55 pages 1-hour read

The Girls of Good Fortune

Fiction | Novel | Adult | Published in 2025

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Symbols & Motifs

Content Warning: This section of the guide contains descriptions of racism, graphic violence, and death.

The Tunnels

The tunnels under Portland become a symbol of mainstream society’s conflicted attitudes toward Chinese people and other immigrant populations in the novel. Just as the tunnels can function for benefit or harm, the attitudes held by white people towards those not considered white is multifaceted and often contradictory. The tunnels were reportedly built by Chinese laborers for the purpose of moving goods. The use of Chinese laborers for this difficult and demanding work reflects the historical reality that immigrant laborers—particularly those who are not considered to be white—are often relegated to the most difficult tasks. When Celia sees a Chinese family in the tunnels, she presumes that these spaces provide sanctuary. Later, the tunnels between businesses also provide Owen and Celia with an escape route when they want to avoid the attack on the gambling den.


In this scene, the tunnels also represent the covert work in which Owen and Celia are involved. Specifically, Owen is attempting to carry out a plan of intimidation on behalf of Gordon Humphrey, while Celia is trying to gather information that she believes might see justice done in the case of her father’s murder. Later, however the tunnels become the staging area for socially condoned injustices when the two are shanghaied and imprisoned there before being delivered aboard ship. Finally, the meaning of the tunnels shifts once again when the room formerly housing the Chinese family is used for the scene in which Celia discovers Pearl and reconciles with Stephen. Ultimately, the tunnels represent (and facilitate) the criminal underworld that exists alongside the legal businesses of the city, but their paradoxical use as both a form of refuge and a means of oppression mirrors the varied attitudes that white employers and residents have toward the nonwhite residents of their town.

Stephen’s String

For Celia Stephen’s string “engagement ring” represents his promise of affection and support if she agrees to wait for him to complete his university studies. In a sense, it serves as a promise ring, but the delicate fabric of the string also suggests that the sincerity of this arrangement may be equally fragile. The string suggests that rather than offering Celia a traditional proposal, Stephen has chosen to make a hasty decision to counter Celia’s doubts about whether their relationship will survive his long absence. Essentially, he wants to persuade her not to accept her father’s choice of a husband for her. Celia regards the string as a real proposal and feels as “united as would a husband and wife” (34), but when she finds herself pregnant with Stephen’s child, she is unable to use the provisional nature of the string to persuade Edwin and Georgia Bettencourt that their son has promised to marry her. Though she clings to the string as a declaration of loyalty and considers herself promised to Stephen, her faith in his steadfastness frays just as easily as the physical string must be doing in the intervening years.


Even when her faith is shaken by Abigail’s warning that Stephen intends to marry another woman, Celia continues to wear the string as a symbol of her wish for a future with the man she has chosen to love. She removes the string only to complete her disguise as man, and even then, “perhaps pathetically, she’d stored it in her trouser pocket” while simultaneously acknowledging that her hopes for the future may be “a fantasy” (232). Though she has been told that Stephen has set aside his promise to her, she still clings to her love and hope. When Stephen returns, the string is no longer necessary to bind them, and it doesn’t appear again.

Bao

Bao is a popular dish across many countries in Asia. These buns can be filled with meat, like pork or chicken, or with vegetables, bean paste, or even broth. The buns are typically steamed in a bamboo basket. For Celia, bao represents her father, and when she encounters this dish, its appearance signals that she is acknowledging her half-Chinese heritage and deciding how she wants to navigate that identity.


In the scene shortly after the report of her father’s death, when Celia follows the man she believes to be her father, she observes some older Chinese women steaming bao and conversing about the massacre in Rock Springs. Celia feels a moment of connection to them because she is hungry for information about these events, but she also feels that they will understand her sense of outrage and grief because they, too, are more likely to identify with the Chinese people who were attacked.


Though Celia still considers her Chinese heritage to be something to hide, her longing for justice and for the cessation of harm against those of Chinese ancestry lead her to publicly acknowledge that her father was Chinese. This new trend begins with Marie and continues when she speaks with the Chinese couple on the freight train. The bao she observes the couple eating on the train inspires a deep sense of connection and longing in Celia, who fondly recalls the traditions that she and her father shared. When she is able to tell the couple that she, too, is Chinese, she chooses to fully embrace her heritage.

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