The Impossible Fortune

Richard Osman

58 pages 1-hour read

Richard Osman

The Impossible Fortune

Fiction | Novel | Adult | Published in 2025

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Prologue-Part 1Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of physical and emotional abuse, illness or death, and death by suicide.

Part 1: “Thursday”

Prologue Summary

An unnamed narrator expresses shock that one can buy bomb-making supplies on the internet. They joke that the cost of a human life is somewhere around 27,000 pounds Sterling. They also joke, “Time is ticking, and it’s not the only thing” (1).

Chapter 1 Summary: “Joyce”

Joyce has been busy with her daughter’s, Joanna’s, wedding preparations. Joanna met Paul online six months ago, and Joyce and Joanna have argued about many aspects of the wedding. Joyce is very excited for all her friends to come and see how nice she looks in her new hat. Joyce’s husband, Gerry, is deceased, as is her friend Elizabeth’s husband, Stephen. Elizabeth “still needs a bit of time” (7), according to Joyce, and hasn’t been her usual self since Stephen passed. Joyce is determined to enjoy the day on which she will become a mother-in-law.

Part 1, Chapter 2 Summary

Elizabeth is starting to feel again, she thinks, but she’s not sure exactly what she’s feeling. She, Ibrahim, Joyce, and Ron discuss the best man, Nick Silver, and Elizabeth thinks there’s something off about him. The moment her thoughts turn to Stephen, Joyce sees it and reaches out. Elizabeth is struck by Joyce’s emotional intelligence, something Elizabeth knows she lacks. Elizabeth sits by herself for a few minutes before Nick comes over. He tells her that someone tried to kill him, and he has photographic proof. Elizabeth feels herself beginning to come alive again. Nick doesn’t want to go to the police, and he has heard about Elizabeth’s detective skills from Paul. She can tell that he’s genuinely afraid, and she tells Nick that she can help him.

Part 1, Chapter 3 Summary

Connie Johnson, a local drug dealer recently released from prison, is coaching Tia Malone, an 18-year-old criminal, on how best to pull off a heist in a Rolex shop. While Connie was in prison, Ibrahim, a psychiatrist, encouraged her to “give something back to society” by passing on her wisdom (16). Connie and Tia met in prison, and Ibrahim thought Connie would find being a mentor very rewarding; he did not anticipate that Connie would counsel Tia to become a more thoughtful felon. Ibrahim sends her a picture from Joanna’s wedding, and Connie notes Ron’s presence. She has promised Ibrahim she will not kill him, though he played a part in her arrest, but she’s not sure she’ll keep that promise. Connie encourages Tia to think bigger, and Tia has a breakthrough: Instead of robbing the Rolex shop, she’ll rob whoever supplies all the shops with Rolexes. Connie is proud, and she feels she understands why Ibrahim enjoys his work so much.

Part 1, Chapter 4 Summary

Ibrahim dances with Joanna, and she asks if he thinks she married Paul too quickly. He asks her if she’s asked Joyce this question; she hasn’t. He explains that the answer to every personal dilemma can be found in whom it is one asks for advice. One asks the person who will give them the answer they already think is true. He believes she asks him because she wants to ask her deceased father, and Ibrahim is fatherly. He knows her father would have told her that it’s not too soon. Joanna can tell Ibrahim is lonely.

Part 1, Chapter 5 Summary

Elizabeth looks at Nick’s pictures. They show a bomb attached to the bottom of his vehicle, which he left at his house because he had to get to the wedding. Nick says that whoever is trying to kill him wants something he has. He and his business partner, Holly Lewis, own a security company that specializes in cold storage. Each of them has a secret security code, both of which are needed to open a safe that holds very valuable contents. Nick says that only he knows his code, only Holly knows hers, and only two other people know the codes exist: Davey Noakes, a former drug dealer, and Lord Townes, a banker. Elizabeth says that they have three suspects who might have planted the bomb: Davey, Lord Townes, and Holly. Holly is not a guest at the wedding despite being an old friend of Paul’s. Nick asks Elizabeth to meet him tomorrow, and she agrees.

Part 1, Chapter 6 Summary: “Joyce”

Joyce was surprised that Joanna wanted Joyce to walk her down the aisle, but Joanna said that she sees her father when she looks at Joyce, so Joyce agreed. Joyce is proud of herself, of what she’s accomplished, including having a son-in-law. She thinks Elizabeth is being “mysterious,” which is a relief because Elizabeth hasn’t been mysterious since Stephen died. Elizabeth has told Joyce they are taking the bus to the town of Fairhaven tomorrow.

Part 1, Chapter 7 Summary

Danny Lloyd, a small-time criminal, was not expecting his wife, Suzi, to pull a gun on him. He had given her a black eye but assumed this would be like every other time he had beaten her up; she’d cry, he’d apologize, and everything would go back to normal. Danny doesn’t think she’ll shoot because their son, Kendrick, is upstairs. Suzi tells Danny that he needs to leave. The house is in her name, and she’s packed him a bag. Danny silently vows to make her pay for this. She says she just sent a picture of her bruises to her brother, Jason, and he’s on his way. Danny knows Jason will kill him. He considers taking his son with him, but he doesn’t like his son. When Kendrick comes downstairs, Suzi tells him the gun is a toy, but that his dad is leaving.

Prologue-Part 1 Analysis

The point of view shifts with each chapter, giving readers a glimpse into a particular character’s private thoughts and feelings. Joyce herself is the first-person narrator of chapters 1 and 6, and she is the only character who gets to speak for themselves. Her chapters are epistolary, consisting of her personal diary entries, creating an intimacy between herself and the reader that’s unique to her character. Although Elizabeth is the focus of chapters 2 and 5, the perspective is third-person limited, meaning that Elizabeth is discussed by an impartial narrator with access to her inner thoughts. While the third-person limited perspective isn’t as intimate as a first-person account, this perspective still encourages the reader to empathize with Elizabeth and her pain over the death of her husband, Stephen, emphasizing The Long-Term Effects of Grief as a central theme in the story.


As the novel continues, Osman expands his POV shifts to include his supporting characters as well as his protagonists, broadening the world of the story. For example, while Chapter 4 focuses on Ibrahim, Chapters 3 and 7 introduce Connie and Danny’s perspectives. The intimacy provided by Ibrahim’s chapter helps readers to understand his loneliness at this stage of his life, pointing to The Importance of Friendship and Community. The man he once loved is gone, Elizabeth and Joyce have each other, and Ron has Pauline and his family; in short, everyone seems to have someone but Ibrahim, though this is not something he ever verbalizes. Connie’s chapter provides comic relief, as she compares her mentoring of Tia in a life of crime to Ibrahim’s mentoring of prison inmates to lead more productive lives. Finally, Danny’s chapter positions him as one of the novel’s antagonists as his thoughts reveal his physical and emotional abuse of his wife and son.


Osman’s narrative tone incorporates light-hearted moments of humor alongside the heavier topics of domestic abuse, The Long-Term Effects of Grief, and murder. The unnamed narrator of the prologue, who is looking to buy a bomb online—perhaps the very bomb that Nick Silver finds under his car—says that they have “no time to waste. Time is ticking, and it’s not the only thing” (1). Despite the serious subject matter, the narrator uses tongue-in-cheek wordplay to begin the novel on a playful note. When the narrator describes Connie when Tia suddenly begins to think bigger and more profitably, they note that Connie “sees why Ibrahim takes such joy in his work. The feeling you have when you make a breakthrough” (20), comparing the feeling of mentoring and encouraging a young felon to the feeling a psychiatrist feels when his patient suddenly understands something about themselves or the world. Though Ibrahim’s work with Connie focuses on ways she can redeem herself in society, Connie’s “work” with Tia leads her deeper into a life of crime. The playful tone pokes fun at the comparison.


Likewise, Joyce’s descriptions of her conversations with Joanna frame The Normalcy of Intergenerational Tension through a humorous lens. She calls Joanna’s wish to have an “intimate” wedding a “shame,” a comment Joyce perceives as being “something very neutral” (5). When she senses “trouble was brewing” because of her comment, she tries to “defuse” the situation, referring to Joanna as “an older bride” (5). Joyce makes matters worse even as she tries to make them better, but her journal entries reveal her good-hearted motivations, which present the conflict in a humorous light. Such comedic moments help to temper the emotional heaviness of the novel’s themes, creating balance in the text that feels true to life, comprised of the sad, the humorous, the mundane, and the exciting.

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