72 pages 2 hours read

The Good Samaritan

Fiction | Novel | Adult | Published in 2017

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of emotional abuse, death, suicidal ideation, bullying, and substance use.

The Telephone

The telephone in The Good Samaritan is the novel’s central symbol, representing the deceptive nature of anonymous communication. It functions as a paradoxical object: For the callers, it is a potential lifeline, but in Laura’s hands, it becomes a weapon. The phone creates an artificial intimacy, allowing Laura to bypass physical and emotional barriers to access her victims’ deepest vulnerabilities. This detached connection is the perfect medium for her predatory compulsions, as it allows her to project an image of a caring confidante while orchestrating murder. The telephone thus symbolizes a modern form of violence where intimacy is manufactured and empathy is weaponized, proving that the most devastating manipulation requires no physical contact at all.


This symbolism is most evident in how the phone empowers Laura’s duplicity. Away from the receiver, she is a suburban mother, but on the line, she becomes a godlike figure, calmly judging who should live or die. She uses a well-rehearsed, alternately sympathetic and aggressive speech to test potential candidates, a tactic that relies on the caller’s isolation and inability to see her. For instance, she challenges a caller by asking, “Are you just trapped in a cycle of self-pity? […] Can you live like that, Steven? I know I couldn’t” (27). This calculated cruelty, delivered through the impersonal medium of the telephone, breaks down her victim’s resolve. The phone grants her a mask of anonymity, enabling a complete separation between her monstrous actions and her carefully constructed public persona.

The Anchor

The “anchor” is a recurring motif that represents Laura’s twisted search for psychological stability and moral grounding. For Laura, an anchor is not a set of principles but rather a person whose vulnerability and dependency she can use to steady herself. This concept is key to understanding her fractured psyche and her Rewriting Reality to Reconcile Trauma. Her father’s final words to her were, “Once you find your anchor, never let go of it. No matter what” (102). She internalizes this advice and applies it to her son, Henry, who has an intellectual disability. Because of his complete dependency, he becomes her perfect anchor, an unchanging and “pure” being who needs her. Her apparent devotion allows her to obscure her own role in the fire that caused his disabilities, transforming her guilt into a righteous, stabilizing purpose. Her connection to Henry also provides the justification for other horrific actions. After facilitating a suicide, for instance, she thinks of her anchor “until calmness once again [takes] control of [her] body” (6). This ritual demonstrates that her murders are intrinsically linked to her need for emotional regulation.


Laura’s reliance on anchors reveals the link between her past and present cruelty. Before Henry, her anchor was Nate, an unhoused man with an alcohol addiction whom she bullied as a child. As an adult, Laura’s behavior toward him is more outwardly compassionate, but she is largely exploiting his weakness for a sense of control. The anchor motif exposes the paradox at her core: She perpetrates extreme harm to maintain her own self-perception as a martyr and victim.

The Freer of Lost Souls

“The Freer of Lost Souls” is a critical motif that embodies Laura’s god complex and the delusional reality she constructs to justify her murders. It is a moniker she earned on internet forums and adopted as her identity, reframing her role from that of a predator to a merciful savior. This self-perception is central to the theme of rewriting reality, as it provides a moral framework for her compulsive need for control. By convincing herself that she is a savior, she absolves herself of all guilt and recasts her manipulation as a form of righteous, even benevolent, intervention. This identity is not merely a lie she tells others; it is a foundational belief she tells herself, allowing her to operate without remorse by transforming the act of killing into a sacred duty only she is qualified to perform.


For instance, after manipulating a young mother into a fatal overdose, she reflects on her perceived calling: “I will save them from themselves. That is what I am: a saviour of lost souls” (35). This statement reveals the depth of her delusion. For Laura, the ultimate proof of her success—the confirmation that she has “freed” another soul—is hearing their last breath. This visceral reward reinforces her identity as the Freer of Lost Souls, fueling her compulsion and perpetuating a cycle of violence. The motif is therefore essential to understanding how Laura’s psyche is organized around a grand, murderous delusion that shields her from the horror of her actions.

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