49 pages • 1-hour read
A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of child abuse, graphic violence, mental illness, and death.
True to the parameters of the psychological thriller genre, The Intruder examines how trauma can impact the individual’s engagement with reality and others. For the protagonist Elizabeth “Ella” Casey, who goes by Ella in the past and Casey in the present, trauma has defined her sense of self ever since she was a little girl. She lived in a house where the “odor molecules seem[ed] to be multiplying, filling [her] lungs and almost choking [her]” (65). Worse still, as a young adult Ella lived with a mother who neglected her care and abused her emotionally and physically. The scenes of Desiree verbally berating Ella’s intelligence and appearance, locking her in closets, or burning her skin with cigarettes convey how dire Ella’s circumstances have always been. In the narrative present, Ella has grown up to be a loner living in a secluded cabin in the New Hampshire woods. Now going by Casey, she has struggled to outgrow her trauma and to make a life for herself beyond her tumultuous past.
Even using a new name implies how she has severed herself from her childhood rather than embracing it and healing, a character detail reaffirmed by the narrative choice to present “Ella” and “Casey” as two different characters. While this helps set up a plot twist and heighten tension, it also shows just how disjointed Casey feels psychologically. The presence of Eleanor/Nell offers her an opportunity to confront her past. While Eleanor is also implied to be “Ella” to set up the same plot twist, Eleanor acts as a manifestation of Casey’s inner child. When Eleanor first appears at Casey’s cabin, Casey recognizes something of herself in her. She is emaciated, covered in blood and bruises, and constantly on edge. While making Eleanor dinner, Casey “notice[s] she’s wearing only a T-shirt under her hoodie. And her bare arms are scarred with small white circles. Old cigarette burns” (72). Eleanor’s battered appearance in the narrative present directly recalls Casey’s circumstances when she was the same age. The overlaps between the characters’ experiences inspire Casey to reflect on her own trauma and to fully come to terms with it for the first time.
She also understands that a person’s pain can develop into aggression and violence over time. This happened to Casey and is about to happen to Eleanor, who plans to attack her alleged biological father for abandoning her as a baby. Casey intercepts this attempted murder in hopes of protecting Eleanor from more trauma: “I don’t want her to do it. I don’t want her to have to see it in her dreams every night” (223). This implies that Ella’s decision to kill her mother by burning the house down haunts her the most, even though it was a response to her abuse, and marks the defining moment when Ella began reidentifying as Casey, someone separated from the horrors she witnessed as a child. In stopping Eleanor from doing the same, she can give Eleanor the chance she never had to heal and move on before doing something she’ll regret. This moment begets a period of healing for both Eleanor and Casey. Casey can confront and begin to accept her inner child while acting alongside Lee as Eleanor’s guide toward a happier childhood.
Casey’s harrowing circumstances throughout the novel underscore the interconnection between fear and trust. From the start of the novel, Casey proves to be a self-defensive and self-protective character. She does not trust either her neighbor Lee Traynor (despite his good looks and kind demeanor) or her landlord Rudy, “because I don’t trust anyone” (261). She constantly reads into her interactions with others, searching for evidence that they mean her harm or know something about her past she is eager to conceal. She feels the same way about Eleanor when she first appears in her toolshed; Eleanor is a child in clear need of help, but Casey remains wary of her. She insists she wants to gain Eleanor’s trust so she can help her, but she does not keep Eleanor’s confidence—digging through her bag and opening her notebook when she isn’t looking. These behaviors and tendencies convey how a lack of trust in others can cause a person to live in near constant terror.
Both Casey’s and Eleanor’s traumatic pasts inform their distrusting natures. As a child, Casey (then going by Ella) had to live in constant expectation of abuse. Her mother was unpredictable, volatile, and violent. She couldn’t trust Desiree as a result. In turn, Casey feared trusting others. If she told anyone about her circumstances, they might bully her, report Desiree to CPS, and/or put her into the foster care system. Terrified of losing even more power over her circumstances, Casey resorted to a constant state of suspicion. She remains this way in the present—forever “determined to keep [everyone] at arm’s length” (35) and terrified of letting anyone in. Eleanor is the same way. She has just escaped an abusive situation but is reluctant to accept Casey’s help. She treats Casey (her rescuer) as a threat. She doesn’t let go of her knife when they’re together, threatens to dismember Casey in her scary bedtime story, holds a gun to Casey’s head, and ties her up and abandons her in the storm. These behaviors are all manifestations of her distrustfulness and fear.
The novel suggests that fear is a self-defense mechanism. When Casey’s and Eleanor’s fear receptors are heightened, they are better able to respond to danger and protect themselves. At the same time, if they are always in a heightened state, they perceive everyone around them to be a danger. For example, a panicked Casey assumes that Eleanor’s drawings of brutalized women are of her and only realizes after, when she’s calmed down, that they have nothing to do with her. This instinct causes the two to reject opportunities for closeness, something they can both only move past when they’ve realized the other has no intention of harming them. By the novel’s end, the characters start to overcome these maladaptive behaviors when they begin a life with Lee.
Via both Casey’s life in the narrative present and Ella’s life in the narrative past, the novel explores the positive and negative aspects of solitary living. In Casey’s chapters, Casey started “living off the grid” after she “lost [her] teaching job” (2). She hoped the rural New Hampshire woods would offer her a welcome respite from her tumultuous past and internal chaos. The woods symbolize isolation. The setting offers Casey a physical removal from society and the illusory chance of healing. Now far away from the distractions of her failed career, Casey is free to think and explore at her leisure. However, solitude proves more oppressive to her than she thought. In the woods, she “do[es] not have a television” or a “smartphone […] glued to [her] right hand” (2). Only her thoughts entertain her—plaguing her with constant reminders of everything she has suffered and lost. The setting proves to be a dichotomous realm where Casey must in fact come to terms with her actions, mistakes, suffering, and selfhood.
In the narrative past, Ella lives an alienated life because of her mother’s abuse and neglect. Desiree is a person who hoards. She has an obsessive tendency to collect junk, let food rot, and allow garbage and debris to clutter the home. Ella is mired in the physical onslaught of detritus and desperate for freedom. However, she resorts to hiding instead of seeking help. She is already teased at school for being too thin, smelling bad, and wearing dirty clothes. She does not want anyone to know anything else about her home and family life. This is why she hesitates to invite Anton over after he gets into the fight with Devin; his visit risks Ella’s exposure. Ella also fears that if she were to reveal her circumstances to the authorities, she would be put into “one of those awful foster homes,” which she’s “heard terrible stories about” (59). Her isolation is thus, to a degree, self-imposed. It is also another defense mechanism and symptom of her trauma and fear.
When Eleanor appears on Casey’s property, the company forces Casey to confront the traumatic past she’s been desperate to avoid. The isolation of the cabin, which has felt tedious and unromantic but safe thus far, leaves Casey vulnerable to danger. Without anyone in her life, she is at risk. Furthermore, after encountering a young girl experiencing what she once did, she instantly recognizes that what Eleanor needs is understanding and patience, not alienation. Even if Casey hasn’t consciously realized it yet, she knows on a deeper level that shunning Eleanor wouldn’t have been right or helpful—just as distancing herself from others isn’t helping her.
When Casey decides to intervene in Eleanor’s plan to kill Lee, she confronts the torment of her past. The lengths to which she will go also prove her trustworthiness to Eleanor, and they can develop a hesitant but earnest bond. Once she forms relationships with Eleanor and Lee, she discovers a pathway to healing, something that couldn’t have happened while she was alone. Together, the characters learn how to support each other as they move beyond their pasts and imagine a new future together.



Unlock every key theme and why it matters
Get in-depth breakdowns of the book’s main ideas and how they connect and evolve.