53 pages 1-hour read

The Hypnotist's Love Story

Fiction | Novel | Adult | Published in 2011

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Themes

The Difficulties of Losing a Relationship

One facet of relationships that the novel explores is the grief that a person feels after a romantic relationship ends, whether through death or through a breakup. The narrative offers multiple examples of breakups in the characters’ lives, exploring the difficulties of losing a relationship.


As Saskia notes when Patrick ended things, “I remember thinking that it wasn’t fair. If Patrick had been killed in a car accident, I would have been allowed to grieve for him for years. People would have sent me flowers and sympathy cards; they would have dropped off casseroles” (297-8). Saskia’s example reflects that, in certain situations, a breakup can be more difficult than a death because there are no established traditions for grieving. Saskia notes that friends and loved ones want the broken-hearted person to move on: Saskia thinks, “Chop, chop. Turn those silly feelings off right now. Your love is no longer reciprocated, so it is now foolish” (298).


Saskia has a more difficult time adjusting to the loss of her mother, even though her mother was ill for an extended period. For Saskia, the loss of her mother is linked to the pain of her breakup with Patrick; in fact, she lost several family members in a short span of time. This unfulfilled wish to still feel part of a family unit is one reason Saskia finds it difficult to let go of Patrick. Her love for him is still intense, but so is her anger over feeling rejected and ignored. When she has her new hobby of knitting, friends in Kate and Tammy, and the cards from Maureen and Jack to remind her she was cared for and valued, Saskia is able to process her grief in a healthier manner. Her tears are a sign that she is finally moving through her pain.


Ellen, too, experiences the complicated feelings that remain after the breakup of her long-term relationship with Jon. Of her boyfriends, he caused her the most pain; he shook her self-esteem and left her feeling rejected. This unresolved hurt surfaces when she hears from Jon’s sister Harriett that he has fallen in love with someone else. Rosie and her story of seeing her ex-boyfriend echo this sense of rejection that can return even if a partner has moved on. As Saskia notes, love does not simply turn off, even if there are no accepted conventions for dealing with the loss of a breakup.


Patrick, Julia, and Saskia all show that one can successfully move on from deep loss. Patrick shares that, while he was a walking, talking, breathing “robot” (363) after Colleen died, he eventually acknowledged his sadness and was able to reclaim a sense of self. Julia, who is divorced, begins a new relationship with Stinky. Even Saskia proves that, as difficult and painful as it can be to come to terms with the fact that someone doesn’t return one’s love, there are ways to endure that rejection. While Moriarty gives full space to the complicated layers of emotion that accompany loss, the narrative takes the optimistic view that healing is possible.

The Importance of Self-Improvement and Healing

Ellen’s work as a hypnotherapist is part of the novel’s larger interest in the themes of self-awareness and how part of personal growth is rooted in confronting and working through difficult emotions. In both Ellen and Saskia’s character arcs, the novel examines the importance of self-improvement and healing.


Ellen, in her self-consciousness about her own feelings, shows the positive side of healthy self-awareness and being in touch with one’s emotions. During her date with Patrick, when she is nervous, she uses a calming visualization to help herself feel better. Frequently, when she admits to a disturbing feeling, Ellen stops to examine the interior prompt and its source. Her willingness to examine her feelings when she is feeling hurt or uncomfortable generally lets Ellen respond to situations without becoming accusatory or upset, even in the moments when she feels her mother, Patrick, or her friends have let her down. While her training doesn’t give her constant calm, Ellen does find that self-awareness can smooth some of the emotional turmoil she feels.


Her fear that Patrick is still in love with Colleen provides a check on Ellen’s sense of self-improvement, however. When Patrick wants to explain about Colleen, Ellen admits she would prefer avoidance or repression, reflecting that she “actually didn’t want him to speak about it. Words would just tangle things up further and make them feel worse” (366). Even when she’s seen the consequences of repressed feelings in her clients, Ellen shares the same reflexive wish to avoid pain. This avoidance is the same motive for performing hypnosis on Patrick, though she blurs ethical and personal boundaries to do so. It is only when Ellen confronts her discomfort head-on that she realizes there is no need to feel insecure or jealous of Colleen, as love can exist in many forms simultaneously.


Saskia’s is the most dramatic, and triumphant, tale of self-improvement, and her experience suggests that support from others is a necessary element to survival and healing after a painful event. Left on her own, without her mother or close friends to confide in, Saskia clings to Patrick as a source of solace, even though her stalking of him only distresses him further. Only when she hits rock bottom does Saskia recognize the tools she needs to heal. She finds emotional support in the friendship of Kate and Tammy; she soothes herself with knitting; and her sessions with her psychiatrist help her deal with the underlying emotions driving her choices.


For Saskia, it is a combination of self-awareness of her own motives and acknowledgement from others—Ellen, Maureen, and Jack—that allows her to take the necessary steps toward recovery. These movements toward healing on the part of the protagonists as well as supporting characters contributes to the optimistic conclusion of the book.

The Complexities of Family Dynamics

In addition to confronting the complexity of romantic relationships, much of the conflict in the novel comes from the difficulties of navigating complex family dynamics, especially families that don’t follow the traditional patterns. As Ellen navigates her relationship with Patrick and her feelings about her upbringing, she learns more about the complexities of family dynamics.


Ellen faces challenges once she becomes engaged to Patrick and pregnant with their child, as she worries about being seen as a replacement for Colleen. She feels especially sensitive when she meets Colleen’s parents, Frank and Millie. While they are caring people, Ellen can’t help but feel she is trespassing on their grief, and worries they feel that she is trying to take the place of their deceased daughter. She feels awkward being asked to address Colleen’s gravestone as if she, like Patrick and Jack, is conversing with the woman. Making an attempt to please them, however, shows that Ellen is willing to try to navigate and accept the attachment both Patrick and Jack feel for Colleen. She realizes that family dynamics can change over time, but still remain strong and loving.


Ellen also feels self-conscious about how to relate to Jack, a complication that arises because she is not Jack’s biological mother and initially does not feel naturally suited for a mothering role. Ellen’s doubts are furthered by reports of how Saskia helped mother Jack, and the stock that Patrick puts in Colleen’s opinions about parenting. These considerations lead Ellen to describe her family situation as “complicated” when discussing it with others. However, as her father notes, what really matters is whether the family members care for one another. If affection is present, the relationships may be difficult, but are not impossible to navigate.


Ellen must also confront her feelings towards her own upbringing. Her parental situation presents another example of family dynamics that create conflict and concerns, and the only real resolution is simple acceptance of the personalities involved and respect for their individual feelings. Anne, Ellen’s mother, pursues a very unconventional relationship with the father of her child, and Ellen’s experience of growing up with two godmothers is likewise unconventional. However, having Mel and Pip provided Ellen with extra nurturing in her life, and Ellen admires her mother’s strength and independence.  While Ellen finds it initially awkward to meet and get to know her father as an adult, Ellen realizes the best approach is to simply treat this like any other new acquaintance.


Overall, the novel suggests love and good will make a family functional, and these are relatively straightforward choices to make. While Ellen’s integration into Patrick’s life is not always smooth, her embrace of her new roles and her developing relationship with her own father teach her that familial bonds can be rewarding and successful in various forms.

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