49 pages 1-hour read

The Hollow Places

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

The Willows

The Willows function as the novel’s central symbol, representing an insidious, alien reality that is actively hostile and seeks to colonize the human world. They are the physical manifestation of cosmic horror, embodying a form of existence that operates beyond human comprehension and morality. This directly explores the theme of The Fragility of Reality, suggesting that the world people perceive is merely a thin barrier against an incomprehensible and predatory universe. When Sturdivant explains the nature of the malevolent entities, he clarifies their inseparable link to the landscape, stating, “They’re not in the willows. They are the willows” (199). This identification of the entities with the environment itself underscores their alien nature; they are not creatures that can be fought, but a fundamental aspect of a world that is inherently inimical to human life. The willows symbolize a reality where human understanding of logic, science, and faith is utterly inadequate.


The horror of the willows is amplified by their ability to actively corrupt and transform. The “willowlight” is described as a force that animates things, a creative power twisted toward a malevolent end. As Sturdivant warns, “The light of the willows brings things alive. Then not alive” (142-143). This description suggests a cycle of unnatural creation and destruction that mimics life but is devoid of its meaning, turning its victims into monstrous puppets or twisted sculptures of flesh and bone. This power demonstrates how the willow world doesn’t just exist alongside the human one; it seeks to overwrite it, to get its “roots in” and transform everything into an extension of itself. The willows are therefore a powerful symbol of existential dread, representing the terrifying possibility that humanity is not just insignificant in the cosmos but is also prey for forces it can neither understand nor fight.

The Wonder Museum

The Wonder Museum stands as a crucial symbol of safety, representing a sanctuary of benevolent weirdness that directly opposes the malevolent chaos of the willow world. It is not a conventional home but a space defined by love and acceptance, supporting the theme of Defining Home and Safety in the Bizarre. The museum’s collection of eccentricities, from a portrait of the pope made of sunflower seeds to taxidermied mice in armor, reflects Uncle Earl’s eclectic and kind worldview. This kindness infuses the very objects in the museum, transforming them from mere curiosities into guardians. While a conventional house and marriage fail to provide Kara with stability, she finds true refuge in the museum, a place whose absurdity is rooted in affection rather than malice. This establishes the novel’s argument that safety is not an absence of the strange but the presence of love, which creates a protective barrier against even cosmic horrors.


This symbolic function becomes literal during the novel’s climax when the taxidermy animates not with the willows’ alien influence but with a protective spirit derived from years of being cherished. The creatures fight the monstrous otter to defend Kara, who reflects on this phenomenon: “When the bones woke, they woke as objects that had been loved for many years” (334). This moment is the ultimate validation of the museum as a symbol of home. The love invested in the seemingly inanimate objects gives them the power to fight back against otherworldly horror. The Wonder Museum, therefore, symbolizes the idea that a home built on genuine human connection possesses a strength and reality far more resilient than any conventional structure, capable of defending itself and its inhabitants from the incomprehensible.

The Corpse-Otter Carving

The Corpse-Otter Carving is a potent symbol that serves as the catalyst for the novel’s plot, acting as a physical seed from the willow world that actively works to create a pathway home. Its discovery and placement in the museum are not incidental; the carving is an agent of cosmic horror that punctures the fragile barrier between worlds, making it the literal embodiment of the theme The Fragility of Reality. The hole in the wall is not a random occurrence but a direct consequence of the carving’s influence, a targeted breach created by an alien object trying to return to its origin. The narrative confirms its nature as a recurring threat when Woody, the man who sent the carving to Uncle Earl, reveals he found it on an island where it had “made holes everywhere, like Swiss cheese” (317). This history establishes the carving as a tool of invasion, a key that unlocks portals and allows the insidious nature of the willows to spread.


Beyond its function as a key, the carving symbolizes the corrupting, colonizing influence of the willow world. Once trapped in Kara’s reality, it does not remain dormant but exerts its power, animating the museum’s taxidermy and turning familiar objects into monstrous extensions of its will. This culminates in its possession of the giant otter, creating a formidable physical antagonist that is both a product of the museum and an agent of the willows. The carving’s ability to take over and control these creatures demonstrates how the willow world seeks to not only enter but also to assimilate and transform, turning the symbols of Kara’s safe world against her. It is a perfect microcosm of the willows themselves: an unassuming object that contains a terrifying, world-altering power, capable of turning any reality it touches into another hollow place.

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