56 pages • 1-hour read
Mary E. PearsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of death and graphic violence.
Pauline comes back from a day of prayer, pale-faced and wearing the traditional scarf of a widow. The others take over her workload and begin preparing for the upcoming festival. One day, Lia hears Kaden howling in pain and finds that Rafe’s horse bit him. She tends to the wound and Kaden stares at her affectionately. Lia begins to wonder how either Kaden or Rafe can afford to stay at the inn so long given the work they do, and wonders why they seem to have no current obligations. Rafe helps out around the inn and finds a way to talk to Lia every day. During one such conversation, the topic of deception comes up, and Rafe partially defends Mikael’s actions as a simple mistake. Lia disagrees, and states her belief that love and deception cannot coexist.
Gwyneth accompanies Lia to the water to help her scrub her kavah, which still has a partial lion’s claw and vine remaining. Despite how hard she scrubs, it never seems to fade, and Gwyneth suggests that Lia might have to live with it. Lia hates the idea. When Gwyneth asks Lia if she ever plans to return to her kingdom, Lia knows that Gwyneth sees the unfaded kavah as a sign of obligation. Lia doesn’t answer, instead dipping under water to escape her reality.
The prince goes to pay Berdi for the week and overhears her and Lia talking. He stops out of sight and questions himself once again about why he has such an interest in Lia. He hears her talking about why she left her kingdom, how much disdain she has for Dalbreck, and most of all for the prince who was willing to accept a bride he had never met. He leaves without paying Berdi.
Lia walks through town to purchase new clothes that cover her kavah, along with a few other things. She enjoys the salty air, the easy atmosphere, and the sounds of the bustling village. On her way home, she is accosted by a strange, foul-smelling man who claims to be sent by the Scholar to kill her. He puts a knife to her throat and cuts it, but she manages to stomp his foot and get away long enough for Kaden to shoot him with a crossbow. Rafe arrives at the same time, and the three of them stare down at the dead man. Lia vomits. She lies and says he was a robber.
Rafe volunteers to dispose of the body. As he leaves, he thinks about how a king could possibly order the death of his own daughter, but he doesn’t realize that the king was not the one to make the order.
Everyone agrees the incident is better left a secret, and Berdi tends to Lia’s wounds while lecturing her on not being careful enough. Kaden stays to help, and briefly touches Lia’s arm to help her to her bedroom. After Kaden leaves, Rafe comes in to check on Lia, and shows his concern for her injuries. Pauline enters next; Lia tells her she fell down some stairs carrying wood. Pauline’s mourning scarf is gone, and she announces that she is ready to move on and tend to current matters (like her pregnancy). Lia unveils a gift from Walther, a large sum of money that was meant for her. She gives it to Pauline knowing she will need it most.
The opening day of the festival is filled with ritual and honoring of the local religion and stories. All of the First Daughters of the village (except Lia) march through town dressed in rags to honor First Daughter Morrighan, who was given the gift of communication with the gods following an apocalyptic event. The priest tells the story of how the people before had apparently too much knowledge but no wisdom, and could do things like fly through the heavens. He says a prayer. Lia attempts to participate but really just curses Mikael in her mind. Rafe appears and claims to be there to pray. Lia tests him by mentioning a god that doesn’t exist, and Rafe falls for it. Suddenly, Lia knows that Rafe is lying. She wonders what sort of place he could possibly have come from.
The prince approaches Enzo and pulls him aside. He tells Enzo that he heard him directing the man to the path to kill Lia, and being paid for doing so. The prince threatens to cut out Enzo’s tongue should he ever hear him mentioning Lia’s name again. Afterward, the prince thinks about the reality of being exposed, and how much closer that reality gets with each day he stays.
The assassin senses the other men from his band before he ever sees them arriving at the festival a week early. He calls this ability “the settling,” and describes it like a sort of well-developed intuition. The assassin approaches the other men and leads them to a private area, where he tells them to come back in a week. He claims to be collecting “information” that will benefit Venda, although he is doing no such thing. After the men agree and leave, the assassin tells himself that his loyalty to Venda matters more than Lia’s life.
A large feast is held which Berdi prepared, and everyone sits down to eat. Rafe ignores Lia throughout the meal, so she talks to Kaden to make him jealous. Eventually, Rafe gets up to leave, but Lia gets up with him and storms out first. Rafe follows her, and professes that he cannot stop thinking about her, how she is doing, and how much he wants to hold her. The two kiss and then kiss again, and then Pauline comes looking for Lia to make sure she’s safe.
Pauline scrubs Lia’s back in the tub and they talk about Lia’s first real kiss. Lia is in a heavenly state and asks Pauline how she knew when she loved Mikael. Pauline tells Lia the story of how she and Mikael spent two weeks together; at the end of those two weeks, the way he said her name made her sure she loved him. Lia silently wonders if Mikael really loved Pauline after all. The chapter ends with a “Song of Venda” verse that describes new hope amidst total desolation (230).
Lia gifts Pauline some new clothes that will fit her as her belly grows, and Pauline is extremely grateful. She tries to announce to Berdi and Gwyneth that she’s pregnant; they admit they already sensed it. Everyone assures Pauline she will not be alone, and the four women band together and swear to make it work. Afterward, Gwyneth takes Lia aside and warns her that a Venda assassin might be after her. When Lia presses Gwyneth for how she knows this, Gwyneth admits she used to be a spy for the royal guard, and that she still has connections to others. It all sounds highly suspicious to Lia, who never knows exactly where Gwyneth is coming from.
Later, Lia goes to the log wrestling competition along with Kaden and Rafe. They intend to battle one another, but Rafe is first paired with another opponent, and beats him without much effort. The next opponent is a younger boy with a lot more skill, but Rafe still wins. When Kaden is called, the match seems to go on forever as the two men are almost equal strength and skill. Eventually, Kaden gets the upper hand and Rafe falls into the mud. Lia watches from the sidelines, wishing the two men wouldn’t fight over her.
Lia walks around the festival observing the many events, when the man she lectured at the tavern weeks ago comes up to her. He acts angrily and threatens her, but she stands her ground and pulls out her dagger as a warning. The man backs off, but promises to see her again. Lia feels exhilarated by the moment, and walks on with pride.
Lia heads to the Sacrista in the hopes of finding a book that will let her translate the Venda text she stole. She manages to find one book that includes translations of several brief phrases. She grabs it, but the priest notices her and questions why she tried to take it rather than just ask. He reveals that he knows who she is and tells her he was one of the priests who blessed her when she was born. He asks Lia if she has been using her gift, and tells her that the king deployed thousands of troops that day. He promises that his loyalty is to the gods and not the king, and to keep Lia’s identity a secret.
Outside, Rafe finds Lia and kisses her, but Lia isn’t comfortable with the thought of being seen. She promises to see him later that night. They find Pauline and Kaden and Lia decides to try the knife-throwing game. Her first four throws are poor because of the imbalanced knives, but by the fifth throw she’s figured it out and hits the target in the center. While throwing the knives, Lia hears a voice telling her, “he’s watching,” but has no idea who that might be referring to.
Kaden decides he does not trust Rafe and that Rafe must be hiding something. Rafe’s skills during the log wrestling match pointed to training beyond farmwork. Kaden resolves to ask Lia to dance at the celebration that night.
Pearson further explores and destabilizes familiar tropes, particularly those surrounding fate, prophecy, and romantic rivalry. Romances often feature love triangles. In many cases, there is a clear hero and villain, or the love interest who is clearly right and wrong for the heroine. The novel challenges this idea: Readers still don’t know who the prince and assassin are, and neither Rafe nor Kaden seems to occupy a clearly heroic role. Instead of a simple choice between good and evil, Lia must navigate moral ambiguity.
The structure places readers in a similar position. Some chapters are told from the assassin’s perspective, some from the prince’s. This escalates suspense by inviting the reader to speculate who each man is. Due to Rafe’s intensity, readers may think—incorrectly—that he is the assassin.
In fantasy and other literature, there is often a “chosen one,” or one who is picked for a great (and sometimes terrible) destiny; Harry Potter is a well-known example. Such characters often resist their fate, as Lia does: Her kavah signifies unavoidable destiny, and she wants nothing to do with it. Rather than embracing divine purpose, she views her kavah as a mark of unwanted obligation. In this way, she challenges the idea that destiny is inherently desirable.
The kavah’s refusal to fade reflects Lia’s inability to fully escape her past and responsibilities. Instead, it emphasizes Being Part of An Eternal Story, one that transcends her individuality. Gwyneth interprets the remaining claw and vine as a sign that Lia must return to prevent war, while Lia views it as a reminder of choices already made.
These chapters are permeated by secrecy and tension, as nearly every character harbors hidden knowledge or unspoken motives. This lends an atmosphere of danger even to apparently benign settings. Terravin is described with rich sensory imagery, emphasizing Lia’s growing attachment to the town: “the flap of sails over our heads, the fishmonger calling out a catch […] the swish of a mop, the rasp of a rope, it all became one song, connected in a magical way that strummed through me” (181). Despite the liveliness of the setting, an undercurrent of threat persists, especially during the festival. The priest’s retelling of the apocalypse confirms that the characters live in a dystopian world; this evokes tension and a sense of foreboding.
The festival itself, beginning with fasting and humility and culminating in celebration, reflects Lia’s internal conflict, that between sacrifice and desire. The march of the First Daughters dressed in rags honors Morrighan, the original princess gifted with divine communication, solidifying Lia’s connection to sacred history. After speaking with the priest, Lia hears a voice warning her, “He’s watching.” This highlights how something unseen is guiding her and pushing her to begin favoring Faith Over Certainty. She is learning to trust her intuition, rather than what’s evident.
Kaden’s injury appears insignificant, but he becomes vulnerable. Lia remembers this and sees the moment they share as a meaningful connection. It is not until much later that Kaden admits he was still planning to kill Lia for weeks afterward. Like Lia, he experiences conflict—his growing feelings for her and duties as an assassin. This makes him nuanced. He is not a simple bad guy, but he’s not a good guy either.
Rafe’s ignorance of Morrighan religion deepens Lia’s suspicion. She must decide between dismissing him or trusting him despite his suspicious ways. Her trusting him emphasizes faith over certainty.
Tension peaks with the attempted assassination ordered by the Scholar. Lia’s near-death experience emphasizes danger, all while Kaden plans to kill her. Because Kaden is the one to save her in this moment, it appears as though Rafe is the assassin, but this is another misdirection.



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