52 pages • 1-hour read
Chris BohjalianA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of graphic violence, illness, death, racism, and sexual violence.
Libby, a white woman from Virginia, is the protagonist of the novel. At 24, she is a brave and independent woman whose concern for others forms her primary impetus in decision-making. Libby has gumption, resolve, and resourcefulness. Straightforward and level-headed, she is also rather lonely, as those in her household cannot share in her burdens. Libby’s husband, Peter, a Confederate captain, was taken prisoner after the Battle of Gettysburg, and she has received no letters for months. She clings to his hazy memory but is unable to long for him romantically because the daily workload leaves no time for it.
Many in Berryville assume that Libby influenced Peter in his decision to free enslaved people at the farm. According to Joseph, some neighbors resent her for this. Libby’s parents are dead, and there are no other close family members to whom she can turn. With no family, Peter gone, and their livelihood after the war (the mill) resting on her shoulders, Libby starts the novel in a position of responsibility and pressure with only the support of Joseph and Sally, an older couple who, though loyal and protective, are prevented from assuming any authority in the operation due to the racist attitudes of their society. Jubilee is too young to be a confidante, and so Libby is suffused with stress and loneliness at the time when she saves Weybridge. Their similar age, loneliness, and sense of being adrift alone create a strong and logical foundation for their friendship and romance, despite the issue of their assumed enmity, developing the theme of Humanizing the Enemy Through Shared Vulnerability.
Libby learns from her brief romance with Weybridge that she is still capable of a young person’s excitement in love and a maturing woman’s exploration of self-identity and power. She also learns from the tragedy Weybridge’s presence incites that her thoughts on enslavement (and by extrapolation, equality and human suffering) were short-sighted, if not ignorant and immature. This changing perspective contributes to both her characterization and her character arc. Complex, multifaceted, and dynamic, Libby has a much deeper appreciation and empathy by the novel’s end for Joseph and Sally and an evident willingness to call enslavement out for the poison it is in the South. Although at the beginning of the novel, she bemoans being punished for what she sees as others’ moral failings, by the end, she tells Jubilee, “They’re not servants. You—you and I both—need to stop calling them that. They were slaves. My husband set free his family’s slaves” (285).
Libby also feels increasingly bullied and threatened by her own side—first to provide the Confederate forces with flour, then to admit her wrongdoing in fraternizing with the enemy. Unlike her character arc regarding human equality, though, in which her judgments and ideas on society deepen and change, she never changes her mind about having saved Weybridge. She stakes a stubborn claim on that moral high ground, holds it tight throughout the battle of the mill and burning of her farm, and carries it with her throughout her life, illustrating the continuing strength of her moral compass.
Jonathan Weybridge is a young captain in the Vermont Brigade of the Union Army. He served in Washington, DC, on garrison duty after first enlisting in the summer of 1863. This was light duty compared to the actual battles and bloodshed in Spotsylvania County, Virginia, where he now leads a company of infantrymen from Vermont under Sheridan. Before the war, he was a professor of English literature at Middlebury College in Burlington. He is married to his beloved Emily, and they have two young sons. His vague horror at man’s terrible capabilities in war is sharpened considerably once he is badly injured in a skirmish at the Opequan River. He survives the amputation of his leg and being abandoned by his army. Once rescued by Libby, he acquiesces to the parts of his new circumstances that are humiliating—Jubilee emptying his toilet, for example—to focus on recovery.
In addition to demonstrating strength in these experiences, Weybridge is a kind, intelligent man who often compares topics to literature. Though noble, he also shows some vulnerability and obliviousness in his moral character. For instance, he accepts Jubilee’s teasing good-naturedly, as if he acknowledges that he is far from perfect, but he also shows a certain ignorance concerning Sally and Joseph’s lives as enslaved people before being freed. This situates Weybridge in a position similar to Libby’s, though from the other side of the enslavement issue; he says, “I’m an abolitionist!” (217), without understanding the reality of enslavement. He bumbles in conversation about Joseph’s life, as the man politely points out that he knew no enslaved people and has never seen a plantation. However, he learns lessons in equality sooner than Libby does; for example, he apologizes several times to Sally for making stereotypical assumptions about her work and education, and he learns perhaps for the first time how deeply the institution of enslavement hurts families after hearing Joseph describe his son being sold.
Several ironies late in the novel threaten to mire Weybridge’s arc: He strategizes a fast battle plan as Morgan approaches, but Sally falls victim to his hastiness. He survives the war, but his wife Emily dies in an accident. He thinks he may have gained Libby to love, but he loses her to Peter. Weybridge’s unexpected outcomes highlight the novel’s message that the righteous “winners” of war still lose things of value. Jubilee’s Epilogue lets readers know, though, that Weybridge puts the new resolve he learns from his experiences to use in his post-war life, highlighting his dynamic change and the completion of his character arc.
Joseph, in his sixties, is a stalwart employee of Libby’s. As a freedman, Joseph chooses to stay on at the farm rather than relocate and start over elsewhere; as he and Sally say, they were too old for the hassle of moving. Joseph is Libby’s only help with the hard labor of the mill. He is courageous and smart, as evidenced in the opening scene when he kills the rebel thief attempting to rape Libby. It is significant that Joseph strikes the man once with the shovel to impair him but then considers his options before deciding to kill him with a second blow. He chooses to kill the man because he sees no options; he may be “free,” but formerly enslaved people have no rights in the Civil War-era South. He would have hanged for hitting the man, so to guarantee the man’s silence, he kills him. His doggedness and resolve show a core of strength that helps ground his future actions, while his wisdom is clear in his rapid calculations.
Harboring the secret of this man’s death creates a common bond between Joseph and Libby, and his role as a father figure is further strengthened as he willingly helps Libby rescue and tend to Weybridge. When he and Libby travel to Harper’s Ferry together, the murders en route bond them further; more than just a secret-keeper, Joseph serves as reassurance for Libby’s decisions and offers solutions that help keep the household safe and functional. He bathes and shaves Weybridge in a symbolic baptism of cleansing that helps ease the man’s transition to the house; he lies to Morgan to save the captain; he fashions crutches and the coffin; and, despite losing Sally, he chooses to stay, eventually going back to the farm to help Peter rebuild. Joseph is a loyal and static character upon whom Libby relies to keep secrets, ease her physical workload, and reaffirm her decisions, but as an individual, he offers a model of morality and wisdom that stands in stark contrast to the actions of most of the men in the novel.
Sally is a static, steady character who, like Joseph, helps Libby in ways that go beyond her duties as a paid employee at the farm. While she is kind and supportive to Libby, Sally also sees that she and Libby will never become tight friends; the social mores of the South prevent it, despite the fact that Libby disparages those who practice enslavement. Sally’s skills go beyond managing the household to include an understanding of natural medicinal cures, which she offers Weybridge once he is brought back to Libby’s farm.
Sally is also characterized as religious, offering her Bible to Weybridge as reading material, and her influence on Weybridge strengthens as he tries to get to know her. Her cool composure and self-assured responses put Weybridge in his place when he makes assumptions about her education and capabilities. She corrects him without unduly embarrassing him or making the strained relationship more awkward, causing him to reflect on his own biases. Sally is a good judge of character and skilled at putting people at ease (even when they may not deserve it), demonstrating that she is wise, strong, and confident. In her final act of killing Morgan to save the others, she also shows her determination and strength, as well as her willingness to sacrifice to save those she loves.
Jubilee is Libby’s 12-year-old niece, who lives with Libby. She is the daughter of Libby’s brother, Robert, a Confederate captain fighting near Petersburg, Virginia, and Robert’s wife, who died of sickness. Jubilee is outspoken and bold, without a demure bone in her body. She bestows the nickname “Jackal” upon Weybridge when he arrives at Libby’s house because, she says, all Union soldiers are sneaky and untrustworthy. However, Jubilee comes to like and admire Weybridge once she sees that he is a kind, intelligent man who happens to be from Vermont.
Jubilee is clever and quick; she is the one who suggests to Libby that Leveritt Covington might have ammunition and powder, and she wisely points out that if Libby’s clothing and possessions all go to Jubilee’s room, it will tip off anyone who might come to search. When Morgan arrives asking about reports that a Union captain is being harbored somewhere, Jubilee lies effectively and smoothly without prep or practice. Although Jubilee is a child, she shows both the strength and intelligence of one much older, characteristics that contribute to her portrayal as a dynamic character with a clear arc; she learns that a uniform or a side in a conflict does not necessarily make someone one’s enemy.
Morgan is a Confederate lieutenant in the Sixth Virginia Cavalry and the main antagonist in the novel. He initially puts on an honorable cover toward Libby, introducing himself as a relation to her neighbor, Leveritt Covington, and thanking her for her service to the Confederacy. However, he corrects her use of “Mr. Morgan” and announces authoritatively that he will collect Joseph when he is needed for the cause, illustrating both his loyalty to the Confederate cause and his prejudicial belief in enslavement, with his presumption of Joseph as property. His tone foreshadows a downward spiral in Libby’s opinion of him as he returns in repeated attempts to find Weybridge and catch Libby as a traitor. By the time he arrives with rangers to hang her, Weybridge, Joseph, and Sally, Morgan has developed into a full-blown antagonist with cruel intentions. He does not change from good to bad; instead, his static qualities are simply revealed. Morgan dies when Sally shoots him with one of the Colt revolvers.



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