The Hare With Amber Eyes

Edmund de Waal

51 pages 1-hour read

Edmund de Waal

The Hare With Amber Eyes

Nonfiction | Biography | Adult | Published in 2010

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Part 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of racism, religious discrimination, death, and death by suicide.

Part 3: “Vienna, Kövesces, Tunbridge Wells, Vienna 1938-1947”

Part 3, Chapter 24 Summary: “An Ideal Spot for Mass Marches”

The Austrian people were optimistic that the plebiscite would free them from Nazi authority. However, two days before the vote was to be held, German troops advanced on Austria’s border. Schuschnigg resigned, armed police appeared on the Ringstrasse wearing swastika armbands, and Nazi flags were hung from government buildings. Shouts of “Heil Hitler” and “Death to the Jews!” (281) rang through Vienna’s streets. Many of the Ephrussis’ Jewish friends abandoned their properties and attempted to flee the city. The train station was packed with people trying to travel to Prague, and Austrian Jews queued at the Czech border.


On the first night of Nazi occupation, Jewish shop windows were smashed in Vienna, and a group of men forced their way into the Palais Ephrussi. Victor, Emmy, and Rudolf were shut in the library as their home was looted. The intruders threw Emmy’s dressing table (the wedding gift from Fanny and Jules) over the handrail of the staircase, and it crashed to the floor below. In addition, they took the jewelry she was wearing and spat at the family’s feet before leaving. Across Vienna, many other Jewish families experienced similar intrusions. In some cases, men were beaten and taken away, and women were abused.


On March 12, 1938, the Anschluss annexed Austria, making it part of Nazi Germany. Adolf Hitler arrived in Vienna, and crowds of people passed the Palais Ephrussi on the way to see him speak from the Town Hall’s balcony. A new plebiscite was announced in which citizens were asked to acknowledge Austria as part of the German Reich. Jews were prohibited from voting. More of Ephrussi’s friends and acquaintances, including the Rothschilds, fled Austria as Jews and opposers of the Nazi party were taken off the streets and sent to Dachau. However, Viktor could not bring himself to abandon the Palais and the bank. Jewish teachers and lawyers lost their jobs, and 160 Jewish Austrians took their own lives between March and April. On April 23, Gestapo officers entered the Palais Ephrussi.

Part 3, Chapter 25 Summary: “A Never-to-be Repeated Opportunity”

De Waal returns to Vienna and the Palais Ephrussi, feeling that he can no longer write about the events without being there. With a netsuke in his pocket, he stands on the second floor and imagines Emmy’s dressing table crashing to the floor below.


The Gestapo officers ransacked the Palais, claiming that they were searching for evidence that Viktor supported the former Chancellor, Schuschnigg. In addition, they demanded the keys to his safe and the bank. Viktor was accused of donating money to Schuschnigg’s campaign, and he and Rudolf were arrested. De Waal does not know where Viktor and Rudolf were taken, as there are no records of the event. Jews were taken, beaten, and detained in many locations across Vienna.


Viktor and Rudolf were detained for three days and finally released when Viktor signed over his ownership of the Palais and all other property. The family lived in two rooms of the Palais while the house was stripped of its contents and divided into offices of the Reich. The ballroom became the office of Alfred Rosenberg, a government officer responsible for Nazi indoctrination. Under the Reich’s new legislation, Jewish businesses were offered to Aryan shareholders at a discount. Consequently, Victor’s co-owner took over his portion of Ephrussi and Co.


Visiting Vienna’s Jewish archives, de Waal finds Viktor’s marriage record. He cries when he sees the name “Israel” stamped over Viktor’s first name. Nazi legislation forced all Jewish men to be renamed Israel and all Jewish women to take the name Sara.

Part 3, Chapter 26 Summary: “Good for a Single Journey”

Rudolf was permitted to emigrate to the US when he secured a job at an Arkansas cotton company. Once he had gone, only Victor, Emmy, and their servant Anna remained at the Palais. Outside, their movements were restricted as Jews were forbidden from visiting cafes, clubs, theaters, and even sitting on park benches. Risking her own safety, Elisabeth briefly returned to Vienna and organized permits for her parents to leave Austria. In return, they were stripped of any remaining assets and their Austrian citizenship. On May 21, 1938, Viktor and Emmy crossed the Czech border and took refuge at Kövesces. However, in September, the Munich Accord granted Germany jurisdiction over some regions of Czechoslovakia, and the Republic of Czechoslovakia became Slovakia. In October, at age 59, Emmy died from an overdose of heart pills. Seventy-eight-year-old Viktor was stranded in Slovakia with an invalid Austrian passport.


In March 1939, Elisabeth secured her father a visa for a single journey to England. She and her sons left Switzerland to meet Viktor in Tunbridge Wells when he arrived, carrying only one suitcase.


On November 7, 1939, a young Jewish man in Paris assassinated a German diplomat, Ernst von Rath. Devastating recriminations for the Jewish people followed. During Kristallnacht, a state-approved riot across Nazi Germany, Jewish property was destroyed, and Jewish people were attacked. It is estimated that between 1,000 and 2,000 Jews died, many by suicide.

Part 3, Chapter 27 Summary: “The Tears of Things”

Viktor lived with Elisabeth, Henk, and their children in Tunbridge Wells until he died in March 1945, just before the Nazi regime surrendered and Vienna was liberated. After the war, Elisabeth learned that Emmy’s sister Eva had died in a Jewish concentration camp.


In December 1945, Elisabeth visited Vienna to retrieve any property left in the Palais Ephrussi. The Palais had become the headquarters of the occupying US forces, and only a handful of portraits remained. In Emmy’s dressing-room, the vitrine stood empty. A US lieutenant told Elisabeth that Anna, their former maid, still lived in the building.

Part 3, Chapter 28 Summary: “Anna’s Pocket”

Anna explained to Elizabeth that, after Viktor and Emmy left, she was forced to help pack the family’s belongings into crates. Since the netsuke were small enough to conceal, she placed a few of them in her apron pocket every day and then hid them inside her mattress. Anna returned all 264 of the netsuke to Elisabeth, who took them back to England.


On his third visit to Vienna, de Waal sees the “secret floor” where the Ephrussi family’s servants slept. A hidden door conceals the stairs to this floor. The author’s search for a record of what happened to Anna is unsuccessful, yielding only unrelated information. He learns that Louise Cahen d’Anvers’s house was used as a Nazi detention camp during the war and that one of her daughters, whom Renoir painted, died in Auschwitz.

Part 3, Chapter 29 Summary: “All Quite Openly, Publicly and Legally”

After the war, only 4,500 of Austria’s 185,000 Jews returned to the new Austrian Republic. A total of 65,459 had been killed. Elisabeth fought to retrieve her family’s property and, in 1950, the war-damaged Palais was finally returned to the family, but its sale yielded just $30,000. In addition, the Ephrussis received approximately $5,000 for Viktor’s share of the bank. Only a few of their possessions were traced and returned.


After serving in the war as a US intelligence officer, Iggie began working for an international grain exporter. Offered the choice of a post in Japan or in the Congo, he decided to take the netsuke back to the country where they were made.

Part 3 Analysis

In Part 3, de Waal traces how the Ephrussi family’s precarious balance between cultural assimilation and difference was shattered and how their story turned into one of exile and displacement. The collapse of the family’s carefully constructed world as the Nazi regime took over prompts de Waal to explore the limits of wealth to protect against the violence of antisemitism. As the Ephrussis joined the mass Jewish evacuation of Vienna, the Palais, which once symbolized their success and privilege, came to represent despair and dispossession. Their flight to the country estate, Kövesces, in Czechoslovakia, only to find that national borders had changed, reveals the elusive nature of safety for Jewish people within the shifting parameters of Europe, further developing The Jewish Diaspora and the Fragility of Assimilation as a theme. While de Waal focuses on the fate of his ancestors, he clarifies that all Austrian Jewish families experienced persecution and that many fared far worse than the Ephrussis, being taken to Nazi concentration camps.


De Waal uses the symbolism of the Ringstrasse to underscore Austria’s overnight transformation under Nazi rule. The Ephrussi family’s view from the Palais allowed them to witness horrifying historical change firsthand as crowds of Hitler’s supporters passed by to see their new leader appear on the town hall balcony. The author’s tone is heavy with irony as he observes, “The Ring is made for this, the massed crowds, the parade ground of emotion, the uniforms” (286). The spectacle of mass racial hatred starkly contrasts with Emperor Franz Joseph I’s vision of a brave new Austria when the Ringstrasse was constructed.


The opening scenes of Nazi occupation in Vienna introduce a significant shift in the memoir’s tone. De Waal’s question, “How can I write about this time?” (290) conveys his sense of authorial obligation to depict these events as truthfully as possible. Although he consults numerous sources, such as photographs, journals, and newspapers of the day, de Waal’s desire to “feel the story” (325) compels him to return to Vienna. The memoir alternates between documentary precision and imaginative reconstruction, conveying both the cold distance of historical fact and the emotional horror of the Ephrussis’ experience. De Waal uses the present tense when describing the Ephrussis’ perspective, creating a sense of immediacy regarding the danger, as “The first Jewish shop windows are broken” (281) in Vienna, and the Palais is “breached.” In addition, the author shares his ancestors’ primal sense of fear as the sound of anti-Jewish attacks outside “[reached] into the house, into the room, into their lungs” (281). De Waal’s return to the site of trauma and vivid recreation of events echoes the structure of post-Holocaust testimony. As a descendant of the Ephrussis, he cannot restore what was lost but can bear witness to their history.


The looting of the Palais Ephrussi’s contents by Nazi officers develops another aspect of the theme of Art and Collecting as Identity-Making Practices. De Waal presents this plundering of the family’s collection of objets d’art and other assets as a form of erasure. Once a means of constructing and expressing the Ephrussis’ cosmopolitan identity and cultural belonging, these items lost all context once the Nazis inventoried and dispersed them across Germany. The Nazis’ renaming of the Palais Ephrussi and stamping of “Israel” and “Sara” over Viktor and Emmy’s names in public records underscores this concept of eradicating Jewish cultural identity.


The miraculous survival of the netsuke through these events highlights their symbolic significance and the book’s thematic exploration of Objects as Vessels of Memory and Continuity. Anna’s courageous concealment of the Japanese carvings from the Nazi officers transforms them from objets d’art into relics of survival. De Waal presents the maid’s actions as a deliberate “resistance to the sapping of memory. Each one carried out is […] a story recalled, a future held on to” (324). Her curation of the netsuke through World War II and beyond symbolizes the persistence of Jewish life and memory in the face of obliteration.

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