69 pages • 2-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of child abuse, emotional abuse, sexual abuse, depression and mental illness.
The House of My Mother is a story about how unresolved trauma is easily passed down to future generations, creating cycles of abuse and dysfunction that can damage anyone they come into contact with. Individuals like Ruby and Jodi, who attempt to tamp down their traumas instead of coming to terms with them, are at risk of passing their injuries on to others. Throughout her memoir, Franke thus reflects on these cycles and advocates for breaking generational cycles of abuse and trauma instead of perpetuating them.
Much of Franke’s memoir centers around how individuals are impacted by their upbringing. Ruby grew up as the eldest of five children, and her “childhood was less about play and more about responsibility” (4). In their household, babies were not “coddled;” they were left to “cry things out” so they wouldn’t grow up to be “weak losers or crybabies” (10). Ruby never acknowledged any pain this treatment might have caused her; instead, she “spent her life plastering over her childhood wounds with a veneer of perfection” (111) and used the same “tough love” techniques on her own children, raising them in an “emotional desert” that left Franke experiencing anxiety and depression at an early age. Franke therefore suggests that her mother’s abusive parenting tactics were the result of Ruby’s inability to identify and break with the way in which she had been raised herself.
Jodi, despite her self-proclaimed expertise in bettering relationships, grew up in a similarly emotionally starved environment, with parents who were “emotionally distant” and who taught her to “not trust people” (97). Jodi and Ruby’s dynamic only served to reinforce the ingrained beliefs and dysfunctional coping mechanisms of both parties: These two women “who never learned how to connect with others in a healthy way” (291) established “themselves [as] the ultimate authorities on motherhood and family” (231) with one another’s encouragement. They engaged in ever more cruel treatment of the Franke children and encouraged countless mothers who followed them on social media to do the same.
As Franke begins attending therapy and comes to terms with her trauma and abuse, she understands that she needs to heal not just for herself, but for future generations. She sees herself as “a pioneer for [her]self and [her] family,” treading ground that has never been walked before and “breaking generations of abuse and evil” (256). She recognizes the pain that Jodi and Ruby inflicted on her, her siblings, and countless others because of their unresolved childhood trauma and is determined to end this cycle.
Through healing herself, Franke believes she can create “a new legacy, a new pattern for the generations that come after [her] and [her] family” (293). In facing the trauma of her abusive childhood, Franke hopes to heal from the experience and avoid imposing her own pain on her future children.
In The House of My Mother, Shari Franke describes how becoming social media stars reshaped the Frankes’ family dynamics in unexpected ways. She cautions that social media enterprises can enable individuals with narcissistic tendencies, and can become dangerously exploitative when children are involved. She uses her own experiences as a YouTube star to expose the role of social media in shaping and distorting family dynamics in damaging ways.
The YouTube channel 8 Passengers, which depicted the Franke family’s daily life, quickly gained millions of followers and became “a force that reshaped [the Frankes’] entire existence” (69). On the one hand, the channel changed their lives from a financial perspective. Almost overnight, they went from surviving exclusively on Kevin’s modest professor salary to having more sponsorships and brand deals than they could respond to. However, this financial windfall also served to change the dynamic between Kevin and Ruby. Once the family’s “intellectual powerhouse,” Kevin was quickly becoming unessential to Ruby. She had the babies she wanted and now her own income. For the time being, she still needed Kevin to maintain the image of the perfect family, but the end of his financial contribution signified the beginning of the end of his involvement in the family.
Most significantly, the channel changed the Frankes’ family dynamic by constantly confusing the line between performance and reality and by making “Ruby’s relentless ambition, fueled by a potent mixture of unresolved pain and narcissism […] the driving force of [their] existence” (53). The channel’s success served to enable Ruby, fueling her sense of superiority and entitlement, leading her to drift further and further from reality. The Frankes’ lives revolved around filming and Ruby’s commitment to “sacrific[ing] authenticity on the altar of appearances” (13). Everything, from their home to the way they interacted with one another, “was designed for the camera, not for comfort” (131).
Their life revolved around portraying the image of being the perfect family, regardless of the reality. This need to keep up appearances and feed the family “brand” made it difficult, at times, to tell the difference “between genuine interaction and performance” (70) or “between genuine parental concern and brand management” (59). For example, Ruby closely monitored what Franke was allowed to post on social media, and Franke was never sure if her mother was truly concerned with her safety or if she just wanted to protect “her wholesome online image” (59).
Franke’s memoir illustrates how far from “perfect” and “wholesome” her family truly was, revealing both the way that social media can obscure reality and the role it can play in shaping unhealthy family dynamics. In exposing the family’s reality, Franke suggests that consumers should, in turn, be more aware that not everything on social media is as it seems.
The House of My Mother is a story about the lasting psychological impacts of abuse and the author’s attempt to overcome them. When Franke leaves home and gets space from her abusive mother, she thinks she will begin a new chapter right away. However, she quickly realizes that the years spent living with Ruby have marked her deeply in unexpected ways.
Growing up, Franke longed for a mother who was “attentive, interested, [and] present” (33). However, her reality was very different: Throughout her childhood, “love wasn’t a given—it was a prize to be earned through perfect conduct,” and Franke and her siblings were always forced to “[prove] [them]selves worthy” of their mother’s love (107). In her early teen years, it occurred to Franke that her mother didn’t love her. Immediately, she wondered what she had done to be “so very disliked by the woman who gave birth to [her]” (63). She worried she was “too sarcastic, too brainy, too self-absorbed” (63) and spent much of her teen years absorbed by self-hatred. The sense that there was something deeply wrong with her was further corroborated by Franke’s therapy sessions with Jodi, which were like being in “training for the Self-Loathing Olympics” (121), as she was encouraged to meticulously document all her supposed flaws and shortcomings.
When Franke begins therapy with Dana, however, she starts to understand that the “dysfunction” and “chaos” she grew up in wasn’t her fault—“it was all Ruby” (192). She begins to see how her mother “implanted in [her] very effective mechanisms for intense guilt, shame, and self-loathing” (270) that surface at unexpected times, such as, for example, when she is processing the aftermath of her involvement with Derek. Most significantly, Franke learns that her tendency to be “a suck-up,” always “smiling and nodding” and accommodating others, is a trauma response called fawning, which she learned to appease Ruby as a very young child (215). She finally understands that her inability to fight back or stand up for herself “wasn’t weakness, it was a pattern etched into [her] very being by years under Ruby’s thumb” (216). Franke thus realizes that such conditioning has made her vulnerable to abuse by other predatory adults, such as Derek, and becomes determined to stand up for herself and her younger siblings.
Her new understanding of the impacts of trauma is accompanied by the realization that “the negative voices in [Franke’s] head” won’t “eventually disappear” once Ruby is no longer in her life (271). Physically leaving isn’t enough to break free from her childhood trauma; instead she must “learn new tools to recognize and manage [her] intense emotions” if she wants to rewrite her deeply ingrained patterns (271).



Unlock every key theme and why it matters
Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.