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Content Warning: This section of the guide includes discussion of child death, emotional abuse, addiction, rape, and animal death.
The novel frames Olivia’s relationship to her family as her darkest secret. She has hidden not only her relation to Vincent, but also avoids discussing his impact on her life. In Chapter 2, she explains that she had lied to her partner, Tom, about her family life, claiming that both of her parents were nurturing but were now deceased. Although she gave him this backstory before she knew that their relationship would become serious, she never took the steps to rectify it with the truth. The longer their relationship goes on, the more severe the lie becomes, which causes Tom to break off with her when he discovers that Olivia has been keeping her father company in Chapter 21.
This reveals Olivia’s primary coping mechanism of avoidance. Her resolve to keep her family ties a secret represents her fear of confronting the hard truths of her childhood. This reflects her choice to become a ghostwriter. While ghostwriting, she can briefly inhabit lives where “[n]o one can see who [she is] or remember who [her] father is” (4). Olivia would prefer not to acknowledge the complications of her life, but the job that Vincent offers reminds her that it’s impossible to keep her secret forever.
Olivia constantly urges Vincent to be honest in his storytelling, explaining that this is key to getting readers on his side. Vincent, however, is harboring his own secrets, which should alert Olivia to the consequences that keeping secrets will have on her life: isolating herself from others. Olivia does not realize this on her own. In Chapter 25, Jack is the one who awakens Olivia to the possibility that Vincent wants to free himself from his burden by sharing his story with Olivia.
Later, Olivia realizes that the same is true for Lydia when she learns that Lydia was coping with depression because she had killed Danny. Lydia does not reveal the role she played on the night of the murders because it is a secret she is afraid will fundamentally alter Olivia’s perception of her. As Lydia herself states in a flashback: “I would never allow my daughter to live in a house with someone who’d done something so horrific” (138). Even if Olivia were to accept her, she too would have to live with the burden of knowing her mother’s secret, which was too much for Lydia to bear. Instead, Lydia chose to liberate Olivia from that burden, straining their relationship in the process.
Once Olivia learns the truth, she resolves to take her own advice and be honest with the people she trusts most. By the end of the novel, her reconciliation with Tom leads to an invitation to visit her childhood home and heal her emotional wounds.
The novel initially frames the relationship between Olivia and Vincent as antagonistic. Olivia has spent much of her life trying to keep the distance between herself and her father, making the possibility of reconciliation between them feel impossible. Apart from the money, the earliest motivating force that drives Olivia’s interest in the murders is getting justice for her aunt, Poppy. Olivia views Poppy as a surrogate mother, assuming that Lydia would have left Vincent regardless of the murders. Seeking justice for Poppy would bring Olivia closure for the loss of yet another life she could have had, apart from the ones she lost through her traumatic relationship with her parents.
As the facts of the mystery become clear, Olivia realizes that much of her upbringing has been a response to her parents’ trauma. She does not know how to deal with the deaths of relatives she never even knew, which is why her first instinct is to avoid them. Olivia’s avoidant behavior is therefore an inheritance, a character trait that reflects her response to the trauma her family shares.
A recurring detail is that their mother, Patricia, experienced alcoholism, an addiction that prevented the Taylor children from connecting with her. Patricia’s addiction was a coping mechanism for the emptiness of her life, which she refused to confront because she was a product of her times. As a result, the Taylor children frequently break the rules she imposes, sneaking out of the house and hitching rides with strangers. This partially contributes to the circumstances that result in Danny’s abuse and Poppy’s death at the hands of their neighbor, Mr. Stewart.
As an adult, Vincent experiences alcohol and drug addiction to cope with the trauma of both Lydia’s rape and his siblings’ deaths, in turn causing his estrangement from Olivia. Since Olivia does not know about these events in Vincent’s life, she views Vincent’s behavior in a vacuum, assuming that his addiction is a character flaw. Jack reminds Olivia that Vincent is not inherently evil since Vincent had been the one to step in and raise Jack when Jack’s own father fell short. This compels Olivia to become more direct with her father, filling in the gaps of her knowledge so that she can better understand her parents’ behaviors.
Olivia manages to break the cycle of her family’s trauma, both by solving the mystery of her relatives’ deaths and by adopting healthier resolutions that overcome the faults of those who came before her. She identifies her avoidant behavior as a toxic character trait and turns away from it, seeking reconciliation with both of her parents and with Tom. She reaches closure by clearing her father’s name and bringing her uncle’s abuser to justice while also acknowledging her uncle’s abusive behavior.
Some of the novel’s strongest tensions come from the clash between Olivia’s need for empirical evidence and Vincent’s unreliable memory. The fact that Vincent forbids Olivia from trusting any other perspective than his own exacerbates this tension, making it necessary for Olivia to rebel against him to uncover the truth. On more than one occasion, Vincent claims that events happened one way, only for Olivia to discover that the opposite was true, based on concrete pieces of evidence like Poppy’s film reels. On the other hand, Olivia learns that the truth she gleans from concrete evidence is only her interpretation. More often than not, the truth is much more than what the evidence merely suggests.
Olivia’s skepticism arises from her assumption that Vincent is acting in bad faith. Early on into their collaboration, Olivia asks Vincent outright if he killed his siblings. Vincent calls her out, stressing that she wouldn’t act this way against any other interview subject. In other words, Vincent is imploring Olivia to look past her personal biases and give him the same treatment that she might give in any other professional engagement. The same bias causes Olivia to lean into the clues that implicate Vincent in the murders, ignoring the fact that none of the clues definitively connect him to the murders. For instance, the film reel that shows Vincent burying Mr. Stewart’s cat suggests that Vincent may have a capacity for violence, but there is enough room to suggest that Vincent merely came upon the dead cat. This turns out to be the case when the novel reveals that Danny was the person who killed the cat. Similarly, Olivia assumes that the inscription in Poppy’s closet suggests Vincent’s intent to kill her. Later, this becomes a clue in Vincent and Poppy’s treasure hunt.
In Chapter 25, Jack reiterates the need for Olivia to lean into the truth she instinctively believes to be true: “I think you know the truth… But you’ve built so many walls, you can’t see it anymore” (209). He sees that Olivia’s willingness to implicate Vincent is her way of coping with the lack of closure in their relationship. She takes so much offense in Vincent’s unwillingness to apologize for his past behavior that she accepts the truth that aligns with this transgression. Jack is essentially telling her that the truth and memory don’t have to conflict with one another; they only do so when bias comes into play. Instead of holding her grudge, Olivia confronts Vincent with her findings, bringing her closer to the truth. Vincent’s unreliable memories do not deter Olivia from completing her investigation. Rather, they help her make sense of the gaps she finds in the evidence. Subjective memory and objective truth work in harmony to paint a clearer picture of history.



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