55 pages 1-hour read

The Girls of Good Fortune

Fiction | Novel | Adult | Published in 2025

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Character Analysis

Content Warning: This section of the guide includes depictions of racism, gender discrimination, violence, death, suicidal ideation, and substance use. There are also uses of offensive but previously commonly used language in reference to some ethnic groups.

Celia Hart Chung

Celia is the main protagonist of the novel, and the 1885-1888 storyline is told from her point of view. Her father, Chung Jun, was born in China, where he met and fell in love with the daughter of white Christian missionaries. Jun converted to Christianity in order to marry Celia’s mother, and after the Second Opium War in China (1856-1860), the couple traveled to the American West. Jun found work with the Union Pacific railroad and was often gone during Celia’s youth. She and her mother lived in a town made for railroad employees, where there was a one-room school at which Celia received her education. In June of 1885, when her story begins, Celia is 18.


As Celia’s reflections illustrate, she often felt that she was perceived as different by her classmates because of her parentage, and she sought refuge in novels about other individuals who were cast as “different.” One of her favorites is The History of Tom Thumb, which features a small-statured fairy-tale figure who has extensive adventures and is admired for his bravery and cleverness. While Celia has no grand ambitions to make her mark on the world, the perception of difference keeps her on her guard around other people, especially when she notes the rising anti-Chinese sentiment that potentially endangers her and her young daughter, Pearl.


With her blonde hair, Celia has features that allow her to pass as a white person. When her mother dies of tuberculosis, Celia realizes that she must find employment. She initially works for a Chinese couple familiar to her father, but she becomes aware her lack of understanding of Chinese language and customs is a handicap. While Celia’s father offered to teach her his language (it is not specified whether his native language is Mandarin, Cantonese, or another language of China), the young Celia declined because she wanted to be accepted by her peers. Now, as an adult, she finally realizes the distance that this point has created between her and her father. Yet just as Celia refused to learn her father’s language, she also does not wish to comply with his efforts to use a matchmaker—another traditional Chinese practice—to find a husband for her. This is because she is already in love with Stephen Bettencourt, but at this early point in the story, she also has no wish to claim or identify with her Chinese heritage. Only at the end of the narrative will she finally learn to embrace her Chinese heritage publicly and proudly.


Celia is somewhat naïve and tender-hearted, though she is kind to those she considers less fortunate. She is easily frightened and intimidated, and she has internalized many of the mainstream prejudices of her era, such as the conviction that sex work is shameful. At the same time, she does consent to having sex with Stephen before marriage, persuaded by Stephen’s confidence that he will never care about the discrimination they might encounter if her Chinese descent becomes known. Notably, Celia’s attachment to Stephen reflects the more naïve aspects of her personality, for their mere history of playing chess together leads to romantic embraces and Stephen’s proposal, and this progression of events is more than enough to lead Celia to believe that he truly loves her and will return after college to marry her. She feels no concern when he does not tell his parents he loves her, nor when he neglects to obtain an official engagement ring for his proposal and opts not to give her his school address. However, Celia’s innocent trust in Stephen’s sincerity, far from being betrayed, is fully repaid when Stephen returns from college and reveals that the subterfuge of his family kept them apart. He shows his commitment to her when he locates Celia and their daughter and declares that he still wants to marry her.


During the years of Stephen’s absence at school, Celia is challenged by motherhood but feels a fierce and immediate attachment to Pearl, who provides her with a source of joy. Her fear that Pearl may suffer discrimination or harm if she is identified as one-quarter Chinese shows both Celia’s protective instincts and her internalized prejudices against her own heritage. In addition to caring for Pearl, Celia is also motivated to see justice done in the case of her father’s murder at the hands of a white mob in Rock Springs. This lingering injustice deeply grieves her, fueling an outrage that compels her to confront Frank Vaughan and witness his trial.


Most of Celia’s character growth occurs when she is shanghaied, as this rough experience grants her unique moments of insight into the lives of others who inhabit marginalized spaces or are subject to prejudice. The narrator’s reflections in the epilogue suggest that after Celia’s marriage to Stephen, she goes on to enjoy a happy life, to have several more children, and to lend her time to activism in support of expanding rights for Chinese Americans. This reflection suggests that Celia’s life of domestic harmony and purpose is exactly what she would have wanted for herself.

Marie

As the madame in charge of the brothel called the Dewdrop Inn, where Celia is sent to work upon becoming pregnant, Marie is an important supporting character. She initially plays an antagonistic role because Celia perceives her new job as a housekeeper at a brother to be a source of shame. However, Marie comes to occupy a position as a mentor, protector, and friend, and in the Epilogue, Celia’s granddaughter fondly recalls Marie as a friend of the family, referring to her with the beloved title of “Auntie” (370).


Marie was born in China and worked in an orphanage there along with her grandfather, who taught her how to administer acupuncture treatments. Her reason for emigrating from China is not mentioned, nor is the fate of her family. Marie is depicted as an integrated member of the Chinese community in Portland. She meets friends to play mahjongg, delivers dumplings to friends, and has contacts with other businesspeople in Chinatown, including the place where she buys opium. Celia notes that after Marie uses opium, she becomes remote, irritated, and surly, which makes Celia cautious about approaching her.


Marie does not present herself as a warm or affectionate person, but although she is a shrewd businesswoman, she also sees to the well-being of the women who work for her. Not only does Marie allow the pregnant Celia to work for her, but she also allows Celia to keep the baby on the premises after Pearl is born. When Pearl is sick with a fever, Marie acts quickly to help her. She shows further affection and care for Pearl by offering to look after the child while Celia attends Frank Vaughan’s trial, and after Celia disappears, Marie takes Pearl to safety. Though she maintains an unsentimental façade, Marie acts with kindness toward those in distress, and her actions suggest that she is a person of compassion and decency.

Lettie

Lettie is a minor character who provides a foil to Celia, then becomes a friend. Lettie is an immigrant from Ireland, and her story illustrates other reasons why people might emigrate, as well as the dangers that can confront immigrants to the American West. Lettie arrived in Portland as a mail-order bride, meaning that she arranged in advance to marry a man upon her arrival. Because women were a small minority in frontier towns in the West, such arranged marriages were frequent. Lettie, like Celia, was initially innocent and trusted the man who said he was her husband, not realizing that he had married another woman while having a sexual relationship with Lettie. Like Celia, Marie offered Lettie shelter when she was unmarried and pregnant, and Lettie agreed to work at the brothel once the child was born. She gave her daughter up for adoption in the hopes that the adoptive parents would be able to provide the girl with a more secure life. However, Lettie’s wistful sketches of young girls and the attention she shows to other children like Pearl suggest that she deeply regrets giving up her daughter.


Lettie’s tender-heartedness is revealed in other gestures of kindness toward Celia, as when she shares gowns or helps Celia when Pearl is sick. Lettie also has a playful side and is unashamed of her line of work; Celia admires and envies her ability to express herself unapologetically. Lettie’s regret over giving up her daughter makes her vulnerable to Gordon Humphrey’s manipulation, and she tricks Celia at his behest when he promises to put her in touch with her long-lost daughter in exchange. However, her apology to Celia and their eventual reconciliation indicate that both women understand the power of maternal love and know the compromises that women must make to survive in this rough setting.

Owen

Owen is a supporting character who plays the role of mentor, protector, and guide for Celia in the later chapters of the novel. Although he is not a romantic prospect for Celia, he does act a foil to Stephen simply because he is present to help Celia when Stephen is not, and his presence also serves to remind Celia of her devotion to the Stephen. While Owen begins playing an antagonistic role and acting on behalf of the “powerful gentleman” (270) who wants to get rid of Celia, he too must navigate a vulnerable position when they are shanghaied together. Thereafter, he tries to shield Celia from harm by helping her to maintain her male disguise and coordinating their return to Portland.


Like Celia, Owen’s family situation is fragmented; he has lost his parents and is only working for the unscrupulous Humphrey to try to help his brother pay off a debt. These motivations of family loyalty gain Celia’s sympathy, as does her observation of Owen’s attraction to Matthew. Attraction between men is even less accepted in this society than love between a white man and a half-Chinese woman, so Owen’s situation provides Celia with a moment of sympathy and identification. After the two return to the Dewdrop, Owen disappears from the narrative, and it is clear that his primary role in the plot was to aid Celia’s return to Portland and to prepare her to accept Stephen’s love and protection.

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