61 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of graphic violence and death.
Sasha recognizes the rider approaching as his sister Vasya, though she is dressed as a boy and has changed dramatically in the 10 years since he last saw her. Dmitrii and Sergei arrive to investigate. Vasya directs that the three exhausted girls she rescued be taken inside for care. When Dmitrii remarks that the newcomer resembles Sasha, Vasya introduces herself as Vasilii Petrovich, Sasha’s younger brother. Seeing the advantage of the disguise, Sasha reluctantly confirms her story.
Vasya recounts the rescue, and Dmitrii, impressed, decides to use her knowledge to hunt the bandits. Though Sasha tries to have Vasya rest, she agrees to lead the hunt after requesting only porridge and care for Solovey. Sasha knows that the horse is far finer than their father could have afforded and wonders about its origins. A monk named Rodion recognizes Vasya from Lesnaya Zemlya, but Sasha signals him to stay quiet.
After eating, the party rides out. Vasya leads them through the forest for hours, retracing her path. As they near the bandits’ location, a bitter wind suddenly rises. The party is ambushed by the bandits, but the wind disrupts their arrows. In the melee, the unarmed Vasya uses Solovey as a weapon, protecting Dmitrii while the stallion tramples attackers. Sasha fights at her side. As the battle turns desperate, reinforcements, led by Kasyan Lutovich, arrive. The bandits flee.
Dmitrii greets Kasyan, whose men kill the wounded bandits. Vasya tends Sasha’s wounded arm and glimpses Morozko in his death-god aspect, come for the fallen. She silently thanks him before he vanishes, believing that he sent the wind that turned the bandits’ arrows during the ambush. Kasyan reveals that he met Vasya a week earlier.
They capture a wounded straggler who reveals the camp’s location, and Dmitrii orders an immediate pursuit. When Dmitrii offers Vasya the chance to execute the prisoner, she refuses. Kasyan makes an excuse for her, and Dmitrii kills the man himself. At the empty bandit camp, Vasya notes that the captain is missing. When she asks about the other stolen children, Dmitrii dismisses her concern. Kasyan warns her against antagonizing princes and offers a cynical view of peasant girls’ worth. They burn the camp and return to the Lavra, where villagers cheer.
Sasha finds his mentor Sergei preparing the bodies of their fallen men and confesses Vasya’s true identity. Sergei agrees to help maintain the secret. Sasha takes Vasya to his cell. She breaks down crying and tells him that their father died saving her from a bear. She omits the supernatural elements of the event and the fact that their stepmother also died in the incident.
When Sasha asks if she is a witch, she says she does not know. He promises to take her to Olga in Moscow. That night, Morozko appears in Vasya’s dream. She confronts him about his intermittent interference. He promises never to interfere again and vanishes.
The next morning, the villagers prepare to leave the monastery. Vasya promises to escort the rescued girls home. At breakfast, Kasyan tells Vasya that the peasants have nicknamed her Vasilii the Brave. When Vasya informs Dmitrii of her promise, he teases her but agrees to the detour.
That evening, Sasha visits Sergei and tells him of his father’s death. Sasha plans to take Vasya to Olga, where Vasilii Petrovich can disappear. Sergei doubts Vasya will accept confinement after her recent adventures. They discuss their mutual suspicion of Kasyan Lutovich, whom neither of them has heard of before. Sergei promises to make inquiries about Kasyan and the missing bandit-captain.
Over three days, the party travels toward the girls’ village. At a campfire, the oldest girl weeps because soldiers joked that Vasilii expects sexual favors. Vasya reassures her, revealing that she is Vasilisa Petrovna and swears the girl to secrecy.
They arrive at the rebuilding village, and the girls are joyfully reunited with their families. They tell the crowd that Vasilii the Brave saved them. Vasya glimpses the domovoi, who appears to salute her.
The party rides hard toward Moscow for a week. On the last night, they camp by the Moskva River. Kasyan tells Vasya about a lost love who disappeared before he could take her to his home, Bashnya Kostei (translated as tower of bones). His expression shifts from nostalgia to baffled rage.
The next morning, they enter Moscow. Vasya is awed by the stone walls. Citizens cheer for Dmitrii and Sasha, calling him Aleksandr Peresvet, or Lightbringer. Kasyan spreads Vasya’s nickname, Vasilii the Brave. Solovey becomes agitated by crowds. At Dmitrii’s palace, the horse rears dangerously.
Dmitrii orders Vasya to bathe in his palace. Fearing exposure, she claims an urgent desire to see Olga. Dmitrii reluctantly agrees but commands them to attend a feast later. Sasha scolds Vasya for her recklessness as they ride to the Prince of Serpukhov’s palace. A steward leads them to a paddock for Solovey. Vasya settles the horse there, feeling uneasy about leaving him fenced in.
Olga oversees preparations for the Maslenitsa festival, which welcomes spring. Darinka tells of Father Konstantin’s warnings about witches. Olga’s daughter, Marya, announces Sasha’s arrival with a boy. In her private chamber, Olga is stunned when Vasya removes her hood. The sisters have an emotional reunion. Vasya notices Olga is pregnant and tells her that their father is dead. Olga’s mood cools as she reveals Father Konstantin is in Moscow and has already blamed Vasya.
Later, in Olga’s chapel, Sasha explains that Dmitrii believes Vasya is their brother Vasilii. Olga is appalled, but Sasha explains that Dmitrii has taken a liking to Vasilii and promised him honors, so the boy cannot disappear without causing a political incident. They agree that Vasya must maintain the disguise through the Maslenitsa festival, after which Olga will seclude her in the terem and arrange a marriage.
Sasha visits the monastery of the Archangel. The hegumen (head of the monastery), Father Andrei, confirms that Konstantin has been spreading stories of Vasya’s witchcraft. Sasha confronts Konstantin, who recounts his version of events. Sasha perceives the priest’s hatred for Vasya and realizes that he is lying. When tested about a bay stallion, Konstantin’s denial suggests that he is mixing lies with truth.
Varvara bathes Vasya, and Olga gives her a fine kaftan. After Vasya leaves, Olga orders Varvara to secretly inform their brothers at Lesnaya Zemlya that Vasya is alive.
Sasha and Vasya walk to Dmitrii’s palace. Kasyan greets them in the great hall. Dmitrii takes them to a private room and announces that his wife is pregnant. He then reveals that an ambassador from the Tatar warlord General Mamai has arrived, demanding immediate tribute and threatening invasion. They discuss the political dilemma. Vasya promises to serve Dmitrii.
Dmitrii, Kasyan, Sasha, and Vasya walk to the emissary’s palace. In the audience hall, Vasya recognizes the ambassador, Chelubey, as the bandit-captain. He meets her gaze with half-laughing hatred.
Afterward, at Solovey’s paddock, Vasya tells Sasha the ambassador is the bandit-captain. Sasha dismisses her claim. He angrily confronts her about her web of lies regarding her horse, her stepmother’s death, and her flight from home, demanding the full truth. Unable to explain the supernatural aspects, Vasya remains silent. Disgusted, Sasha says he will keep her secret but will no longer trust her. He coldly orders her back to the palace.
In these chapters, Vasya’s adoption of a male identity functions as a complex performance that directly engages the theme of Identity as Performance and a Tool for Power. Her transformation into “Vasilii Petrovich” is more than a disguise; it is the calculated assumption of a role that grants her agency and mobility in a world designed to restrict her. The narrative emphasizes that as a boy, Vasya’s physicality is perceived differently; she is “a convincing boy, all angles, her movements fluid and bold, with none of a woman’s diffidence” (123). This constructed identity allows her skills and traits—horsemanship, tracking, and courage—to be seen as virtues. As a boy, her actions are celebrated, earning her the heroic moniker Vasilii the Brave, whereas the same traits in a girl would be condemned as transgressive. The performance is a strategic tool that allows her to navigate hostile spaces, from the battlefield to the political courts of Moscow, and command the respect of powerful men like Dmitrii Ivanovich.
This performance is also a direct expression of Defiance of Gender Roles in a Patriarchal Society. While Vasya’s disguise grants her power, the reactions of her siblings reveal the profound societal transgression she is committing. Both Sasha and Olga are immediately horrified, their concern focused on the scandal of her actions. Olga’s immediate plan is to seclude Vasya in the terem and arrange a marriage, a strategy intended to force her back into an acceptable female path. The terem, a tower that acts in the novel as a symbol of female confinement, represents the fate Vasya is fleeing. Her life as Vasilii is a direct repudiation of this enclosed, domestic existence, highlighting the rigid boundaries of her world. Father Sergei articulates the core of Vasya’s dilemma when he asks Sasha, “Would you go quiet into the terem? After all the galloping about, the saving girls, the slaying bandits?” (148). This question frames Vasya’s journey as an assertion of self that is fundamentally incompatible with a woman’s role in the patriarchal order, yet completely understandable in a man.
Central to Vasya’s ability to perform her masculine identity is her horse, Solovey. More than a simple mount, Solovey is an extension of Vasya’s own untamed nature and a primary instrument of her power. His supernatural origins, hinted at by his magnificent quality, connect him to the fading world of magic that empowers Vasya. In battle, he becomes her weapon, his strength compensating for her lack of conventional arms and allowing her to protect the Grand Prince himself. Dmitrii, a man who understands power through martial prowess, is immediately impressed by the stallion, and by extension, his rider. Solovey thus serves as Vasya’s entry point into the world of men, validating her presence. The unease she feels upon leaving him fenced in a paddock in Moscow foreshadows her own impending confinement, as the contained horse symbolizes a tamed wildness that parallels the future Olga plans for her.
The tension between Vasya’s performed identity and her hidden self extends to a larger conflict between truth, deception, and belief, which explores the theme of The Fading of the Old World in the Face of New Faith. Vasya offers a partial version of her story, omitting the supernatural elements she fears her devout brother cannot comprehend. This omission is a survival tactic, born from the knowledge that her reality—a world of frost-demons and house-spirits—is incompatible with the ascendant Christian worldview Sasha represents. Simultaneously, Sasha confronts Konstantin and intuits that the priest is weaving a malicious narrative of “lies, mixed with truth” (178). The conflict culminates when Sasha, caught between two unreliable accounts, cannot accept Vasya’s identification of the Tatar ambassador as the bandit leader. His trust shattered, he asks the question that defines their conflict: “Are you a witch, Vasya?” (140). This query reveals that the schism between them is not merely about honesty but about fundamentally different, mutually exclusive realities.
Sasha’s character serves as a microcosm of this societal conflict, embodying the friction between old loyalties and new convictions. He is torn between his love for his sister, his duty to his prince, and the tenets of his monastic faith. His initial decision to support Vasya’s deception is a protective, familial impulse, yet it places him in direct conflict with his religious principles. Throughout their journey, he is tormented by the lie he must perpetuate, which compromises his relationship with Dmitrii and his identity as a man of God. Sasha’s struggle is not with a lack of love for Vasya but with his inability to reconcile her world with his own. He is a product of both Lesnaya Zemlya’s forests and Moscow’s monasteries, creating an irresolvable internal dissonance. His final, cold rejection of Vasya’s claims stems from this deep-seated conflict; unable to parse her magical reality, he retreats to the more comprehensible, albeit flawed, logic of the world he now inhabits.



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