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The female first-person narrator says she’s never been hypnotized before but plans to pretend to enjoy it. She describes the hypnotist as a natural-looking woman, and her office is light and airy. She thinks the hypnotist must lead a beautiful, calm life and have a group of supportive girlfriends. The hypnotist asks several questions, and the narrator isn’t entirely truthful.
Over dinner at a restaurant, Ellen’s date says he has something to tell her. He excuses himself and is gone a while. Ellen, nervous, expects he is going to end things. It’s only their fourth date, so tells herself she won’t be hurt, but she likes Patrick. She does a brief relaxation exercise and reflects on her new clients, one a woman with an unexplained pain in her leg, another a woman who wants to quit smoking before her wedding. Ellen has decided she is ready to have sex with Patrick; she’s 35 and looking for a long-term partner.
He returns and explains that his ex-girlfriend has been stalking him for three years. He says she is not violent, but she simply follows him everywhere. He didn’t get any support when he went to the police. She’s a successful career woman, not unusual-looking, and she always pretends they just ran into each other. She was at the restaurant, texting him, then approached him near the bathroom.
Patrick says they were in a relationship for three years—his first relationship after his wife died. He shows Ellen text messages. They begin as casual in tone, but then the woman says she loves Patrick, and hates him. Patrick calls his son, Jack, and Ellen listens in. As they make love at her house, Ellen imagines his stalker standing outside in the rain.
Ellen walks on the beach and reflects on her previous relationships. She felt she was pretending to be in love with Andy. She was in love and had imagined a future with Edward. She’d adored Jon and he had “pulverized her heart” (22). She thinks about how odd and abrupt breakups can be, then wonders about Patrick’s stalker, Saskia.
Ellen’s grandparents, who owned the house where Ellen now lives, were together for 63 years. She feels like, given her job, she should be great at relationships, and fears she isn’t. She doesn’t want to be like her mother, who raised Ellen alone. Her grandparents’ house is somewhat outdated in its furnishings, but Ellen likes it. She finds a white stone on the beach and decides to keep it, feeling it can become a wellness stone. She acknowledges, “You weren’t meant to admit, even to yourself, how badly you wanted love” (25), but she feels happy.
Saskia watches Ellen and Patrick leave the movie theater and concludes they’ve slept together. She remembers how Patrick always took his wife Colleen’s opinions so seriously because she died young. Saskia leaves Patrick a letter on the windshield of his car.
Ellen enjoys a picnic with Patrick under the Harbour Bridge. She recalls how Jon always deprecated her work as a hypnotherapist and made Ellen doubt her abilities and her worth. Patrick seems interested and respectful. Ellen performs a test of his suggestibility and finds he is a good subject.
He startles, thinking he heard something, and Ellen is slightly thrilled “at the thought of Patrick’s stalker secretly observing them” (31). He mentions how, when Colleen was sick, people told her to think positively, as if she could beat cancer with her mind. Patrick illustrates what he does as a surveyor by drawing a map, and Ellen says it’s the most beautiful map she’s ever seen.
Saskia tried following them on their date, but lost them in traffic. She watches TV and looks inside the box of memories, which contains a card, a photo of her playing with Jack, and a map Patrick drew, which Saskia said was the most beautiful map she’d ever seen.
As they sit in the sauna after swimming, Ellen tells her friend Julia about Patrick’s stalker. Ellen reflects on how good it feels to be in love and feels compassion for Saskia. Julia is very beautiful, but she was hurt by her ex-husband’s infidelity. Julia says Saskia needs to pull herself together, then admits, when she was 17, she used to call up the girl that the boy she liked started dating. Julia says, “I felt as if I didn’t exist anymore. Ringing her up somehow made me exist. It was like an addiction” (41-2). Ellen thinks that Patrick’s being a widower does complicate things, but this gives Ellen an opportunity to demonstrate her professional skills.
Ellen is nervous when Patrick tells her he will bring Jack over for dinner. She doesn’t feel comfortable around children but wants Jack to like her. Her client, Rosie, who is marrying a wealthy, prominent man, admits she’s still smoking. Ellen induces a hypnotic trance and Rosie admits she doesn’t want to marry Ian.
Ellen meets Jack, who is eight. Jack is casual, but Patrick is nervous. He says Ellen is the first woman he’s introduced Jack to since his mother died. Ellen observes that he would have met Saskia, since they lived together. Patrick claims Jack doesn’t remember Saskia. Ellen worries she has a “possibly voyeuristic interest in his ex-girlfriend” (56). She mentions her experience with Rosie, and Patrick feels sympathy for the fiancé. Patrick says he wouldn’t want to be hypnotized because he likes to be in control. That’s what bothers him about Saskia’s following him: He’s not in control. Ellen realizes she has thought more about Saskia’s feelings than Patrick’s. Ellen tells her friend, Madeleine, about the evening and Patrick’s response when she declined to have sex with him while Jack was there.
Saskia wonders what the hypnotist thinks of Jack. Sometimes, Saskia goes to Patrick’s house and sits on a bench in the backyard: “I remember when this was my home and this was my backyard and this was my life” (61). She took care of Jack, even running him to the emergency room one night, and she recalls how Patrick looked when he saw Saskia and Jack together. Then she remembers how suddenly Patrick announced that things were over.
Ellen enjoys being in love. She thinks about saying “I love you,” and then Patrick says it when he leaves one morning. Ellen thinks that things feel simple and obvious, and she “had never loved or been loved like this before” (66).
Saskia has to leave town for a work event, and she wonders what Patrick and Ellen are doing in her absence. Flying back to Sydney, she thinks, “I was a vampire and I needed blood” (66).
Ellen is nervous about the weekend. Patrick will meet her mother and godmothers, and then she will meet Patrick’s family. She thinks about her session with Deborah Vandenberg, the woman with the unexplained pain in her leg. Deborah claims she never goes under, but Ellen has helped her to think of her pain as having a dial she can turn down. When she induces a trance, Ellen tells Deborah to think of a perfect moment. Ellen’s own perfect moment was when she was 11 and tried hypnosis on her grandmother, who told Ellen she had a gift. After their session, Ellen’s next client is Mary-Kate. Mary-Kate is lumpy, sullen, and always wears black. Mary-Kate asks Ellen about her weekend. She doesn’t seem able to say what she wants out of hypnotherapy, and asks to use the bathroom.
Saskia thinks her interest in the hypnotist is like a perverse crush. She wants to tell Patrick she’s still in his life, and that Ellen might be too good for them; she seems genuinely nice, and Saskia feels fake.
Patrick drives them to Ellen’s mother’s house and has to lose Saskia, who is following them. Ellen tells him the story of her childhood: That her mother Anne wanted a child, found a man who met her requirements, though he was engaged to someone else, and raised Ellen on her own. Her mother’s friends, Melanie and Phillippa, helped raised Ellen, and she thinks of them as her godmothers. Patrick says she missed out on having a dad, and Ellen has sudden doubts about whether she’s deluding herself about Patrick.
Saskia reflects that she lost them in traffic and doesn’t know where they are going. She recalls how Patrick gave away a bottle of wine she gave him. She realizes she’s acting irrationally, but she’s unable to simply disappear from his life.
Ellen can see that Patrick is intimidated by her elegant, sharp-tongued, clever mother, Anne, who is a doctor and has striking violet eyes. Anne is concerned that Patrick has a stalker and tells Ellen to be careful.
Saskia wonders where to wait for them. She reflects on how Patrick ripped Jack out of her life, when Saskia was like Jack’s mother. When Patrick broke up with her, she lost Jack, too. She knows she should stop following him, but it’s like an “addiction”; she can’t stop. She falls asleep in the car and wakes up in the morning, hearing the kookaburras.
The first chapter establishes the two points of view for the story that suggest there will be two female protagonists. The initial short scene introduces an unnamed female narrator—who is actually Saskia—observing a character she calls the hypnotist (Ellen), who is a subject of interest and, as the descriptions imply, jealousy, introducing the theme of The Difficulties of Losing a Relationship. This positioning of Ellen as the object of study—a perception reinforced by the title—foreshadows the revelation of the patient’s ulterior motives in seeking to draw closer to Ellen, as she is not interested in the treatment Ellen offers. This woman comes across as flawed and slightly unsettling, as she admits she is not being truthful with Ellen and is taking sessions under an assumed name (“Deborah Vandenberg”) just to get close to her. This narrative choice establishes a mystery and a sense of dramatic irony when the reader learns this unnamed narrator is Saskia, who is starting to stalk Ellen, too, as an extension of her unhealthy obsession with Patrick.
The next scene introduces the third-person point of view of Ellen, who emerges as the second protagonist, while Saskia appears to play the antagonist role. The voice in Ellen’s sections is different than Saskia’s voice, more reflective and self-aware, with a softer humor and sense of compassion. Ellen has a warmer outlook on the world, but several parallels in their characters are established early. The key similarity is that both women long for love—specifically, love from Patrick. As Ellen enters a new relationship, learning about his qualities and disposition, Saskia reflects back on her relationship with him, seeing different aspects of his personality. This creates a productive tension for the novel even as it puts the women in relationship, connected by their attachment to this man.
Their status as foils and rivals is complicated by their interest in one another. Saskia’s interest in Ellen focuses on the details of her appearance and personal life, as if she is seeking to understand what Patrick finds attractive. Saskia views Ellen as her opposite, perceiving her as graceful, calm, and spiritually grounded. Ellen’s curiosity about Saskia is mostly directed at trying to understand her motivations. She sees Saskia as a fellow woman who has experienced heartbreak at the end of a romantic relationship, a pain Ellen can understand. However, she also experiences a thrill at being the object of Saskia’s interest and attention, which in some ways mirrors and replicates the thrill Saskia gets over knowing what Patrick and Ellen are doing.
These chapters explore the impact and residue of romantic relationships not only through the main characters, but also through secondary characters. Patrick introduces a different angle on this theme, as he has lost his wife, Colleen. She was Jack’s mother, and Patrick has struggled to find the same kind of deep connection since Colleen’s death while living as a single father. Ellen’s conversation with Julia in the sauna reflects on the power of infatuation, while Saskia’s example shows the difficulty in recovering from such compelling attachments and the ways that love can become mixed up with hate and unhealthy coping mechanisms like stalking. Both Julia and Saskia use the analogy of “addiction” to explain their behavior. These examples suggest that recovering from a relationship loss can be difficult for individuals in various ways, and that some ways of coping can be more maladaptive and problematic than others.
Saskia’s sorrow in losing contact with Jack when things ended with Patrick also introduces the key theme of The Complexities of Family Dynamics, with which various characters wrestle. Ellen too has unconventional family dynamics, as she is self-conscious about her lack of a father, though her godmothers provided extra nurturing. Ellen is aware that a relationship with Patrick will involve developing a relationship with Jack, and this adds additional complexity to their developing relationship as Ellen is not entirely comfortable with children, and unsure of how to win Jack over. Ellen’s nervousness in introducing Patrick to Anne likewise reinforces the sense that family dynamics can add an extra layer of challenge to a burgeoning romantic relationship, as families get to know one another and attempt to blend together.
Ellen’s general sense of self-awareness and her attempts to understand her own feelings and motives in these chapters reflect the larger theme of The Importance of Self-Improvement and Healing. Ellen is constantly engaging in careful self-examination around her feelings and motives as she moves forward in her relationship with Patrick, which shows that she is willing and able to examine herself critically and honestly. Her commitment to self-awareness and self-improvement contrasts sharply with Saskia’s inability to seriously confront and commit to changing her obsessive stalking behavior towards Patrick and Ellen. Instead of finding healthy ways to cope and build a new life she can enjoy, Saskia is caught up in a spiral of dwelling on the past and refusing to accept that Patrick does not reciprocate her feelings. Thus, an important part of Saskia’s character arc will be learning how to let go and engage in the necessary healing to move on with her life.



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