72 pages 2 hours read

The Good Samaritan

Fiction | Novel | Adult | Published in 2017

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Part 2, Chapters 21-30Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death by suicide, suicidal ideation, animal abuse, mental illness, child sexual abuse, bullying, child death, substance use, graphic violence, and death.

Part 2, Chapter 21 Summary: “Laura”

Laura follows Tony and Janine after they leave the End of the Line office. She watches them kiss in a car park before they drive off to collect Effie and Alice. Laura then tails all four to a movie theater in Milton Keynes. She buys a ticket for the same film and spies on the new family unit from a back row.


Seeing them together triggers a memory of a severe argument with Tony, who accused Laura of being “broken” by her past and incapable of real love. The fight prompted Laura to request her social services file. She remembers reading the psychological reports, which stated that she had multiple personality disorders, once broke a dog’s leg, and repeatedly bullied an older boy in a household where she was in foster care. The report concluded that she invariably viewed herself as a “victim,” recasting events when necessary to maintain this delusion. Convinced the file was full of lies, she hid it from Tony but compulsively retrieved it to reread.


In the present, Laura leaves the cinema early. She locates Janine’s car and uses a key to carve an expletive into the paint before driving away.

Part 2, Chapter 22 Summary: “Ryan”

The day after his suspension, Ryan Smith meets with his lawyer, Tracy Fenton. Tracy informs him that the police found 115 “images of a sexual nature” on his work computer (300), all depicting adolescent girls. She explains that the digital files appear to have been moved hastily, suggesting that someone planted them.


Tracy advises that their best strategy is to establish a clear timeline of his activities to create an alibi. She warns him that the police investigation could take months and details the severe legal consequences he faces. As Ryan despairs, thinking of his lost future with Charlotte, Tracy instructs him to remain passive. Internally, however, Ryan resolves that he cannot simply wait.

Part 2, Chapter 23 Summary: “Laura”

Laura recalls how she used to fantasize about happier outcomes for Nate. She feels guilty for neglecting him while focused on destroying Ryan. What has prompted these reflections is the fact that Laura is now at a police station: A telephone call informed her that Nate’s body had been discovered in a river, so decomposed he could only be identified through a DNA match.


Now, despite warnings about the graphic state of the body, Laura insists on viewing it. In the mortuary, she is confronted with Nate’s partially skeletonized remains. She disputes the police’s estimated time of death, claiming that she saw Nate five or six months ago, not the full year police believe he has been deceased. As the officer gently corrects her, it emerges that Nate’s body was discovered on a beach in East Sussex, not in the local river.

Part 2, Chapter 24 Summary: “Ryan”

Ryan watches Tony win a white-collar charity boxing match. He approaches Tony at the bar and tells him that he believes Laura manipulated his wife into suicide. Tony is unsurprised and tries to walk away, but Ryan follows him into the car park, pressing him for information.


Tony explains that he and his daughters no longer live with Laura. He then recounts finding Laura’s hidden psychiatric report, which detailed her deeply manipulative past, including how Laura manipulated Nate, Sylvia’s biological son, into killing Sylvia. Tony also explains Laura’s altered perception of reality and the role she unwittingly played in her father’s murder-suicide. Finally, he reveals why she called Ryan “David”: It was Nate’s actual first name.

Part 2, Chapter 25 Summary: “Laura”

Back at the End of the Line office, Laura puts the next stage of her plan into motion. She gives her manager, Janine, two homemade muffins. While Janine is distracted, Laura steals her iPad. She reflects on orchestrating Ryan’s frame-up by having Effie use a memory stick to plant pornographic images on his school computer.


Frustrated with the slow police investigation into Ryan, Laura decides to escalate. She previously instructed Mary to book a drop-in appointment for Janine with a man named “Ryan Smith” and not to bother turning on the security cameras for this meeting. At the end of her shift, Laura goes to the drop-in room and waits for Janine, greeting her by saying they need to have a long-overdue conversation.

Part 2, Chapter 26 Summary: “Ryan”

Ryan wakes from a drunken sleep to find his parents have let themselves into his apartment. His mother shows him a Facebook feed filled with posts accusing him of being a pedophile. Laura has created a fake “Charlotte Smith” profile to post fabricated evidence, including the manipulated audio recording of his apology to Effie and video footage of him trying to break into Laura’s house.


Horrified, his parents refuse to listen to his explanations, and his mother suggests he is having a “breakdown.” Yelling in frustration, Ryan tries to leave but accidentally knocks his mother to the floor. In response, his father shoves him against a wall. Feeling completely betrayed and alone, Ryan storms out, determined to find Laura and beg for mercy.

Part 2, Chapter 27 Summary: “Laura”

In the private drop-in room at End of the Line, Laura confronts Janine. Janine accuses Laura of manipulating vulnerable callers and admits that she began investigating Ryan’s claims. Laura immediately counters by confronting Janine about her affair with Tony, threatening to expose her to the office. Janine then reveals her leverage: She has Ryan’s Dictaphone, which she claims contains recordings of all the manipulative calls between Laura and Ryan.

Part 2, Chapter 28 Summary: “Ryan”

Ryan drives to Laura’s house, but it is dark. Overcome with desperation, he collapses on the doormat and weeps, pleading through the letterbox for Laura to stop her campaign and admitting that she has won.


He returns to his car and uses a business card to call Janine’s direct line, leaving a rambling voicemail that announces he is coming to see her because she “owes” him. He then drives aimlessly, drinking, passing landmarks from his youth, and reflecting on his ruined reputation. Ryan feels he truly understands the despair that led Charlotte to suicide, and he concludes his own life is “over.”

Part 2, Chapter 29 Summary: “Laura”

Janine presents Laura with her deal: She will destroy the Dictaphone if Laura agrees to an uncontested divorce. However, when Janine presses play, the tape is blank. Furious, Janine tries to get up but stumbles. Laura then reveals that she drugged the muffins with powerful sedatives.


As Janine collapses, Laura puts on gloves, retrieves a hammer, and strikes Janine in the windpipe. After two more blows to Janine’s head, she listens calmly as Janine dies. She stages the scene to frame Ryan, creating a fake escape route, planting the hammer (which she stole from Ryan’s apartment and which thus bears his fingerprints), leaving a man’s shoe prints, and changing into an identical set of clean clothes. Back home, she disposes of the evidence. Her daughter Effie calls, distraught over school rumors relating to her and Ryan, but Laura coldly threatens her into silence, warning her of the punishment she would face if her lies became known.

Part 2, Chapter 30 Summary: “Ryan”

Ryan spends the night in his car at Birling Gap. At dawn, he turns his phone on and receives a call from Johnny, who tells him that police are now searching for him in connection with Janine’s murder. Ryan understands that Laura has framed him perfectly and that there is no escape. He accepts his fate, telling Johnny that he will send one final email; he then says goodbye and turns off his phone. Ryan walks to the edge of the cliff, where he has an imagined conversation with Charlotte and apologizes. Envisioning himself holding the hands of his wife and their unborn baby, he steps off the edge.

Part 2, Chapters 21-30 Analysis

The novel explicitly addresses the theme of Rewriting Reality to Reconcile Trauma via Laura’s hidden psychiatric file. The professional assessments within the file—including the fact that Laura “rewrites events in her head so that she becomes a victim” (298)—are truths she has spent her life denying. Her immediate dismissal of this accurate diagnosis as a conspiracy of lies inadvertently proves the point and underscores the core mechanism of her character, which allows her to perpetrate heinous acts while maintaining a narrative of victimhood. Tony’s conversation with Ryan elaborates on this idea while revealing a crucial piece of information: Nate’s real name is David. Besides affirming what the discovery of Nate’s body implies—that Nate and David were one and the same—this recontextualizes Laura’s earlier slip of the tongue with “Steven.” Rather than being a simple mistake, her tendency to refer to him as “David” was a manifestation of suppressed guilt, signaling her awareness of the truth of her relationship with Nate, whom she manipulated and abandoned.


This section culminates in the murder of Janine, an act that solidifies the theme of The Compulsive Nature of Manipulation and Control and reveals the depths of Laura’s amorality and self-aggrandizement. The killing is a meticulously planned assertion of power, and her monologue during the crime is devoid of remorse. Instead, it is a philosophical reflection on her role as a priestess of death, delivered to her victim: “You don’t respect the fragility of human life like me. You’ll never know how the beauty of death equals the beauty of birth, or how those first and last gasps of air are exactly the same” (329). That Laura does not recognize the irony of claiming to respect life while actively destroying it highlights how beholden she is to her own compulsions: For Laura, controlling Janine’s final moments is a transcendent experience, the ultimate consummation of her god complex. The choice of weapon is also significant. While the telephone represents her preferred method of detached, psychological violence, the hammer she uses on Janine signifies a shift to brutal, physical dominance. This act, coupled with her framing of Ryan, showcases her versatility as a predator.


The novel’s key symbols and motifs gain deeper resonance, charting the characters’ psychological and moral decay. Laura uses the telephone and modern communication technology not just to manipulate Ryan but to destroy his public image. She hijacks social media to post doctored recordings and accusations, weaponizing public opinion to annihilate Ryan’s reputation. The symbolism of houses also intensifies. The nursery that Ryan finally re-enters is no longer a symbol of future hope but a dust-covered tomb for his dead wife and child, a space that crystallizes his loss and seals his despair. Furthermore, the full significance of the anchor motif becomes clear with the manner of Nate’s death—drowning. Laura’s realization that Nate saw her as his “anchor,” though characteristically egotistical, is likely true. However, even her ostensible expression of guilt over allowing him to be “cast adrift” is self-serving, eliding the much more active role she played in his/David’s death: If Laura was his “anchor,” it was in part because she dragged him downward.


Ultimately, the narrative arc of these chapters drives toward a tragic inevitability, underscoring the novel’s bleak exploration of The Blurred Line Between Victim and Perpetrator. Laura’s campaign against Ryan is ruthlessly total, stripping him of his career, family trust, and identity. His suicide at Birling Gap is presented as the culmination of all Laura’s manipulations, underscored by the fact that it unfolds in the same place Charlotte’s did, as though the two were inextricably linked. In dying, he also completes the narrative Laura has constructed, apparently validating the various accusations against him and thus publicly becoming the murderer and pedophile she has framed him as. This conclusion suggests that the cycle of trauma and revenge is all-consuming. Ryan’s quest for justice does not lead to victory but to his own destruction, cementing the idea that adopting an amoral opponent’s methods only ensures one’s own demise.

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