58 pages 1-hour read

The Land in Winter

Fiction | Novel | Adult | Published in 2024

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Part 1, Chapters 1-7Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death by suicide, illness or death, substance use, and mental illness.

Part 1: “Risen”

Part 1, Chapter 1 Summary: “7 December 1962”

On December 7, 1962, Martin Lee, a patient at a psychiatric hospital, wakes and wonders what roused him. The hospital lies hushed in fog. Martin moves silently through the building, passing an office where Ian, a night nurse, sleeps, and steals a Woodbine cigarette.


Martin discovers Stephen Storey’s bed is empty. He proceeds through unlocked passages to the drying room, where he discovers the young man’s body lying on a table. An envelope addressed to “whom it may concern” is clipped to Stephen’s tie.


Martin considers covering Stephen with a sheet, but concludes there is “nothing indecent” about the body. Seventeen years earlier, Martin was a war photographer, and the dead man bears no resemblance to the atrocities he witnessed in Germany. He bows to Stephen and leaves. At a fire door, he smokes the stolen cigarette, then smashes a fire alarm box. As alarms sound, he walks out into the fog.

Part 1, Chapter 2 Summary

Dr. Eric Parry proudly drives his Citroën ID through foggy lanes toward his first house call. He reflects on whether his decision to leave London and become a country doctor was the right one. Although glad to escape the company of his upper-class in-laws, Eric has noticed his wife, Irene, seems discontented. When his neighbor, Bill Simmons, blocks the lane, Eric waits impatiently. Bill bought Water Farm shortly after Eric and Irene moved into their cottage. The locals have labelled him as a “rich man’s son playing at farming” (25).


Eric visits Mrs. Tallis, a widowed schoolmistress recovering from polymyalgia rheumatica. He watches her make tea to assess her mobility and checks for complications. His second call is to Peter Gurney, a terminally ill man whom Eric treats with diamorphine for pain, following the practice of his senior medical partner, Gabby Miklos. Eric’s final call is to a council estate, where he examines a girl with inflamed tonsils. He prescribes penicillin and gives the girl’s sister money to buy soup and ice cream.


At the surgery, Eric finds a perfumed letter from his lover and is shocked at her recklessness. Irene calls to relay a message from the psychiatric hospital. He writes “asylum” on his desk blotter.

Part 1, Chapter 3 Summary

Rita Simmons wakes at Water Farm from a dream about the Pow-Wow Club in Bristol, where she once worked with Eugene and Gloria. She gets up around 9:00 o’clock, hours after her husband, Bill, left for work. From the bathroom window, she sees a light come on in the doctor’s house across the field. She examines her stomach in the mirror, searching for signs of her pregnancy, and notices her gums bleed when she brushes her teeth.


In the kitchen, Rita warms herself by the Rayburn stove. She feeds the hens, collects the eggs, and reads Venus Plus X, a science fiction novel. She daydreams about last summer’s picnic with Bill, regretting that, since then, he has been consumed by work. Rita returns to bed exhausted.


Later, Bill comes into the bedroom and whispers Rita’s name, but she feigns sleep. When she wakes again, she selects six eggs and walks through the orchard toward the doctor’s house.

Part 1, Chapter 4 Summary

As Bill struggles with a broken gate in his field, Eric Parry’s approaching Citroën forces him to reverse his Austin Gipsy. After Eric passes, Bill feeds his cows and pony, then drives back to the farm. He checks on Drusilla, a cow about to calve, and visits the bull’s enclosure, worrying about the animal’s apparent disinterest in breeding. He recalls buying the bull for 200 guineas at Yeovil market and fears the other farmers laughed at his inexperience.


Back at the farmhouse, Bill finds the kitchen empty. He disapprovingly notes Rita’s science fiction novel by the stove, reflecting that she ignored his suggestion of reading Virginia Woolf. Bill quietly checks on Rita in the bedroom and finds her sleeping. He thinks about his lack of friends—his closest friend, Stanhope, is in South America, and his brother, Charlie, is unreliable. He remembers finding Rita’s sparse photo album, which included pictures of her army photographer father and her friend, Gloria. Gathering tools, he heads out to repair the gate.

Part 1, Chapter 5 Summary

Irene Parry feels a wave of nausea. She examines her pregnant body in the mirror, then brushes her teeth while studying a print of The Arnolfini Marriage above the basin.


Downstairs, she collects the post and is disappointed to find no letter from her sister, Veronica, who lives in America. In the kitchen, Irene consults cookbooks to plan the menu for their Boxing Day party. She thinks of her friend, Tessa, who is having an affair with a playwright.


Irene flips through old copies of Ladies' Home Journal and Jet, magazines Veronica sent. She notes that her answers to a questionnaire on marital satisfaction have recently changed. Irene becomes tearful over a UNICEF photograph of an African mother with twin babies, who is unable to feed both. After taking a call from the psychiatric hospital, she relays the message to Eric at his surgery. The doorbell rings, signaling Rita Simmons’ arrival.

Part 1, Chapter 6 Summary

Eric arrives at the psychiatric hospital, where the administrator confirms the death of 19-year-old Stephen Storey. Shortly due for discharge, Stephen died from an overdose of the chloral hydrate sleeping tablets Eric prescribed. Stephen’s mother has asked for an inquiry, and Eric will be placed under scrutiny.


Ian, the night nurse, takes Eric to view Stephen’s body. Another patient, Martin, moves aside an intimidating-looking patient who blocks their path. When Ian reveals that Martin discovered Stephen’s body, the administrator suggests Martin needs sleeping pills to stop him from roaming at night.


Eric examines Stephen’s body and estimates his time of death. Back at the surgery, he retrieves a packet of Enovid contraceptive pills, hiding it from Gabby inside a copy of The Lancet. Eric drives to his lover Alison’s house, breaking his own rule against unannounced visits. He tells her about the death by suicide and gives her the contraceptive pills with instructions. As he departs, he spots what could be Frank’s car entering the driveway.

Part 1, Chapter 7 Summary

Rita and Irene openly discuss their pregnancies, establishing that Irene’s baby is due a month earlier than Rita’s. Rita recounts her difficult childhood, living with harsh relatives on a farm during the war, then being sent to her Aunt Elsa in Bristol, who taught her to dance. She mentions her love of cinema, which she often attended with her father, an army photographer.


Rita goes to the downstairs toilet, where she experiences auditory hallucinations. The abusive voices call her a “slut” and a “child-murderer.” Rita first heard these voices as a teenager, and they have returned with her pregnancy. She composes herself and returns, saying nothing to Irene. Irene invites Rita and Bill to their Boxing Day party, and Rita accepts. Irene recounts how she met Eric at a tennis party. His Birmingham accent marked him out as different from the men in her upper-class circle, and she later learned his father worked on the railways. Rita tells the story of meeting Bill at the estate agent’s office where she was temping, and impulsively taking him to view Water Farm. She reveals that Bill’s father wanted him to become a lawyer, but Bill dropped out of his law degree at Oxford University.

Part 1, Chapters 1-7 Analysis

The novel’s early chapters establish its multi-perspective narrative through the viewpoints of four protagonists: Eric, Irene, Rita, and Bill. The story methodically shifts between the protagonists, devoting a chapter to each of their mornings on a single day. This creates a mosaic of isolated consciousnesses, as each character remains enclosed within their own anxieties and perceptions. The pervasive fog that blankets the landscape acts as pathetic fallacy, mirroring the characters’ inability to see their situations or each other with clarity. This slow, atmospheric unfolding builds tension through the steady accumulation of unspoken anxieties and fractured relationships. The author establishes a world of profound disconnection, where physical proximity belies vast emotional distances.


These opening chapters explore Marriage as a Failed Promise of Intimacy through the parallel lives of the Parrys and the Simmonses. Both marriages are maintained by routine and unspoken compromises rather than genuine connection. Eric and Irene’s relationship is marked by stilted, functional dialogue that papers over a deep emotional chasm. Irene’s contemplation of The Arnolfini Marriage print symbolizes her marital disillusionment. Noting the groom’s authoritarian stance and his bride’s air of detached bemusement in the 15th-century painting, she recognizes this dynamic in her own marriage. While Bill and Rita’s narratives indicate a degree of marital affection, they exist in a state of mutual incomprehension. Rita’s decision to feign sleep when Bill returns home suggests a marriage sustained by avoidance rather than connection. The unguarded conversation between Rita and Irene represents a genuine connection that both couples fail to experience in their marriages.


The theme of The Unspoken Burdens of Post-War Existence is introduced as the characters’ private struggles are linked to collective, unhealed historical trauma. Martin Lee’s clinical detachment when discovering Stephen’s body is a coping mechanism he developed as a war photographer who documented far greater horrors in wartime Germany. Yet he remains “stalled among the muffled voices of his past” (21), unable to escape the psychological wounds of the war. Meanwhile, Stephen Storey’s death by suicide expresses his disillusionment with the post-war promise of a better world. The characters’ anxieties, their relational failures, and their search for meaning are all refracted through the lens of this inherited, unspoken history.


Against this backdrop, the characters embark on a faltering Search for an Authentic Self in a Prescriptive World. Each is trapped by roles and expectations they cannot entirely fulfill or escape. Bill’s foray into farming is an attempt to build a life he imagines will be “completely different and real and honest” (96). However, his endeavor is plagued by incompetence and self-doubt. Eric enjoys the status and respect his role as a country doctor affords him, while resenting the conformity his middle-class existence demands. His affair with Alison, which he carefully manages through rules and the provision of birth control pills, is presented as another source of anxiety rather than a passionate escape. Irene, confined to the domestic sphere, seeks purpose in cookbooks and magazines, her life a reflection of the idealized femininity they portray. Rita is also a profoundly alienated character, retreating from her difficult past and role as a farmer’s wife into the escapist worlds of science fiction, while auditory hallucinations threaten her grip on reality.


Key symbols operate throughout these chapters as external manifestations of the characters’ internal states. By opening the novel with the experiences of the psychiatric patient, Martin Lee, Miller emphasizes the “asylum’s” significance as a repository for society's unexamined traumas. A symbol of societal repression, the psychiatric hospital houses individuals who exhibit emotions that the “sane” world refuses to acknowledge or accommodate. The institutionalization of its inhabitants is a reminder of society’s response when unruly emotions shatter carefully constructed social facades. Pregnancy also functions as a complex and ambivalent symbol. For Irene and Rita, their shared biological experience is a catalyst for a bond that transcends social barriers. Yet it also introduces profound anxiety, dredging up Rita’s past trauma and confronting Irene with fears about motherhood, embodied by the UNICEF photo of the mother forced to choose between her twins.

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