63 pages 2 hours read

The Girls Who Grew Big

Fiction | Novel | Adult | Published in 2025

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Part 3, Chapters 26-33Chapter Summaries & Analyses

Content Warning: This section of the guide features depictions of racism.


This interlude, told from the first-person plural perspective, details the mingled fear and anticipation that pregnant young women feel as the time comes to birth their children into the world.

Part 3: “Third Trimester”

Part 3, Chapter 26 Summary: “Simone”

As Luck undergoes tests, Simone so disrupts the proceedings with her anguish that the staff orders her out of the building. She runs away until she calms down, then returns and goes to the hospital parking lot, where she is newly distressed to discover that her red truck is missing. Jayden tells her that the truck was likely towed and reports that Luck is still getting an MRI. He explains that the Department of Children and Families (DCF) was called because of the injury and the public fight, and that Tooth (Chris) took Lion to his rental house in accordance with a caseworker’s advice.


When Simone reacts in fear that her children may be taken away from her, Jayden admits that he called their mother and threatened to leave her home unless she cooperated and spoke well of Simone to the DCF caseworker. Luck returns from the scan awake but tired; a doctor says the small brain bleed should resolve on its own. After an interview, the caseworker allows the children to stay with Simone, under required follow-ups. Simone sits up all night watching Luck, determined to hold her family together.

Part 3, Chapter 27 Summary: “Emory”

The morning after Luck’s injury, a frustrated Emory prepares sandwiches for Lion and Kai at her grandparents’ house, while her fiancé, Jayden, plays with the baby. Because Jayden is not allowed in the house, he intends to leave before Emory’s grandfather comes home, but Pawpaw returns early. When he sees Jayden and Lion there, he uses the sand on the carpet as an excuse to launch into a tirade that soon grows explicitly racist. When Jayden responds by announcing his and Emory’s engagement, Pawpaw maliciously evicts Emory from the house. As he berates her, he tosses groceries at her as mocking gifts, ordering her and Kai to leave. Emory quickly packs her things and leaves with Jayden, Kai, and Lion. As she looks back at Pawpaw’s red, angry face, she can no longer recognize the man who raised her.

Part 3, Chapter 28 Summary: “Adela”

The narrative shifts back to the night of Luck’s injury. At Chris’s house, Adela squirms in anguish in the aftermath of the confrontation at the hospital and reluctantly watches over a frightened Lion, who refuses to go to sleep unless he can bed down in a closet with a flashlight. Adela lies on the bed and listens to the boy whispering anxiously in the dark, weaving a story for himself and telling himself that Simone will come soon and will take him and Luck on an airplane. 


In the morning, Adela refuses to take care of Lion, citing Simone’s fury, so Chris agrees to take Lion to Emory and Jayden. Later, when he returns, he tells Adela that he lied to the social worker and claimed that he, Simone, and the twins all live together. Furious, Adela observes that he doesn’t want to take care of his children with Simone, and she realizes that she has been tricking herself into believing her own lie: that her baby is Chris’s. When he tells her, “Keep complaining and you’ll end up all shriveled up and alone like Simone” (259), she throws the flashlight at him and walks out.


Heartbroken, she finds the Girls by their truck near the beach. Simone is there with Luck and Lion, and all the other Girls are huddled around her. Adela tries to complain to them about how badly Chris is treating her, only to behold Emory’s expression “leaking disgust, Simone’s blank stare, [and] Crystal’s sneer” (261). Simone and Emory reject her and order her to leave. Humiliated, Adela returns home, gets into the bathtub, and sits there, overwhelmed by shame.

Part 3, Chapter 29 Summary: “Simone”

Simone reflects on Lion’s keen desire to ride in an airplane. Four weeks after Luck’s hospital stay, Simone, who is still heavy with guilt over her daughter’s injuries, asks April and Crystal to find another place to stay for a few days so that she can take the truck and spend some time alone with her children. She takes Luck to the hospital to have her cast removed. At first, Luck stares at her newly freed, weak arm and hesitates to use it, but Simone encourages her, and Luck is soon wiggling her fingers and moving her arm without fear.


To keep her promise to Lion and create a special memory for her children, Simone drives the twins to the National Naval Aviation Museum and basks in the twins’ delight as they wander among the massive planes When Luck climbs into a Blue Angels display, Simone watches their awe and realizes that she did “something right” as a mother. She feels a renewed sense of hope.

Part 3, Chapter 30 Summary: “Emory”

About two weeks after DCF closes Simone’s case, Emory finds herself floundering, feeling numb and detached from her former ambitions to succeed academically in high school. Although she has gained entrance into a number of prestigious universities, she sees no point now in going to college. With only a few weeks left of high school, she starts skipping classes entirely, and she is also indifferent to her wedding plans. One day, the dean of students, Mrs. Simmons, approaches her and offers her the chance to pick up her final exams on Friday, take them, and turn them back in; if she does so, she will be allowed to graduate as valedictorian despite her recent absences. 


Later, Crystal arrives in tears and explains to the Girls that the other mothers at a local park conspired together to force their children to ostracize her daughter, Cece, who had recently misbehaved by biting. Furious, the Girls—Emory, Simone, April, and Jamilah—go to the park and confront the judgmental mothers, who quickly leave. They glory in the fact that have reclaimed the playground for their children and reaffirmed their bond.

Part 3, Chapter 31 Summary: “Adela”

Adela lets Chris drive her to a sonogram appointment in Tallahassee, despite Noni’s objections to her relationship with him. In the exam room, a nurse casually mentions that Adela is 38 weeks along in her pregnancy, and Chris quickly realizes that he cannot be the father of her baby. He confronts Adela, who initially tries to deny the truth, then pleads with him to stay with her. He erupts in anger, renounces any responsibility toward her child, and storms out, leaving Adela stranded hours from home.

Part 3, Chapter 32 Summary: “Simone”

Simone gets a call from Adela and drives with Luck and Lion to Tallahassee to pick her up, reflecting on how much she herself has grown in recent years. On the way back to Padua Beach, as the twins are lulled to sleep by the motion of the vehicle, Simone breaks the awkward silence and urges Adela to cry. Adela sobs and then complains about Chris’s indifference toward her, admitting that she hates him for leaving her. Simone listens, then tells Adela to be honest with herself, stating, “This won't be the first or last time this week or month or year you push him away only to let him pull you into his tide again” (292). She then explains that she needs Adela to talk to Emory. She reveals that Emory loves Adela and is about to give up her future by marrying Jayden out of fear. Simone tells Adela, “You don't gotta love her back […]. Just make her think twice” (294).


Adela resists, but Simone pushes back, using the origin story of the local white sand to talk about love and history. The twins wake and make innocent remarks about skin color, and as they speculate on what Adela’s baby might look like, their chatter breaks the tension, making Adela laugh and finally relax.

Part 3, Chapter 33 Summary: “Emory”

On a Sunday, Emory walks alone on the beach. When Adela finds her there, Emory states that Adela never loved her. She means the term romantically, but Adela insists that she loves Emory as her friend. She then insists that Emory is making a “mistake” in marrying Jayden, and she urges Emory not to do something that will inevitably make her unhappy. Emory insists that she is marrying Jayden for Kai’s sake.


Adela comforts her, gives her a brief, gentle kiss that feels like a farewell, and tells her to “stop running from being alone” (301) and says that she will need Emory’s help when her baby is born. As she leaves Emory at the shoreline, Emory recognizes the kiss as solace, not a form of romance, and this realization clarifies her next steps.

Part 3, Chapters 26-33 Analysis

Although the crisis of Luck’s hospitalization initially shatters the solidarity of the Girls, these chapters illustrate that their bond runs deeper than the sting of betrayal, and as the group slowly begins to resolve its differences, their reconciliations highlight the enduring strength of Found Family as a Remedy for Rejection. Although Adela is temporarily cast out of the group in retaliation for having violated their trust, the narrative reconstructs this bond on a more durable foundation when several different crises force the Girls to come back together. To this end, the collective action to defend Crystal’s daughter from ostracism at the park marks a pivotal evolution in the broader group’s bond. Uniting as a formidable force, they take decisive action against the community that scorns them, healing their sense of solidarity as they revel in the bold act of publicly defending their children’s right to exist and take up space.


Throughout the novel, the author repeatedly uses distinctive aspects of the coastal Florida setting to create tailored symbols that accentuate the conflicts driving the narrative. For instance, Pawpaw’s racist tirade against Jayden, thinly veiled as a complaint about sand on the carpet, weaponizes the domestic space. As he makes a few grains of sand a pretext for enforcing a hateful worldview, his bigotry corrupts the last vestiges of his relationship with this granddaughter, who regretfully obeys his order to leave and grieves this final loss of her connection to her biological family. By contrast, Simone’s monologue to Adela later reclaims the image of sand as a symbol of history and resilience. By recounting the geological origin of Padua Beach’s white quartz sand, which traveled from the Appalachian Mountains to the Gulf and yet endures along the beaches, Simone reframes the marginalized and forgotten town as a testament to endurance. Her words emphasize the importance of Reconnecting with the Healing Power of the Land, and with her thoughtful monologue, the image of sand comes to represent the overlooked beauty that defines the heart of a community.


As Simone’s wise words suggest, her character arc has undergone a significant maturation, complicating the novel’s initial presentation of motherhood. The trauma of Luck’s injury and the subsequent DCF investigation force Simone into a period of self-scrutiny, compelling her to move beyond a purely reactive mode of parenting. Her initial panicked outburst at the hospital therefore gives way to a sober assessment of her own culpability, and she makes a conscious decision to adopt a more purposeful approach and make a better life for her children. This evolution is symbolized by her trip to the National Naval Aviation Museum, as she uses this outing to overwrite her children’s recent trauma with a memory of awe and excitement. As she revels in the certainty that she has done something “right” as a mother, this moment demonstrates that The Transformative Power of Motherhood is an ongoing process demanding reflection and atonement in order to foster new emotional growth.


While Simone finds a path to redemption, Adela is forced into a state of isolation that forces her to abandon her romantic fantasies. Rejected by the Girls and left utterly alone, she retreats to the bathtub, where her pregnant belly remains an unsubmerged “buoy.” Here, the motif of water, which is typically associated with cleansing, becomes a symbol of inescapable truth. In this context, her protruding belly is a physical fact that cannot be washed away: a constant reminder of the consequences of her choices. This initial period of solitude weakens her external sources of validation, and when Chris later rejects her and leaves her alone at her appointment, this crisis represents the total collapse of the counterfeit family that she was attempting to construct. Chris’s cold calculation upon discovering the pregnancy timeline reveals the transactional nature of his affection, and his adamant refusal to help take care of her child shatters Adela’s illusion that he holds any love for her at all. While she has yet to fully rid herself of her attachment to him, these events mark the beginning of her disillusionment.


With these interwoven narratives, the author strategically juxtaposes the characters’ emotional journeys to create a dialogue on fear, love, and female solidarity. Simone’s pragmatic lecture to Adela about “reckless” love, born from her own experience with Chris/Tooth, serves as a catalyst, marking a distinct shift in tone that galvanizes Adela and the other Girls into more fully confronting the uncomfortable truths in their own lives. This wisdom is immediately echoed in the following chapter, when Adela confronts Emory on the beach. Armed with a new sense of clarity, Adela challenges Emory’s decision to marry Jayden, identifying it as a capitulation to fear. When she notes that Emory is “just like every other mother who thinks she’s choosing her baby when she’s really choosing her own fear” (300), this exchange reflects her own newfound understanding about the nature of self-deception. The gentle, platonic kiss that Adela gives Emory functions as a farewell to a fantasy, clearing the way for Emory’s own inner realizations. This structural sequencing demonstrates a form of feminist pedagogy wherein wisdom is transmitted from woman to woman, suggesting that a chosen family sustains itself through the courageous exchange of difficult truths.

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