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Content Warning: This section of the guide discusses racism.
Orcas Island and Seattle are both hostile to Chinese people, so Joseph takes Mei Lien to Port Townsend, pretending she is his male servant. He plans to help her settle in the Chinese community there to make a new life for herself.
When they arrive, Joseph acquires papers for Mei Lien. They are walking through town when people begin rushing to the beach. Someone says a body washed up, and Mei Lien insists they go see what’s happened. When they get to the beach, Mei Lien’s grandmother’s body is splayed on the beach, revealing her “deformed” feet and the damage done by being in the water too long.
Mei Lien screams in grief and falls to her knees next to her grandmother’s body. Joseph protects her and maintains her grandmother’s dignity. They leave the beach. Joseph tries to find a place for them to eat together, but all the restaurants refuse to serve Chinese people outside of the kitchen. Joseph gets food packed up, and they eat together under a tree in a remote area. Mei Lien considers the struggles ahead of her if she lives in this town.
Inara is energized and excited by the renovations to Rothesay, which she has been working on for a full month. She returns to Seattle for a family Fourth of July celebration. She describes the sleeve to her family and everyone is interested except for her father, who dismisses it as something abandoned by a servant.
When she returns to Orcas Island, Inara conducts a census search for Chinese servants who might have lived on the property. She discovers that a man named Joseph and his wife Mei Lien lived in Dahlia’s house in the late 1890s. She calls Daniel, leaving him a message with the new information. She’s interrupted by an error in the color of the toilets for the hotel, as her father changed the order. She confronts him about his interference.
She later speaks to Daniel, who has discovered more about Mei Lien’s embroidery work in Seattle. Daniel offers to come to the Island to discuss Mei Lien and the sleeve in more depth. Inara recognizes she’s developed a crush on Daniel.
Daniel arrives and brings out purses and the sleeve to show Inara the similarities. He explains elements of Chinese history in the Seattle area, including the Chinese exclusion laws and the eviction of Chinese people from Seattle on the “Prince of the Pacific” (133) in 1886. He tells Inara about Mei Lien’s birth in Seattle, explaining that all advertisements and discussion of Mei Lien’s father’s shop referenced a son rather than a daughter. Inara recognizes the initials for her family’s shipping company on the sleeve, and begins to sense that her family was responsible for Mei Lien’s pain in the distant past.
Daniel takes Inara to lunch and they share stories of their families. Daniel understands Inara’s struggles with losing her mother, as he lost his father to cancer eight years prior. Inara finds herself comfortable expressing intimate thoughts with Daniel. When he drives her home, he tells her he’s single and invites her to dinner. They nearly kiss. She accepts his dinner invitation, but tells him she’s not looking for a relationship. He says he isn’t either, but points out their connection.
The next morning, Inara encounters a real estate agent sent by her father to assess the property and give her an estimate of the likely sale value. Incensed, Inara walks away from the woman, intending to call her father. She decides instead to go to Seattle and try again to convince him of her dedication to the project.
Joseph asks Mei Lien about her grandmother, and she feels safe enough with him to tell him everything that happened. He’s furious to discover Campbell’s cruelty on the Prince of the Pacific and frustrated that he didn’t know enough to stop Campbell. When Mei Lien encourages him to find a job for her, Joseph asks her to marry him so he can protect her.
Mei Lien argues with Joseph, saying that she doesn’t love him and he doesn’t love her. She points out the threat posed by Campbell, and the many drawbacks for Joseph in marrying a Chinese woman. He offers counterarguments and kisses her passionately. She agrees to marry him, even though she worries she can’t ever love anyone again after her trauma with her father and grandmother.
They are married in a hurry by a ship’s captain. Mei Lien has moments of grief, recognizing that she is losing the opportunity of a wedding in her own culture, and that she is trading her independence and autonomy for the safety and comfort Joseph offers. As they leave Port Townsend, she looks toward the beach where her grandmother washed ashore, promising her family that she will tell their story somehow.
Inara goes to Seattle and visits her father’s company offices. She finds the ship’s logs from February 7, 1889, on the Prince of the Pacific. She discovers the manifests for 347 Chinese passengers from Seattle, and the next entry for Astoria, where the ship took on passengers and cargo. The two log entries show Inara that the ship dumped the Chinese passengers into the ocean, murdering them. She hurries upstairs to tell her father about her discovery. He reveals that the family has always known: Campbell was never secretive and took pride in his actions.
Inara’s father tells her that her mother worked so hard to do charitable work to try to mitigate her guilt at her family’s wrong-doing. Inara’s father tells her to abandon the research into the sleeve, or he’ll cut funding for the hotel project entirely. She resists, but then gives in, largely because he agrees to give her until the end of the summer to make sufficient progress on the hotel. She realizes she will have to stop Daniel’s research, removing any chance at a relationship between them.
The discovery of Mei Lien’s grandmother’s body invokes The Cultural and Personal Value of History, as her grandmother’s person and clothing reflect her clear ties to China and Mei Lien’s own family history. The pacing of this section mirrors Mei Lien’s actual experience: Initially, the language is fast-paced as Joseph and Mei Lien hurry to the beach, then the focus narrows as the crowd slowly parts. When Estes writes, “Everything inside her had stopped” (100), the line is a one-sentence paragraph, so the reader must stop as Mei Lien stops. Then the images come in bursts: “Red jacket. Female. Deformed feet” (100) as though Mei Lien’s eyes catch only one aspect of the body at a time, unable to take in the entire picture.
The description also contains references to the longstanding Chinese cultural practice of foot binding: “Long black trousers […] revealing naked tiny feet that had been wrapped tightly and not allowed to grow since childhood, the misshapen toes bent under so far they almost touched her heels” (100). The discovery of the body thus embodies both the familial and cultural ties that Mei Lien has been deprived of due to Campbell’s cruelty and society’s racism.
Estes’s choice to reveal Mei Lien and Joseph’s marriage in Inara’s point-of- view sections also reinforces the text’s interest in cultural and personal history. Each event in Mei Lien’s life is revealed in either Mei Lien’s point- of-view chapters or via Inara’s research in the present. The narrative in Mei Lien’s sections shows her growing affection for Joseph and her physical desire for him, but the discovery that they married and lived together at Rothesay is initially Inara’s discovery. The slow revelation of the past to Inara and Daniel in the present reflects the reader’s experience of discovery in reading Mei Lien’s sections.
The description of Inara and Daniel’s almost-kiss and Joseph and Mei Lien’s first real kiss deepens the similarities between the two protagonists, invoking The Historical Evolution of Womanhood. In the rising action of the novel, their similarities become more personal, which is reflected in the language. Daniel and Inara’s close-call describes a sense of time stopping: “Time slowed down. Her focus narrowed so that nothing else existed but the two of them and the sound of their breathing. Her gaze traced his slightly parted lips, and she wanted nothing more than to taste them” (140). Mei Lien’s first kiss with Joseph has a similar rhythm and “narrowed” focus: “But then the softness of his lips, the warmth of his breath against her cheek, the pull of his hands on her shoulders narrowed her attention until all she knew was Joseph” (151). In both cases, the women find themselves removed from the mundane or the painful to be surrounded by a sense of love and security.
Both women are also united in struggling to maintain a sense of autonomy due to the pressures of gender roles and expectations. Inara continues to struggle against her father’s interference and dismissal of her desires, constantly feeling that she must prove to him that she is capable of making the boutique hotel a reality. Mei Lien experiences grief during her wedding ceremony when she realizes that she is giving up her independence for the security of marriage. Thus, in both the past and present storylines, the protagonists must reckon with the difficulties women face when trying to forge their own path in life.



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