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A bleak future has settled over the planet, and Gilda is forced to hide from it in a network of caverns in the American Southwest. In the face of economic collapse, widespread disease, and environmental disaster, mortals have discovered vampires exist and that immortality is possible. The rich pay a network of drug-fueled Hunters to seek them out, so Gilda pays three guards to watch outside her cavern full-time.
After a brief meeting with her guards, Gilda leaves the cavern and runs through a dry riverbed to hunt for blood in town. Her return home is interrupted when she senses a Hunter on her trail. He attacks, but she knocks him unconscious with her superior strength. The encounter leaves her wishing for escape from this place; suddenly, the moon breaks through the usual fog of pollution, and she receives a thought-message from her vampire family saying they are safe in South America and she can join them there.
One of her most loyal guards, Houston, approaches Gilda. She explains she may soon be gone and asks what he might do with the time off. Going Off-world is an appealing possibility, Houston says, but he cannot pay the tremendous sum required to bribe his way onto a ship. Only an hour’s preparations are required before Gilda slips away through a secret panel in her cavern room, leaving Houston an envelope with all the money and papers he’ll need for passage Off-world and taking only a few of her life’s keepsakes with her.
Gilda plans to hide out in an abandoned apartment building before proceeding to South America, but in the empty penthouse she finds a woman named Ermis unconscious on the bed, having attempted suicide by drug overdose. Unable to bear the healthy woman’s unneeded death, Gilda exchanges blood with Ermis, and they sleep off the drug together. Ermis’s transformation takes several days to complete. Afterward, Gilda assures Ermis she has no obligation to her and she can still end her own life if she chooses. Ermis feels Gilda’s gesture was generous and wants to stay and live as a vampire.
They set off for South America together, traveling through Mexico until they come to the Panama Canal, which will be difficult to cross. Things get worse when Hunters find them hiding in a cave near the water, and though the vampires kill both of them, a poisoned dart cuts Gilda’s hand and leaves her nearly dead.
A terrified Ermis must decide how to cross the Canal with Gilda’s paralyzed body. The voices of Gilda’s vampire family call out in support to Ermis’s mind, telling her to come “South to Peru […] the old ruins of Machu Picchu” (249). Ermis fashions a sled from branches and drags Gilda across the treacherous Canal. During the journey, Gilda regains some consciousness and converses with Bird in her head, asking if they should take the true death. Bird says no—they should not leave the earth to those who would destroy it—and Gilda agrees.
Ermis gets them to safety, and once Gilda regains her strength, they trek through the mountains, talking of the community they’ll find in Peru. In the novel’s last paragraph, Gilda looks up and sees on a nearby ridge that “Julius and Effie were parallel with them, moving eastward toward Machu Picchu” (252). Ermis and Gilda move in their direction, no longer afraid.
The phrase “Land of Enchantment,” which titles the chapter, is the official nickname of the state of New Mexico. The state in which the chapter takes place is never explicitly named, indicating that under this breakdown of society these historical boundaries are ceasing to have meaning. More broadly, calling this chapter Land of Enchantment points toward the utopian potential future that Ermis, Gilda, and the other vampires move toward in Machu Picchu at the novel’s end. “Enchantment” can either mean a feeling of pleasure and wonder or it can refer to a state of being under a spell. Its use here is both hopeful and ironic. The characters do need a measure of wonder to propel them forward in their mission to build a new society, and the final image of the book, in which Gilda sees her friends silhouetted in the moonlight, does capture a sense of enchantment. However, no one here is under a spell: They proceed with an all-too real awareness of the risks and challenges the future poses.
The Hunters who have made the planet unsafe for vampires parallel the bounty hunter who seeks out escaped slaves like Gilda in the first chapter. The wealthy humans who pay for their services are the new slaveowners. They are uninterested in properly joining the vampire community and see the vampires purely as commodities, killing them once they have taken their powers. This return to an evil practice Gilda thought she had seen eradicated in her lifetime gives a sense of what time looks like to a vampire—never a straight line of progress, but a cycle.
This chapter connects the vampire genre with the science fiction and dystopian genres. Gilda’s guard Houston dreams of going “Off-world” to live in the safer environments humans have created on other planets. The author speculates about what a collapse of human society might look like but weaves in the vampire mythology and imagines how such changes might affect it. This is where the novel most closely ties in to the Afrofuturist genre, imagining how the African diaspora might forge a future for itself by harnessing its history and identity.



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