The Infinite Sea

Rick Yancey

63 pages 2-hour read

Rick Yancey

The Infinite Sea

Fiction | Novel | YA | Published in 2014

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of child death and graphic violence.

Chess

Chess is a symbol in the novel that represents strategy, deception, and the absence of compassion. The game requires players to think logically about their moves and consider what their opponent is doing. It represents the larger world of the novel and its primary conflict: the war between humanity and the Others. In particular, throughout Ringer’s point-of-view chapters, she constantly uses chess as a reference point to try to understand Vosch and his actions. While she is trying to find a way to escape the base, she is also considering the larger “game” at play around her, as the Others release Waves, seek out survivors, and try to use children to destroy the last will of humanity.


Although Ringer is initially angry at her inability to beat Vosch at chess, her resignation at the novel’s end exemplifies her newfound understanding of the war between humanity and the Others. Vosch succeeds at chess (and the war) because he treats people as expendable chess pieces with no moral value, something that Ringer, Cassie, Evan, and the others are unwilling or unable to do. Although Ringer initially thinks this way, she changes through her relationship with Razor as she understands the importance of Compassion as a Defining Element of Humanity. While Vosch is initially successful because he views humans as pawns in his game of chess, Ringer believes that this will ultimately be his downfall. Instead, she believes that each human life has value, a fact that gives her the will to escape the base, return to Cassie and the other survivors, and help them fight back.

Rats

Rats are a recurring motif in the novel, conveying the Others’ colonialist and genocidal view of humans as vermin occupying Earth. Rats are first introduced by Teacup, who obsesses over the sound of them in the walls of the hotel. She imagines them chewing through the entire hotel eventually, destroying their home. This idea sticks with Ringer as she considers the problems that the Others face. She believes that they seek to eradicate humanity as one would eradicate a rat infestation before moving into a new house. Vosch shows Ringer a history of the world that depicts the evolution of humanity from rodents into human beings. In this way, rats throughout the novel emphasize the futility of resistance against the invasion.


By the novel’s end, Ringer’s view of the rats begins to change as she sees the differences between humans and rats. While Vosch believes that the humans deserve to be eradicated like rats, Ringer learns that there is one key difference between rats and humans: emotion. In this way, rats at the end of the novel reflect Ringer’s growing understanding of humanity and their chance at survival, exemplifying the theme of The Value of Hope in Seemingly Hopeless Situations. Unlike rats, humans have the ability to hope, an emotion that will help them continue to find and find a solution to the Others’ invasion.

Children

Children in the novel symbolize innocence. Although most of the characters are children or teenagers, the absence of adults means that older teens like Cassie and Ben become parental figures to the younger children, particularly Sam and Megan.


Sam represents innocence in the novel in the sense that he is still largely too young to understand what is going on around him. Although he understands the danger they are in, he mostly follows orders, hiding in the hotel room and being protected repeatedly by Ben and Cassie. Even when they are in danger of all being killed by Grace or the incendiary device, Ben and Cassie’s primary motivation is to save Sam and preserve his innocence.


Megan and the child in the Prologue, both turned into walking explosive devices, are useful to Vosch and the military because of their youth and innocence. In the Prologue, the woman scolds the man for pointing his gun at the child emerging from the wheat, insisting that “He’s just a baby. Why would you shoot a child?” (iv). In response, the man thinks, “How do we know? […] How can we be sure of anything anymore?” (iv-v). His words exemplify the primary weapon that the Others are using against the surviving humans: psychological warfare and manipulation. By using innocent children as weapons, the Others are able to gain access to surviving groups while also further eroding their compassion. When Vosch sends Megan into the hotel, he hopes she will kill Cassie, Ben, and the other humans present there, but he hopes even more that they will kill her, thus preserving their lives at the cost of their humanity.

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