55 pages • 1-hour read
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Content Warning: This section includes depictions of racism, gender discrimination, violence, death, suicidal ideation, and substance use. There are also uses of offensive but previously commonly used language in reference to some ethnic groups.
The narrator defines the Chinese word pingshu as “the art of storytelling” (1). The narrator, who is a mother and grandmother, reflects on the idea of identity. She is preparing to drive to a cemetery to deliver knowledge that would have changed many lives if it had come to light years ago. She reflects on which events make it into the history books and which do not. The story of her family belongs to the latter group.
Celia wakes up to find herself face-down on the ground. She is in a dim, enclosed place that smells like a back alley. She calls for help through the closed door. She doesn’t understand why she is dressed like a man, with false hair attached to her face, but she realizes that she is trapped in the tunnels.
Celia feels that she is being watched and judged as she walks through Portland’s North End to look for Abigail, the daughter of the Bettencourts, her employers. Celia wonders if Abigail has gone to a vaudeville show at the Silver Dollar Saloon, but the girl is not there. Suddenly, Celia overhears a white man pushing a Chinese-appearing man out the saloon door. The owner addresses the Chinese man as a “dumb coolie” (13) and tells him to go back to Chinatown. Other bystanders of Asian heritage look away, and Celia doesn’t acknowledge the aggressive owner, either. She reflects that the men who were hired to build the transcontinental railroad are now left without jobs, and that Chinese men are often willing to engage in hard labor for less pay. There is widespread resentment that these laborers are taking jobs away from white men, and expressions of prejudice and discrimination are increasing.
Celia spots a beautiful red-headed woman standing in a window at the Dewdrop Inn. She is repulsed by the woman’s profession as a sex worker and reflects that these women pose as “seamstresses” because sex work is illegal.
Abigail is not at the saloon, and Celia thinks about the rumors she has heard of women who are abducted in Portland and trafficked through tunnels that connect various basements in the waterfront area; these were said to be built by Chinese labors years ago. She walks toward the Wilamette River and meets Timothy Vale, the Bettencourts’ driver. Abigail is nearby, and a stain on her face suggests she snuck away to eat ice cream. Celia scolds the girl and threatens to tell her parents, but Abigail says she will simply deny it and that her parents will believe her over Celia. Celia, who has been working for the Bettencourt family for three years, is hurt by this treatment. Abigail is the one who discovered Celia’s half-Chinese heritage and revealed it to the Bettencourts.
The Bettencourts live in the wealthier Alphabet District of Portland in a grand Victorian mansion. Edwin Bettencourt is the mayor of the city. While Celia is in her servant’s room on the third floor, Stephen Bettencourt sneaks in to embrace her. Stephen is the Bettencourts’ son, and Celia has secretly been in a romantic relationship with him since November. Stephen is leaving in three days to attend King’s College at Oxford University, where he intends to study medicine. They agree to meet later at their usual spot.
Stephen gives Celia a letter from her father, who is Chinese. During her childhood, Celia’s father was often away for his work on the Union Pacific railroad. Ever since her mother died five years ago of tuberculosis, Celia’s father is the only family she has left. He now works at a coal mine in the Wyoming Territory and writes to invite her to join him.
Georgia Bettencourt (Edwin’s wife and Stephen’s mother) prompts Celia to hand out drinks at the Bettencourts’ party. Georgia has known that Celia has a Chinese father named Chung Jun ever since Abigail found a letter from him. Celia has taken her mother’s maiden name of Hart and is passing for white. The Bettencourts have kept her in their employ, but now, at the party, several of the guests express anti-Chinese sentiment. Gordon Humphrey, a lumber baron, refers to the Chinese immigrants as “beasts” (27) and supports the Chinese Exclusion Act. Several of the attendees belong to the Knights of Labor and have supported Edwin Bettencourt’s run for mayor. The narrative clarifies that Celia’s father has found a husband for Celia and wants her to come live with him in Rock Springs.
Celia meets Stephen in the barn, and they embrace. Stephen doesn’t want Celia to obey her father. Celia’s father fell in love with the daughter of missionaries in China and converted to her religion. After the Second Opium War, they moved to America, which is known among the Chinese as Gam Saan or “Golden Mountain” (32). Celia fears that Stephen’s parents will not approve of their union, and she asks what will happen if they have a child who inherits Chinese features. She remembers the story of a Portland woman who gave birth to a baby with brown skin and then learned that she was a “quadroon,” or one-quarter Black. In that case, the husband refused to acknowledge the child. Now, Stephen promises Celia that he doesn’t care what their children look like. Swearing that he loves her, he finds a bit of string, ties it in a loop, and proposes to her with this makeshift ring. Celia agrees and puts on the string. They make love, and Stephen leaves for college.
The housekeeper, Mrs. Waterstone, leads Celia through the house to the drawing room. Celia is reminded of lessons in the one-room schoolhouse that she attended in Washington Territory, where she was labeled “different” (38). The Bettencourts await her anxiously, and Celia worries that they have learned about her relationship with Stephen. Over the fireplace is Mr. Bettencourt’s saber from his service with the Union army during the Civil War. During that time, he witnessed the unjust treatment that the Indigenous groups experienced, and Celia thinks that he shows a sympathy “rarely afforded the outcasts of white society” (39).
Mr. Bettencourt gives her a newspaper describing a riot in Rock Springs in which a white gang attacked Chinese miners. The newspaper declares that the white miners had just cause because the Chinese workers were brought in as strikebreakers, are now the ethnic majority, and agree to accept lower wages than white workers. Celia is shocked when Mrs. Bettencourt confirms that her father was among those killed.
Celia grieves her father’s death but is also outraged over his murder. She feels guilty for not answering his letter. In her room, she looks at the locket that holds a photograph of her parents, who look happy. When the housekeeper sends Celia on a shopping trip, Celia feels inexplicably nauseous at the tea shop. She passes another shop with a sign advertising that the owners are from Japan. At one point, she thinks she glimpses her father and follows the man, only to find that he is a stranger. She then sees two Chinese women making bao, the dumplings she recalls making with her father. The woman are discussing Rock Springs. Celia asks them what they know, but she doesn’t speak Mandarin. Another woman describes the attack in terms that horrify her.
Celia longs to talk with Stephen about the massacre. She continues to feel ill. The doctor is called, and he announces that Celia is pregnant.
Celia braces for the inevitable discussion with the Bettencourts. She hopes that they will support Stephen’s offer to marry her. Mrs. Bettencourt believes that Celia is lying with her claim that she is pregnant with Stephen’s child—their grandchild. Mrs. Bettencourt says, “This whole matter is an abomination” (55). She points out that it would be illegal for Celia and Stephen to marry in Oregon Territory, but Celia reveals that they planned to marry in Washington Territory, where the laws against cross-cultural marriage have been repealed. The mayor sends Celia to her room.
Celia wishes that she could get in touch with Stephen. Miss Waterhouse instructs Celia to pack and gives her an address on Halsey Street as her new place of employment. Timothy drives her there but stops some distance away, and Celia realizes that the address is for the Dewdrop Inn, a local brothel.
Celia is ashamed when men comment on her arrival and call her the “new girl” (63). She wishes that she knew Stephen’s address so she could contact him. She meets some of the young women, one of whom is a redheaded young woman named Lettie. Lettie tells her where to find Marie, who runs the brothel. Marie, a woman in her forties, is Chinese. Celia sees Marie burning incense at a shrine and recalls that her father kept one as well, even though he was ostensibly Christian. Celia is hired and meets the cook, who is from Poland. That evening, as Celia hears the noises of other women entertaining their clients, she wishes that she were anywhere else.
The opening section introduces three different narrative timelines for the story. By framing Celia’s 19th-century story with the words of an unnamed narrator in a more contemporary setting, the author immediately establishes the ripple effects of history even as the narrator’s contemplative mood reflects her deep appreciation for the challenges that her family members overcame. While the full significance of the narrator’s words will not be apparent until the Epilogue positions the rest of the narrative as a flashback, even these early comments introduce themes concerning identity, family history, and the power of storytelling. The prologue also introduces an element of suspense concerning the identity of the narrator, but her very existence foreshadows the fact that at least one of the protagonists in the story to come will survive their adventures and leave behind a legacy of descendants.
Within this framework, the July 1888 timeline begins in medias res, introducing an immediate conflict as an imprisoned Celia tries to figure out where she is, who has kidnapped her, and why she is dressed as a man. By alternating between scenes from this timeline and the more conventional narrative describing Celia’s life three years earlier, in 1885, the author adds considerable tension to the narrative, given that all of Celia’s experiences in the earlier timeline will eventually lead her to this dangerous situation. The unanswered question of why she has been kidnapped and imprisoned in 1888 also highlights the issue of anti-Chinese sentiment in the 1885 timeline. Additionally, Celia’s secret engagement with Stephen adds a deeply personal element to the widespread prejudices that all Chinese people face during this era. Indeed, her fears that Stephen’s parents will not condone such a union prove to be justified when the Bettencourts later seek to hide the inconvenient fact of Celia’s pregnancy and openly declare the situation an “abomination.”
The setting of Portland and the developing American West provides a rich backdrop for further tension as the 1885 timeline unfolds. The references to saloons and brothels suggest the existence of a rougher edge to the town, given that these entertainments are aimed at a majority-male populace consisting largely of transient laborers. Historically, Portland was established by white settlers in the 1830s as a trading post, after which it developed into a port at the confluence of the Willamette and Columbia Rivers, with the Columbia leading to the Pacific Ocean. The town grew rapidly from a population of 821 in 1850 to around 20,000 in 1883, when the Northern Pacific railroad finally reached the city. Portland’s Chinatown, of which Celia gets glimpses, reflects the reality that white and Asian settlers often occupied segregated spaces. Portland’s Chinese population grew in the years following the San Francisco gold rush, when laborers came looking for work. By 1880, an estimated 10 percent of Portland’s population was Chinese.
The North End to which Celia refers was the area of town near the waterfront, where businesses that were considered disreputable or associated with vice were allowed to operate. This category included saloons that sold alcohol, businesses that permitted gambling, and establishments that catered to the trade in sex work. By contrast, the Alphabet District where the Bettencourts live (so called because the street names are letters) was a wealthier residential district that was home to large Victorian-style mansions housing single families. This distinct difference in wealth and status reflects a corresponding contrast in cultural attitudes, with residents of the wealthier districts maintaining a repressive, Victorian-era morality that disapproved of activities like drinking, gambling, substance use, and extramarital sex. Celia observes these distinctions—even initially holding her own prejudices against sex work—but she is also able to move among these different spaces with an ease that challenges the legitimacy of such borders and separations.
Although Celia initially identifies more strongly with white culture than Chinese culture, her ability to move among these different settings reflects her awareness of her multicultural background and highlights her sense of occupying a liminal space, with her mother identifying as white and her father born in China. The reference to the Second Opium War hints at just one of several conflicts that made emigration to the American West desirable for those in search of work. Likewise, the example of the mother with one-quarter Black heritage, whose brown-skinned child is unjustly declared illegitimate by her husband, shows that American society during this time upheld strict rules against marriage between peoples of different races, and these proscriptions sometimes had legal backing. Celia’s father and mother had a truly unique relationship for their time, but the protagonist’s awareness of widespread discrimination makes her choose to pass as white, and this her use of this tactic introduces the theme of Assimilation as a Survival Strategy.
The author introduces further background on the historical conflicts and the anti-Chinese sentiment of the time, specifically by incorporating the real-life Knights of Labor into the story. Historically, this organization was a labor union that peaked in size and influence in the mid-1880s. Notably, its efforts to organize and support workers included white workers. Immigration quotas increased during these decades, and the Chinese Exclusion Act, which was initially passed in 1882, was designed to bar all immigration from China for a span of 10 years. Chinese laborers were generally able to accept lower wages because immigration laws barred them from bringing their families with them, which meant that their living expenses were typically lower than those of white workers. This economic tension exacerbated the racism and discrimination that permeate American culture—as Gordon Humphrey’s racist comments at the Bettencourts’ dinner party illustrates. These same tensions spark the episodes of racist violence that Celia hears about, including the massacre at Rock Springs in Wyoming Territory.
It is also important to note that the theme of cultural displacement expands to personal displacement when the Bettencourts insist that the pregnant Celia leave their household. When she is relegated to employment at a brothel, a position that her own prejudices compel her to regard as shameful, this development illustrates her precarious status as an unmarried pregnant woman. Her situation is even more dangerous given that she must keep her Chinese parentage a secret in order to ensure her safety. Thus, living with Marie (a Chinese woman) and Lettie (another immigrant) puts Celia in a truly multicultural space and challenges the prejudices of the white culture that surrounds her.



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