49 pages • 1-hour read
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Olivia fears Spaulding has spotted her, but he’s distracted and runs off. Olivia can imagine her mother’s pain and tears up as she realizes how much Spaulding has taken from her. She starts to call 9-1-1 but realizes this may alert Spaulding to her location; instead, she texts Duncan to tell him of Spaulding’s guilt and her current location. Duncan says he will come for her. Olivia realizes she’s smelling smoke and seeing ash. Because of the time of year, the forest is dry, and it catches fire easily. Spaulding is cutting her off from the road and burning her out. She hears a man and a woman tell her to get up and move. Olivia doesn’t know where to go, so she follows a fawn and doe in the hopes that they will know where to find safety.
The voices urge Olivia to keep moving. She follows the deer into a stream to wait out the fire. When she runs out of air, she covers her mouth with her t-shirt and surfaces just enough to breathe in more, repeating this process until she thinks it’s safe. The deer are still alive, too. Spaulding calls out to her, and she turns to find him badly burned but still holding his gun. Olivia ducks back under the water to protect herself from the bullets he fires. It’s difficult to swim away while she’s handcuffed.
Spaulding shoots the deer, which upsets Olivia. She hears Duncan call for her and shouts a response, warning him that Spaulding has a gun. She sees Duncan appear with a shotgun before Spaulding shoots him in the chest and turns to shoot Olivia. Before he can, a flaming tree limb falls off a tree and hits Spaulding.
Olivia dreams of Spaulding standing over with a knife and her murdered family behind him. She wakes to find that she’s in the hospital, strapped to the bed. She panics and asks about Duncan. The people in her room assure her that he’s out of surgery and down the hall. Olivia asks if they’re under arrest. The woman introduces herself as Chaplain Steves and the man as Detective Elemon. They explain that the restraints were due to her unconscious flailing. She is doing well other than some first- and second-degree burns and has been sedated. Spaulding is at a burn unit in a different hospital and might not survive. He confessed to three murders on the way to the hospital. Olivia tells them that Spaulding killed Nora because he discovered who Olivia was, and that the other two murders were her parents.
This chapter opens four weeks later. Duncan and Olivia are preparing to repaint the walls of the house to the color she remembers. She doesn’t want to faithfully recreate her grandmother’s home, but she has accepted some of Nora’s furniture. Hundreds of people attended Nora’s funeral.
Olivia and Duncan kiss. Their burns are healing well. Duncan’s shotgun was unloaded, but he hoped the sight of it would deter Spaulding. Spaulding lived and is being treated; he’s going to plead guilty to all of the murders. Jason has also been arrested for dealing and using meth, explaining his paranoia. The last words of the novel are Duncan calling Olivia by her real name: Ariel.
Olivia’s critical thinking, independence, and adaptability help her survive both the attack and the fire. Another thing that saves her is the network of relationships, care, and trust that she’s begun to build in the community—she calls Duncan, and he is willing to show up for her.
The relationship between the doe and the fawn who led Olivia to safety is significant, particularly in light of the voices Olivia hears urging her to keep moving. Though Olivia doesn’t name the voices as her parents, the reader can infer that she is being encouraged by their spirits. This can be read both literally (their spirits remain in the forest and emerge to protect her) or abstractly (Olivia has developed a feeling of closeness to them and experiences their support). The doe is also important when Spaulding shoots and kills it—though Olivia has no previous emotional connection to the animal, she sees it as a maternal figure that rescued her from death. Spaulding shooting the deer represents the many other vital relationships he has taken from her.
The chapter in the hospital is a powerful moment of Olivia reclaiming both her identity and her place in the family structure that Spaulding destroyed. His confession also brings closure, if not any real relief. The reader should also notice that the people who awaken her represent another cycle or return; it was a Chaplain and Detective who visited her at the beginning of the novel. The final chapter encapsulates all of the growth Olivia has experienced throughout the course of the novel. She is back in her hometown, living in her childhood home, in a relationship with a childhood friend, and being called by the name her mother gave her. Ariel has reclaimed her place in the community but moves forward by making her home her own and not attempting to recreate a moment in time. She feels safe and whole in the present.



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