63 pages 2 hours read

The Girls Who Grew Big

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Part 1, Chapters 9-15Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of pregnancy termination, and sexual content.

Part 1: “First Trimester”

Part 1, Chapter 9 Summary: “Emory”

After the fight between Simone and Adela, Emory reflects on her past, recalling that when she was five, her mother left her with her grandparents, who then raised her with a mix of love, duty, and unspoken resentment. She also recalls a time when a relative named Christa began visiting with her newborn, and Grammy surprised Emory by showing rare tenderness toward the baby. When Emory held the infant, she felt an immediate connection to the child, and now, she admits to herself that she stopped taking birth control because she wanted to have a baby herself. She also mistakenly believed that bringing a new baby into the family would make her grandmother as happy as she had looked when she held Christa’s baby. When she thinks of Jayden’s love for her, she resents being “suffocated beneath a love [she] couldn’t return” (91).


One day, Jayden takes Emory and Kai to a clothing drive at his church, and Emory reflects, “Today I sorta thought I might love him. So I let my palm slip into his as we moved to the next box and Kai mewled” (92). As they sift through the clothes, Emory feels judged by the other browsers until Mrs. Carol, an older volunteer, greets her warmly. Jayden finds a bear costume for Kai and talks about dressing up as a family of bears for Halloween. Emory imagines the three of them as a unit and wonders if she might really be able to build a family with him.

Part 1, Chapter 10 Summary: “Simone”

Simone reflects on her first few months as a mother, lamenting the fact that her parents rejected her and kicked her out of the house. Although Jayden was only 13 at the time, she still feels lingering resentment for his choice to stay with their parents even after Simone herself was cast out. However, she is grateful that he chose to know his niece and nephew. When he was 14, he drove to the dune lake to meet Luck and Lion, for the first time, and proclaimed them “perfect.” 


Now, Simone needs money to terminate her pregnancy, so she asks the Girls for extra breast milk to sell, but they have none. Crystal suggests asking Emory. Simone initially refuses, then asks Jayden to get the milk for her without revealing why she needs it. Jayden refuses to lie on her behalf, so he urges her to apologize to Emory for the fight with Adela. Annoyed by his response, Simone remembers protecting Jayden when they were children and feels another stab of pain over the fact that her family turned on her after the twins’ birth. She reflects, “I wanted to tell Jayden that Momma and Pops treated me like salt water to gargle and spit out while he got everything” (101).


Luck wanders up with a bird’s nest and a single egg, and Simone tells her to put the egg back so that the mother bird can find it. Deciding to make peace, Simone meets Emory in a Walmart parking lot and apologizes. Emory agrees to give her the frozen milk.

Part 1, Chapter 11 Summary: “Adela”

Adela meets Chris for their third date, reflecting that “when [she] was with him, the pregnancy disappeared. The loneliness evaporated. Florida became a possibility for alternate universes, alternate endings” (105). Chris teaches Adela to surf and takes her to a dune crater, where they have sex. Adela revels in the sense that she is deeply loved.


Afterward, Chris lets slip that he is 27 years old and already has two children. Adela pretends to be unfazed by this information and thinks to herself that even though he is too old for her, she doesn’t want to cut off the relationship. 


Later, she goes with Noni to an OB-GYN appointment, where a transvaginal ultrasound shows her the first image of her pregnancy. Shaken as the full reality of the situation hits her, Adela calls her friend, Lindsay, in Indiana, who tells her that David, the boy whom Adela slept with, denies paternity. Adela also learns that gossip has spread throughout her hometown, and everyone knows that she is pregnant. As Lindsay’s conversation takes on a judging tone, Adela makes up an excuse to end the conversation and hangs up. She then asks Noni to drive her to Emory’s house.


At Emory’s, Adela shows her the ultrasound photo. Emory takes her hand in a spontaneous show of empathy, and the gesture steadies them both. Adela, a former competitive swimmer, imagines a life with this new friend as the reality of her pregnancy settles in.

Part 1, Chapter 12 Summary: “Emory”

When Adela comes to her door, a retrospective narrator-Emory asserts, “Adela was sent here just for me. I knew it from the minute I saw her. Her pregnancy just confirmed it” (117). As time passes, the two bond deeply as friends. However, from Adela’s withdrawal after the earlier fight with Simone, Emory is keenly aware of just “how quickly Adela could leave” (117). 


As a hurricane approaches, Kai develops a fever and cries incessantly, causing Emory’s grandfather, Pawpaw, to order her to take the baby and leave the house so that he can finally get some sleep. She protests the idea of being kicked out of the house just before a hurricane, but to no avail. Jayden’s parents refuse to let Emory and Kai shelter at their house, so Emory arranges for Jayden to care for Kai so that she can find a safe shelter for herself and the Girls. She calls Adela, who agrees that they can stay at Noni’s but tries to exclude Simone.


Emory refuses to go without Simone and explains that she must go with Simone to Tallahassee before the hurricane hits, as Simone needs to keep an appointment that day to terminate her pregnancy. Adela relents and allows all of the Girls, including Simone, to shelter at Noni’s house during the storm. She explains that Noni takes sleeping pills during the storm and will not know that the Girls are there. 


Emory and Simone drive toward the Planned Parenthood in Tallahassee, fighting through heavy wind and rain, only to find the clinic closed and damaged by a fallen tree. Emory sees unshed tears in Simone’s eyes.

Part 1, Chapter 13 Summary: “Simone”

Staring at the closed clinic, Simone breaks down in despair, saying that by the time the clinic is open again, she will have passed the point where Florida law allows pregnancy termination. Determined to return to her children, she then drives frantically through the storm. Suddenly, a truck skids across her lane, and Emory shouts directions that help her narrowly avoid a crash. Although Emory protests the reckless drive through the rain, Simone can only think of returning to the twins. They finally reach the safety of Adela’s basement, soaked and shaken, and join the other Girls. Everyone brainstorms ideas for Simone’s situation. April suggests using a hanger, but Adela dismisses this idea, warning that it can be fatal. Crystal shares a family story about an herbal tea that induces a miscarriage, and Adela offers access to Noni’s collection of herbs. Emory identifies rue as a plant that can end a pregnancy but warns that it can also be poisonous if the tea is too strong. Simone weighs the risks and chooses the tea.

Part 1, Chapter 14 Summary: “Adela”

To ride out the hurricane, Noni has taken a sedative and is closed away in her bedroom. Adela and Simone slip inside Noni’s room and search by the light of their phones until they find jars of rue and clary sage. Adela notices Simone’s hands shaking with fear and determination.


In the kitchen, Adela asks Simone why she wants to end this pregnancy when she kept her twins. Simone says that she has changed over the years; although she loves the twins, she knows that she cannot keep sacrificing more of herself to accommodate a third child. Adela brews the tea, thinking about what it means to choose a pregnancy and what kind of mother she will be. Simone lifts the mug and drinks.

Part 1, Chapter 15 Summary: “Emory”

Back in the basement, the Girls play Truth or Dare. Adela dares Emory to apply to Stanford, and Emory, who has already written her essays, submits the application while the others cheer. When it is Adela’s turn, she chooses Truth. Emory asks if she has ever been in love.


Adela admits that she is in love now and winks at Emory, who misinterprets Adela’s feelings and privately jumps to the conclusion that Adela is in love with her, just as she is in love with Adela. Suddenly, Simone moans in pain as the rue takes effect.


As the Girls rally around her, Simone urges them to make sure that Luck and Lion will not witness her suffering. All through the night, Simone crouches in Adela’s bathtub, surrounded by the Girls, enduring cramps and bleeding while the house creaks in the wind. As she goes through this process, Simone reflects on the first time she met Tooth. 


Simone was 15 years old and was wearing a bikini as she walked along the beach, planning to sit somewhere quiet and read bell hooks’s All about Love. However, she caught sight of Tooth fishing, and their conversation turned flirtatious. 


In the present, Simone thinks to herself, “I never did finish the book. Maybe if I had, things would’ve turned out different” (146). Adela pushes a sponge between Simone’s teeth so that she will not bite her tongue, and Tori and Crystal hum to cover her cries. After hours, the bleeding finally slows. The Girls clean the tub and help Simone into Adela’s bed. Simone feels a deep sense of relief as Luck and Lion climb in beside her and she drifts off to sleep.

Part 1, Chapters 9-15 Analysis

These chapters foreground the motif of the female body, using vivid descriptions to celebrate and honor biological processes that are traditionally downplayed, suppressed, or ignored entirely. To illustrate the problematic aspects of society’s sterile, clinical treatment of motherhood, the narrative emphasizes the clinical experience of Adela’s transvaginal ultrasound. Adela’s sonogram initially presents her pregnancy as an abstraction—a “black hole in the white static” (111), and this idea alienates her from her body. Only when she connects the image to her love of the water and realizes that her amniotic fluid is her “own body of water” (112) does she finally come to grips with the reality of her pregnancy. This imagery connects her intimate biological reality to the vast power of the natural world, suggesting that the forces of creation and destruction that govern the ocean are also at work within her body.


In stark contrast, Simone’s visceral experience of self-induced miscarriage is rendered through a vivid series of sensory details: the coldness of the tub, the metallic taste of blood, and the unrelenting waves of pain. By centering the graphic reality of this herbal miscarriage, the narrative reclaims the experience from political discourse and presents it as the only logical course of action for Simone to take, given the limitations of her means and her determination not to bear this child. Even more importantly, with the Girls as her supporters and attendants, she engages in an act of physical survival managed by an organic community of women, and she does not ask permission from the patriarchal systems that have placed her in these dire straits. Simone’s choice is framed as a necessary act of bodily autonomy, and this idea is explicitly articulated when she tells Adela that although she loves the twins, she does not “wanna give [her] body to this child, trade [her] idea of [her] life for something else” (137). 


Amid these intense internal developments, the external pressure of the hurricane serves as a narrative catalyst that solidifies the novel’s focus on Found Family as a Remedy for Rejection. Notably, the storm dismantles all of their conventional support systems, destroying the clinic and revealing the inadequacy of biological families, and the Girls are forced to rely entirely on their own communal structure for survival, finding a new sense of safety with each other. The resilience of this support system is proven when Emory refuses Adela’s offer of shelter unless Simone is also allowed to come, for the storm represents a far more existential threat than Adela and Simone’s recent quarrel. 


In accordance with this dynamic, the Girls’ subsequent gathering at Noni’s home transforms the space into a sanctuary of radical care, and as Simone goes through with her pregnancy termination on her own terms, the scene becomes the ultimate expression of the Girls’ chosen kinship. Every aspect of the self-induced abortion becomes part of a collaborative ritual: Crystal offers up ancestral knowledge, Adela procures the herbs from Noni’s collection, and the Girls all provide the physical and emotional support that Simone needs. This act of mutual aid, performed in secret during a natural disaster, stands as a pointed counter-narrative to the societal abandonment that the Girls face on a daily basis, suggesting that true families are forged through shared vulnerability and solidarity.


In this context, the parallel narrative arcs of Simone and Adela function as a study of choice and circumstance, illustrating that each individual version of motherhood is shaped by the characters’ personal history and economic status. Both women confront the reality of unwanted pregnancies, yet their journeys drastically diverge. Simone’s decision to terminate her pregnancy is a direct result of her lived experience; having already sacrificed much of her own opportunity in life for the sake of raising Luck and Lion, she now makes a different choice in order to preserve her existing family and safeguard her own energy. Adela, however, is comfortably insulated by her higher social class and is unburdened by prior children, so she gradually moves from viewing her pregnancy as a shameful secret to embracing it as part of her evolving identity. Their conversation in Noni’s kitchen during the storm marks the midpoint of this process in Adela’s development, as Simone’s articulation of her own exhaustion allows Adela to comprehend a perspective that is alien to her own. When Adela brews the abortifacient tea for Simone, she engages in a gesture of empathy that bridges the chasm between their realities and affirms the validity of Simone’s choice, even as Adela contemplates a very different possibility for her own path.


Throughout these chapters, the recurring motif of water takes on many different forms, operating as a force of simultaneous destruction, cleansing, and transformation. The hurricane, as the most dominant manifestation of water, invades the Girls’ reality as a chaotic external power that mirrors their inner turmoil and serves as a metaphor for the social “storms” that they all must weather amid Padua Beach’s harsh judgment of their choices. As the Girls to seek an herbal remedy for Simone, the narrative suggests that because modern systems have failed them all, the Girls must  return to older forms of knowledge passed down by generations of wise women like Adela’s Noni. 


The multi-voiced narrative structure also complicates the novel’s portrayal of Simone’s pregnancy termination, transforming it into a shared, communal experience. By fragmenting the event across the perspectives of Adela, Emory, and Simone, the narrative creates a nuanced, multifaceted view of each detail. Adela’s chapter focuses on the fear and determination of procuring the herbs, and it is clear that her initial judgments are melting away beneath the growing urge to empathize with Simone’s plight. By contrast, Emory’s perspective on the evening captures the emotional climax of the “Truth or Dare” game, where the dawning of her romantic feelings for Adela is jarringly interrupted by Simone’s first cry of pain. This juxtaposition links the ideas of love, friendship, and shared suffering. Finally, Simone’s own chapter is immersed in the physical reality of the process, grounding the event in her body. This structural choice prevents Simone’s experience from being isolated or sensationalized, as her ordeal is witnessed and supported by her chosen community. This framing reinforces the novel’s core argument that in a world of institutional failures, women must band together to undertake the most essential acts of survival and bodily autonomy.

blurred text
blurred text
blurred text

Unlock all 63 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs