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Content Warning: This section of the guide includes discussion of death by suicide, suicidal ideation, mental illness, and substance use.
On his fourth wedding anniversary, Ryan Smith drives home to his apartment in Northampton to surprise his wife, Charlotte. As he drives, Ryan reminisces about their life together: meeting at university, moving to London, and eventually returning to Northampton. He recalls their painful struggles with infertility, followed by the joy of a successful IVF treatment. Charlotte is now seven months pregnant, and though the pregnancy has been challenging, she has recently seemed much better.
When Ryan arrives, he finds that Charlotte’s car is gone and the apartment is empty and unusually tidy. He calls her phone, but it goes to voicemail. His growing concern turns to panic as he calls the local maternity ward and her friends, but no one has heard from her. His panic is interrupted by a knock at the door. He opens it to find two police officers, Detective Sargent Mortimer and Police Constable Coghill, on his doorstep. Throughout this time, an anniversary gift remains in his pocket.
Ryan’s parents and his brother, Johnny Smith, were present when the police delivered the news that Charlotte’s body had been found at the base of cliffs in East Sussex. An unidentified man died with her, but his body was swept out to sea.
Two new detectives, Detective Sargent O’Connor and Detective Sargent Carmichael, take over the case the following day. The detectives reveal that an eyewitness saw Charlotte and the unknown man calmly holding hands as they walked off the cliff. The witness also stated that both were holding cell phones to their ears. Based on this account, the police suggest that it was a suicide pact. Ryan reacts with furious denial, while his family appears to quietly accept the police’s explanation. Overwhelmed, Ryan storms into the bedroom to be alone.
Ryan researches Birling Gap, the location where Charlotte died, and develops a theory that erosion caused an accidental fall. His hope is shattered when DS Carmichael shows him dashcam footage from a nearby car. The video clearly shows Charlotte embracing the unknown man before they deliberately join hands and walk off the cliff together.
Broken by the video, Ryan is forced to accept that he did not truly know his wife. He wanders to a park, where he finds the anniversary gift still in his pocket. He opens the box to look at the key to a new house he secretly purchased for their growing family, wondering if knowing about the purchase would have changed Charlotte’s mind.
Ryan ransacks the apartment searching for a suicide note but finds nothing. Unable to remain there, he moves in with his parents. His grief is compounded when Charlotte’s parents, Barbara and Patrick, return from a cruise and openly blame him for their daughter’s death by suicide.
This accusation forces Ryan to re-evaluate Charlotte’s final months. He recalls her severe prenatal depression and his attempts to support her. He now sees her apparent recovery, during which she spent a great deal of time on online message boards, as a masterful deception. He is tormented by the memory of her telling him she loved him on the morning she died while secretly planning to die by suicide.
Ryan, struggling with grief, takes a train to London. He visits the street where he and Charlotte shared their first apartment, attempting to reconnect with their early happiness. Instead, he questions if her depression was a secret she carried even then.
Ryan then travels to Borough Market, another place filled with memories, but he is too overwhelmed to enter. The journey does little to soothe him. He reflects on how his friends’ reactions have been divided, with some offering sincere pity and others treating him with thinly veiled suspicion.
DS Carmichael informs Ryan that the coroner’s report determined his and Charlotte’s baby was a boy. Ryan privately names his lost son “Daniel” and torments himself by imagining the life they could have had. This new information causes his grief to curdle into intense hatred for Charlotte, whom he now blames for “murdering” their child.
After a brief interaction with a shopkeeper, Mrs. Verma, Ryan buys several bottles of alcohol. He retreats to his parents’ garden with their dog, Oscar, and drinks heavily. He obsesses over the potential suffering of his unborn son during the fall, eventually becoming physically ill. Alone, he verbally expresses his bottomless hatred for Charlotte.
DS O’Connor meets with the family. He reports that police have found no prior link between Charlotte and the man who died with her. The investigation has, however, uncovered a significant lead: In the weeks before her death, Charlotte made nearly 100 calls to a suicide helpline called End of the Line. These calls stopped abruptly one week before she died.
O’Connor explains that the investigation is stalled because the helpline operates under a strict policy of caller anonymity, and police believe Charlotte was using a second, unrecovered cell phone. He warns the family that the story is about to break in the media. Two days later, the story is published, and Ryan turns off his phone to escape calls from journalists.
Ryan attends Charlotte’s funeral and the coroner’s inquest, where her death is officially ruled a suicide. He feels numb and detached throughout the proceedings. His doctor signs him off from work, and he moves back into the apartment he shared with Charlotte, though he avoids the nursery and their bedroom.
While in a pub one evening, he finds a promotional leaflet for the End of the Line helpline. Later, back in his flat, he calls the number and speaks to a male volunteer named Kevin. Ryan explains that his wife recently died by suicide and, through the anonymous conversation, feels he gains a small insight into why Charlotte might have called the service, but the number of calls she made continues to baffle him.
When the police return Charlotte’s phone, iPad, and laptop, Ryan discovers that she meticulously erased every photo of them from her devices. While looking through her iPad, he finds a hidden calculator app. Suspecting it is a decoy, he enters the date of her death as a password and unlocks a secret vault.
Inside, Ryan finds folders with links and screenshots from pro-suicide websites and online communities. As he reads a message board thread, he learns of an urban legend about a female volunteer at End of the Line who secretly helps callers die, known only by the alias the “Freer of Lost Souls.” Ryan becomes certain that finding this woman is the key to understanding Charlotte’s death.
Driven by a new purpose, Ryan resolves to identify the anonymous helpline volunteer. He first tries to get information from users on suicide forums, but they offer no help. He then decides to find her by systematically calling the helpline. He invents a convincing suicidal persona named Steven, meticulously documenting his plan.
For weeks, Ryan’s life is consumed by this hunt. He uses a Dictaphone to record every call and a spreadsheet to log each volunteer. To his family, he presents a facade of recovery, hiding his obsessive project. The hunt for the woman becomes his sole reason for living, and his methodical plan is eventually successful.
This section anchors the reader exclusively within Ryan’s perspective to establish a foundation of empathy, ensuring that the reader experiences the traumatic discovery of Charlotte’s death, the disorienting police investigation, and the painful unravelling of his marriage with the same immediacy and confusion as he does. Ryan’s grief is rendered with detail, from his early memories of meeting Charlotte to his agonizing attempts to reconcile the dashcam footage with the woman he believed he knew. Though the novel has established Laura as the central protagonist, if only because her actions serve as the inciting incident, the first few chapters from Ryan’s perspective encourage readers to view the roles of victim and perpetrator in unambiguous terms. However, with the implication that Ryan is in fact Steven (confirmed in Chapter 10), this intimate focus sets the stage for the novel’s exploration of The Blurred Line Between Victim and Perpetrator. By inviting readers to forge a strong alliance with Ryan in his most vulnerable state, the text ensures that his transformation from a grieving husband into a calculating manipulator is all the more morally complex.
These chapters chart Ryan’s forced deconstruction of his own history, an agonizing process that lends nuance to the theme of Rewriting Reality to Reconcile Trauma. Initially, Ryan clings to alternate explanations for Charlotte’s death, proposing that “the ground simply gave way beneath [her] feet” in a desperate attempt to preserve the narrative of their happy marriage (123). This denial gives way to a frantic search for a suicide note, an object he believes will provide a coherent addendum to their story. The discovery of Charlotte’s hidden files initially shatters these efforts. This digital archive does not just reveal her secret life; as evidenced by her deletion of their photographs, it retroactively invalidates Ryan’s own memories, turning cherished moments into lies. This process of having one’s reality forcibly rewritten by trauma contrasts with Laura’s own self-deception, but it also instigates the next phase of Ryan’s attempt to rationalize Charlotte’s loss: his destructive obsession with the Freer of Lost Souls.
Indeed, Ryan’s psychological journey throughout these chapters exemplifies the corrupting nature of grief when it curdles into vengeful obsession. His rage initially finds an outlet in Charlotte herself, as when he declares, “I hate you, Charlotte […] I fucking hate you for what you did to us” (139). However, the idea, initially unsupported, that Charlotte might have been goaded into suicide quickly becomes the focus of Ryan’s attention because it allows him to preserve his memories of his life with Charlotte, now a victim rather than a perpetrator. The cost is Ryan’s own victimhood: His creation of a spreadsheet symbolizes his transition to an active hunter. The spreadsheet, with its columns for names, times, and adjectives, represents an organized approach to vengeance, mirroring the calculated methodology Laura employs. In dedicating himself to finding the “Freer of Lost Souls,” Ryan begins his own moral descent, adopting deception and manipulation as his primary tools. This creates tension, as Ryan’s quest for truth is built upon a foundation of his own escalating deceptions.
Through dramatic irony and narrative parallels, the narrative foreshadows Ryan’s moral corrosion. For instance, while sneaking around to purchase the house, Ryan reflects, “God knows how people having an affair manage to keep secrets” (126). The irony here is multilayered, pointing both to Charlotte’s suspicions (voiced to Laura) that Ryan was having an affair and to the far darker secrets kept by his wife; however, it also hints at the deception that Ryan will soon perpetrate as “Steven.”
The symbolic landscape of the novel continues to highlight the disconnect between appearance and reality. The telephone, ostensibly a tool for connection, functions as an instrument of deceit and death. It is the object clutched in Charlotte’s hand during her final moments, a supposed lifeline that facilitates her demise. Her “almost a hundred” calls to the End of the Line helpline represent a hidden world of despair (142). For Ryan, the telephone transforms from a means of communication into a weapon for his investigation as he becomes a mirror image of Laura, fabricating an identity to exploit a system designed for the vulnerable. Similarly, the houses in these chapters are not spaces of sanctuary but facades masking decay. Ryan and Charlotte’s apartment, meticulously cleaned, presents an image of domestic harmony that conceals misery. The secret house in Kenton, meant to be the embodiment of a shared future, becomes instead a hollow symbol of Ryan’s shattered dreams. These recurring symbols create a consistent language for the novel’s thematic preoccupation with the unreliability of surfaces.



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