53 pages • 1-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Driving home from the hospital, Ellen sees the city is covered in orange dust. She worries that she gave Saskia poor advice, but Saskia seemed like someone who lost everything. Ellen tries not to think about Patrick’s confession that he doesn’t love Ellen like he loved Colleen. Ellen thinks, “I don’t love Patrick as much as Saskia does” (334). She decides not to mention any of this to him.
Saskia’s doctor tells her she’s going to need support while she recovers, and she reflects again that she doesn’t have anyone. Saskia calls her place of work and says she hit rock bottom.
Ellen is exhausted when she returns home, and Patrick is angry. Ellen thinks that hating Saskia has given him a bitter edge. Patrick is upset that she visited Saskia and says Ellen is supposed to be on his side. She feels guilty for thinking more about Saskia’s side of things. She tells Patrick what he said while he was near the sleep state. The phone rings.
Ellen panics when she realizes she didn’t meet Lisa, the journalist. She puts off a call from her mother and from Julia. She spirals into worst-case scenarios as she opens the door to Mary-Kate, who looks brighter than usual. Mary-Kate asks to hear the details about the article Ellen expects to be published. She’s a barrister who specializes in defamation law.
Saskia finds Lance, her coworker, visiting her in the hospital. His wife, Kate, is chatty and warm, if a bit awkward. Saskia doesn’t know why they are visiting her, but they bring gifts along with a card signed by people at her office. Saskia wants to tell them that she’s not a normal person like them. She thinks, “If I stopped wanting Patrick, what did I want? What was I interested in? Did I exist at all?” (347). Kate answers Saskia’s phone and talks to Tammy, who comes straight over.
Patrick’s family and Ellen’s mother come to visit Jack. Patrick went to the police, who took his complaint seriously and filed an Apprehended Violence Order against Saskia. Maureen and Anne compete for Jack’s attention. Mary-Kate reports that she was able to get the journalist to agree to interview Ellen. Ellen reflects how she thought Mary-Kate was simply a legal secretary. Alfred is with Mary-Kate and reports that he gave a speech and even made people laugh.
Anne reveals that she and David broke up. She believes she was in love with a memory, but found the actual man boring. Anne says she likes the way Patrick looks at Ellen, and Jon didn’t look at her that way.
Patrick asks Ellen to mediate his fight with Jack. Ellen asks Jack how he felt when his father and Saskia broke up. Jack says he thought it was his fault because he lost Saskia’s lucky marble, the one that had belonged to her father.
Patrick takes Ellen outside to walk on the beach and talk. He explains that when Colleen died, he pushed his grief aside and became a robot. He liked Saskia, but he was empty with her. Colleen had been very territorial about mothering Jack, so Patrick let Saskia take over much of the parenting. At one point, Patrick says, he started crying, and when he felt better, he realized that he had to break up with Saskia because he didn’t love her. He admits, “I was shocked by her reaction, and I guess I didn’t take it seriously. It was like I thought, But you can’t really have loved me because I haven’t even been here” (365). Patrick says he wants to discuss what he said last night about Colleen, but his mother says Ellen has an urgent phone call.
Saskia feels like Lance, Kate, and Tammy are performing being her friends, but they have promised to come for another visit, and Tammy has agreed to look after Saskia’s townhouse. Saskia thinks the hospital is the place for her, “my village. The village for sick, sad, broken people like me” (370).
Her client, Luisa, calls Ellen to report that she, Luisa, is pregnant. She apologizes for her behavior earlier. Patrick’s parents take Jack home with them, and when they are alone, Patrick finally explains about Colleen. He tells Ellen that his love for her is deeper and more mature, better all around. He admits he feels guilty admitting that because it’s as if he’s glad Colleen died. He says, “Of course I’ll never love another woman the way I loved Colleen, because I’ll never be eighteen and falling in love for the first time again, but that doesn’t mean I’m not in love with you” (376). He kisses her, and Ellen says that she understands.
Saskia has been in the hospital for two weeks. Kate is teaching her how to knit. When Saskia thinks of Patrick, she sees a large oak door in her head. Kate, too, admits she is looking for friends. Saskia felt ashamed when the police visited to explain her AVO and her charge for breaking and entering. Kate asks if Saskia is single, and Saskia tells her everything.
Rosie comes to Ellen’s house wearing a disguise. She tells Ellen Ian has been photographed with a supermodel and Rosie is evading the press. Rosie insists that Ian can’t really love her because she is so average, and she’s just relieved the marriage is over. Rosie confronted Ian and told him not to go after Ellen.
Kate, to Saskia’s surprise, is sympathetic after hearing her story. Saskia realizes she had made herself Patrick’s nightmare. Kate says Saskia should simply stop stalking and knit instead.
Ellen goes with her father to the Festival of the Olive and unexpectedly enjoys herself. She feels herself softening toward him. A vendor observes that they must be father and daughter. David reveals that his wife, Jane, left him. When Ellen says her relationship with Patrick is complicated, David soothes her by pointing out signs of Patrick’s commitment. Ellen thinks, “So this was what it was like to have a father” (392).
Tammy brings Saskia’s mail and shares that her new neighbors’ brother is the guy Saskia saw boogie boarding. He’s newly single and Tammy and Kate think Saskia should date him. Saskia finds a letter from Maureen enclosing a card from Jack. Maureen regrets that she didn’t stay in touch with Saskia and thanks her for caring for Jack. Jack sends a marble to replace the one he lost. Saskia cries cleansing tears, and then she sleeps soundly.
Ellen nurses her baby, Grace, and marvels at being a mother. She enjoys watching Patrick cuddle Grace and thinks, “Now all that fuss over whether or not Patrick still had feelings for Colleen seemed so silly. Ellen looked back tenderly and condescendingly at herself a year ago: all that unnecessary drama! There was enough love to go around for everyone” (401).
Ellen finds out from Harriet, Jon’s sister, that his wife is pregnant with twins, but aside from a twinge, Ellen finds she thinks very little about her ex-boyfriends, and she no longer feels that her relationship with Patrick is in competition with them. Julia has moved in with Stinky and is very happy. Patrick takes Grace and Jack down to the beach, and Ellen watches them play. Grace has inherited Anne’s violet eyes, and Ellen feels she understands her mother in a new way.
Ellen feels that Patrick has relaxed now that Saskia is no longer in their lives. They watched a documentary about a woman who was being stalked, and Ellen realizes she felt more for the woman’s distress than she had ever sympathized with Patrick. Jack considers Ellen his mother, and Ellen is seeing clients again.
Saskia sees a therapist. She pleaded guilty to the breaking and entering charge, and the counseling was a condition of her good-behavior bond. The psychiatrist prompts Saskia to consider how Patrick felt about her actions, and to acknowledge that Saskia had taken away his power and knew she was doing harm. She no longer feels the need to see Patrick and compares it to a food she once loved now making her violently ill. Also, ever since her pelvis healed, she no longer has the unexplained pain in her leg. She makes friends and is dating.
One day, Saskia sees Ellen and the baby when she is walking to meet Tammy and Kate. For a moment she thinks Ellen sees her, but then she realizes Ellen is waving at someone behind her. Saskia walks on.
The climax where Ellen counsels Saskia in the hospital proves the turning point in both their character arcs, and in a way, this scene helps both women make peace with their relationship with Patrick. Saskia realizes her injuries will make her physically unable to follow him, while Ellen realizes that she doesn’t want to be jealous over his feelings about Colleen. The orange dust covering the city—the result of the storm that Jack thought was Armageddon—marks this change in the emotional landscape.
Saskia, after hitting her rock bottom, begins a trajectory of embracing The Importance of Self-Improvement and Healing. Saskia makes friends with Tammy and Kate, finding new, nurturing bonds. Saskia’s learning to knit mirrors the way she is knitting her life back together. Rather than feeling isolated and alone, pretending to be normal, Saskia’s new friendships help ground her while her commitment to therapy enables her to move past her harmful stalking behavior. Saskia’s sessions with her psychiatrist replicate her sessions with Ellen, but this time, Saskia isn’t lying about who she is. The final chapter is narrated by Saskia, paralleling the novel’s first scene. Again, she is reflecting on Ellen, the hypnotist’s love story. Saskia walks away in the last line, showing that she has indeed moved on: She can observe Ellen’s life with curiosity, but Saskia is more interested in her own life now.
These chapters sum up the novel’s exploration of types of love and the importance of healthy healing. While love can remain attached to grief, just as Ellen has moved on from Jon, and Julia has moved on from her ex in her relationship with Stinky, Saskia is finally able to grieve and move on from her relationship with Patrick. Part of her healing involves simply being seen; Ellen begins this, and her discussions with Kate, then her cards from Maureen and Jack, provide the trigger that Saskia needs to confront her own sorrow. The acknowledgement that she mattered, but that her stalking behavior is not a healthy coping mechanism, is what Saskia needs to begin to truly let go.
While Ellen’s growing to like her father brings up the theme of The Complexities of Family Dynamics, she also comes to a new understanding about her mother and the nature of her mother’s love for her through her own experiences with Grace. Grace’s violet eyes are a figurative connection between Ellen and her mother. Whereas once her relationship with her mother was largely oppositional, by the last chapters, they have become more like confidants, understanding one another.
Ellen’s character arc also entails understanding that she is not, in fact, in rivalry with Colleen. Patrick’s discussion about Colleen makes Ellen see that love isn’t either/or, nor even grades of feeling, as she was thinking of it when she compared Patrick’s love for her to his love for his wife, or Saskia’s love for Patrick to Ellen’s own love for him. Rather, listening to Patrick, and then being with her father, opens Ellen up to a new conception of love as an inexhaustible resource, expanding as necessary. As Ellen concludes, “There was enough love to go around for everyone” (401). This realization helps Ellen to understand that a healthy love is one rooted in compassion, empathy, and understanding, not jealousy or a sense of rivalry.



Unlock all 53 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.