisfaction with the chapter draft about the cat, Olivia reluctantly asks to retract the chapter, citing the new information she learned from Poppy’s film reel. The book team allow her to clear the film reels with Vincent before sending them copies of the files for review. Olivia doubles down on her lie with Nicole, claiming that she found the film reels among Vincent’s belongings in storage. Olivia realizes that, like her father, she tends to withhold the truth when it is too complicated to explain.
Olivia meets with Mark Randall, Danny’s best friend and Jack’s father. She asks about Danny’s romantic life, leading Mark to confirm that Danny wasn’t in a committed relationship when he died. Olivia asks why Mark believes that Vincent is the killer, and Mark shares that he saw Vincent arguing with Poppy at the carnival. Vincent seemed to be intimidating Poppy when Mark saw them. Poppy had something to tell him, so Vincent told her to meet him at home. Mark told Danny about it, prompting Danny to return home to intercept their meeting. He theorizes that Danny died trying to save Poppy from Vincent. Guilty over sending Danny to his death, Mark instructed the police to investigate Vincent.
Olivia asks Mark for his opinion on Mr. Stewart. Mark does not think the teacher was a threat because he had a girlfriend at the time. Mark is also fond of Mr. Stewart because he would throw parties and let Mark and Danny steal beers from his fridge. He supposes that Mr. Stewart’s behavior wouldn’t be acceptable by contemporary standards. At the end of their interview, Mark encourages Olivia to either leave the past alone or risk discovering an uncomfortable truth.
Olivia goes deep into her investigation, allowing the novel to expose important leads that bring her closer to learning the truth. The most important discovery she makes in these chapters is Poppy’s missing film reels, which help Olivia to fill in the gaps of the diary Poppy left behind. The reels enable her to investigate the secondary narratives that take place in the past. Although the camera allows Olivia to learn about Vincent’s role in the death of Mr. Stewart’s cat, she also jumps to conclusions because she believes that her father is a bad person. For instance, she connects the burial of the cat to the death of the cat even though Poppy only manages to capture the former. The absence of the soundtrack on the film reels is meant to remind the reader that what Olivia is seeing is once again only part of the full truth. After she views the reel in Chapter 20, the novel jumps back to the event as it occurred in Interlude 8, emphasizing what is missing from Olivia’s interpretation of the evidence. This stresses The Tension Between Truth and Memory as one of the novel’s major themes.
Nevertheless, Olivia’s investigation provides a clearer understanding of dynamics among the Taylor siblings and what forces contributed to the outcome on the night of the murders. A key lead involves the grudge that Vincent had against Mr. Stewart. Given that Mr. Stewart and Lydia had a close relationship as mentor and student, it is not farfetched to assume that Mr. Stewart was involved in Lydia’s pregnancy and abortion. Margot suggests as much when she helps Olivia to realize that the dead cat belonged to Mr. Stewart and that Vincent was the likely suspect behind the gym graffiti incident and the burning of the sports shed. This raises questions about Mr. Stewart’s role on the night of the murders, even as it becomes clear that the timing of events would have allowed Vincent to meet with both Poppy and Lydia that evening. This makes it possible to read the alibi that exonerates Vincent, Lydia, and Mr. Stewart as false, implying that all three of them conspired to keep the truth a secret to protect their interests.
At this point of the investigation, it is also still possible that their cover story is true, making Vincent’s grudge against Mr. Stewart a red herring, a false clue meant to misdirect the reader from the leads that resolve the conflict. These false leads are standard in the thriller mystery genre, sustaining tension by challenging the reader to discern relevant and irrelevant clues. The clearest red herrings are usually those that offer the most obvious resolution to the mystery. For instance, the lead of the creepy driver who gave Poppy a ride feels like the most convenient explanation for her death. However, this clue doesn’t account for Vincent’s evasiveness, as well as his impulse to write his memoir 50 years after the fact. Even if the driver were the killer, it wouldn’t satisfy the larger plot, making Poppy’s murder tangential to the emotional arc of Vincent and Olivia’s relationship. The most satisfying answer to the mystery would resonate with the emotional realities that catalyzed the murders.
Finally, these chapters dig into The Personal Cost of Secrets. Olivia’s estrangement from Vincent and the secrecy she builds around that relationship affect her relationship with Tom, prompting him to turn away from her. Olivia has always hidden the truth about her upbringing from everyone outside of Ojai, not just Tom. This represents her inability to confront the facts that contributed to her estrangement from Vincent, including Lydia’s abandonment and Vincent’s experience with addiction. It also explains Olivia’s motivation for being a ghostwriter.
As a ghostwriter, Olivia can step into someone else’s life, pretending she is not Vincent and Lydia’s child. She wants to be more like the people she admires, whose values resonate with her own. Working with Vincent goes against the persona she’s created and forces Olivia to face the part of her life she’s been avoiding. It was only a matter of time until that part of herself started bleeding into the other aspects of her life. To resolve her character arc, Olivia must decide whether to continue hiding her past or acknowledge it as an essential part of her identity.



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