51 pages 1-hour read

The Lady in the Lake

Fiction | Novel | Adult | Published in 1943

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Background

Literary Context: Detective Fiction

Detective fiction, in its modern form, was invented by Edgar Allan Poe. His detective C. Augustine Dupin first appeared in the short story “The Murders in the Rue Morgue,” which was published in 1841. Dupin is the model for future detectives, and Poe’s gothic aesthetic deeply influences the noir aesthetic of later years. The next major innovator in the detective fiction genre was Arthur Conan Doyle with his character Sherlock Holmes. Holmes first appears in A Study in Scarlet, which was published in 1887, and has starred in many adaptations since then. The author who popularized detective fiction more than these authors, through her prolific works and their prolific adaptations, is Agatha Christie. Her detective Hercule Poirot first appeared in The Mysterious Affair at Styles, published in 1920, and adapted as part of the television show “Poirot” in 1990.


The Lady in the Lake is a part of the subgenre of hard-boiled detective fiction. This subgenre was first popularized by Dashiell Hammett. His detective, Sam Spade, most famously appeared in The Maltese Falcon, which was published in 1930 and made into a film in 1941. Another influential hard-boiled author is James M. Cain. His most famous work is Double Indemnity, which was published in 1936, and made into a film in 1944. All of these authors predate Raymond Chandler. Chandler’s detective, Philip Marlowe, first appears in The Big Sleep, which was published in 1939 and made into a film in 1946. Chandler’s influence can be seen in many authors who came after him, most notably the hard-boiled author James Ellroy. Like Chandler, Ellroy wrote about crime in Los Angeles. Ellroy set his novels in the 1940s and 1950s but wrote them in the 1980s and 1990s. His most famous books include L.A. Confidential and the Black Dahlia, which were also made into noir films.

Geographical Context: Southern California

Raymond Chandler’s detective fiction centers on the broad region of Southern California surrounding the city of Los Angeles. In The Lady in the Lake, Chandler showcases the ecological and economic diversity of the area, with the story moving between mountains and sandy beaches. This novel is a departure from most of Chandler’s work in that its action is centered not in Los Angeles itself, but in relatively distant exurban communities. Each of these communities idealizes itself as a rural paradise insulated from the chaos and corruption of the city, but protagonist Phillip Marlowe quickly reveals the degree to which they are in fact deeply entangled with the politics and economics of Los Angeles. To avoid backlash from the often-wealthy communities he wrote about, Chandler invented fictional locations that closely parallel real locations (Wolfe, April. “A Map of Chandler’s Fictional LA in Real-Life LA.” Electric Literature, 2014). To inhabitants of Southern California, these locations are immediately recognizable from their descriptions.


The fictional “Little Fawn Lake, near Puma Point, forty-six miles into the mountains from San Bernardino” (121) could describe several lakes, with the most likely being Big Bear Lake. The name is almost comically parallel, and Big Bear Lake is, on current roads, 41 miles into the San Bernardino Mountains. Like Little Fawn Lake, Big Bear is an extremely popular vacation destination, with summer boating and winter snow sports. At the conclusion of the novel, Lieutenant Degarmo is killed by a military sentry at a fictional Puma Lake Dam. This most likely reflects the Prado Dam or the Morris Dam, both of which were completed at the time of the novel’s publication. Morris Dam was the site of government testing of underwater mines during the 1930s and 1940s and was therefore guarded more heavily than other dams in the area.


The Lady in the Lake also travels to the beach, visiting Bay City, a fictional city “south of Malibu” (13). The city south of Malibu, along the coast, is Santa Monica. Santa Monica is an important nexus of tourism in the Los Angeles of the 20th century, with the Santa Monica Pier and Boardwalk being considered synonymous with Los Angeles for decades. In addition, in the ’20s and ’30s, Santa Monica became home to some of Los Angeles’s wealthiest inhabitants, as well as much of the aircraft and film industries that would propel Los Angeles’s economic dominance. However, Santa Monica governance was stridently racist, using eminent domain to destroy Black-owned businesses at the behest of the white-supremacist Protective League. The Santa Monica Police Department cooperated and even led some of these tasks, highlighting police corruption and compliance with the rich that Raymond Chandler emphasizes in his novels.

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