52 pages 1-hour read

The Last List of Mabel Beaumont

Fiction | Novel | Adult | Published in 2023

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Symbols & Motifs

Content Warning: This section of the guide includes discussion of death.

The List

The unfinished note that Arthur leaves after his death, reading “Find D,” is the central symbol of the novel and becomes Mabel’s “last list,” representing renewed purpose and the courage to confront the past. Initially, Mabel is lost in grief, passively reflecting that it is “too late to change the world” (3). She exists in a state of waiting, defined by her decades-long marriage and the secret of her repressed longing for her childhood friend Dot. The discovery of the note acts as a catalyst, jolting her out of this inertia. It is an instruction that she interprets as posthumous permission from Arthur to seek out Dot, the great lost love of her life. This quest provides Mabel with a new reason for being, transforming her from a woman who looks back into one who must actively engage with the world to forge a new future. As she forges a found intergenerational family of women with their own regrets and secrets, the note stops being a record of her mission and instead becomes a way to connect with and express care for others; as Mabel adds solving her friends’ problems to the note and creates a list, she is propelled into new experiences and friendships that dismantle her isolation. Ultimately, the list symbolizes the idea that a new life is possible at any age, but only through the active pursuit of unresolved questions. As Mabel decides to follow its initial directive, she reclaims her own agency, embarking on a journey that is not just about finding Dot but about finding herself.

Looking Back Versus Looking Forward

The tension between looking back at the past and looking forward to the future is a recurring motif that supports the theme of Confronting the Past to Forge a New Future. This dichotomy is established early as the fundamental difference between Mabel and her husband. Arthur’s motto is to “[a]lways look forward”; he views ruminating on the past as “maudlin” (2). In contrast, Mabel is “more about looking back, especially now there’s so much back and so little forward left” (2). Their entire marriage is built on this unresolved tension, with Arthur’s relentless optimism pulling against Mabel’s quiet preoccupation with her memories of Dot. There is also some suggestion that Arthur’s unwillingness to let Mabel live in the past—by trying to locate Dot, for example—stems from his awareness of her feelings for Dot and his frustration over the fact that she cannot feel the same way towards him.


After Arthur’s death, Mabel’s quest to find Dot becomes a profound synthesis of these two opposing philosophies. She must literally look back, delving into 60 years of secrets and regret, as the necessary precondition for looking forward. The journey forces her to confront the past not as a place of passive memory but as an active force to be reckoned with. By finding Dot and speaking her truth, Mabel integrates her past into her present, which allows her to embrace the possibility of a future “second life.” The motif suggests that a meaningful future cannot be built by ignoring the past but only by understanding and reconciling with it.

The Graveyard

The graveyard, an important setting in the novel, is a powerful and recurring symbol of The Weight of Secrets and the Freeing Nature of Truth. For most of the novel, this location serves as a site of quiet, one-sided communion where Mabel maintains the secrets of her past. She visits the graves of her family to offer mundane updates, speaking to them as if they are merely distant relatives: “It’s Mabel, just passing with Olly” (6). In these early scenes, the graveyard is a place of obfuscation, where Mabel can be physically close to her family’s memory while remaining emotionally guarded. However, the location’s true significance is fully realized in the novel’s emotional climax, when Mabel returns after learning of Dot’s (supposed) death. Here, the graveyard transforms from a place of quiet remembrance into a confessional. Kneeling on the ground, she finally articulates the secret that has defined her life, admitting her passionate love for Dot and the companionate nature of her love for Arthur. She asks his grave, “Did you know, that I loved Dot? Not as a friend. As a person. As a lover” (256). This act of speaking the truth aloud, even to the dead, provides a profound catharsis, freeing her from the weight of her 62-year secret and enabling her to finally reconcile the different loves of her life.

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