61 pages • 2-hour read
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Content Warning: This section of the guide includes discussion of death and child death.
Lizzy has to decide whether she will preserve her family’s traditions or become “the last of the Moon Girls” (365). For generations, Moon women have lived according to rigid expectations: They don’t marry, and they are expected to remain in the town of Salem Creek, maintaining the Moon Girl Farm and providing spiritual healing services to the community. In the end, Lizzy must choose which traditions to accept and which to reject as she struggles to be true to herself while preserving the positive aspects of her family’s heritage.
The first Moon woman to come to America from France in 1786 was Sabine. After being betrayed by the father of her child, she made an “edict that no Moon allow themselves to be enslaved by marriage, lest they be betrayed and the line ended” (30). This expectation sets the Moon women apart from the community around them. Late in the novel, Lizzy discovers from Althea’s journal that her grandmother struggled with this tradition. Althea obeyed the tradition and refused to marry the man she loved, Peter, but she secretly regretted this decision for the rest of her life. Before learning about her grandmother’s regrets, Lizzy does her best to abide by the tradition that defines her family, eschewing close relationships and serious romances. Instead, she focuses on her career and only dates casually. Lizzy makes choices in her life based on tradition, not on what is best for her. In the end, she chooses to abandon this tradition and marry Andrew. Althea encourages her to follow her truth, even if it means breaking tradition.
Another Moon family tradition is working the land that Sabine purchased more than two centuries ago. Evvie argues that “[h]ome is in your blood. It’s not just where you live, it’s who you are” (270). Lizzy does not identify with Salem Creek, where many residents are bigoted against her family because they are different. For most of the novel, Lizzy is determined to sell the land and escape the negativity and prejudice. In the end, it isn’t the land itself that inspires her to stay. She says, “They’re a part of my story—and I’m part of theirs. I don’t think I understood that until today. They’re my legacy. Not this place—not the buildings or the land—the women” (374). When Lizzy tries to pack up the magical journals of her ancestors, she feels their presence. It is this presence that convinces her to stay; the Moon women are part of her truth.
Being a Moon woman means doing healing work in the Salem Creek community. This is the legacy that Lizzy most easily accepts. She immediately feels good when she gives out some migraine tea to Penny, an old customer of Althea’s. She also uses Althea’s recipe to make soap for another customer. When Lizzy blesses the soap, she feels a “fizzy sort of vibration humming in her bones, like the ripple of current through water. It [i]s a heady sensation, so intoxicating it nearly ma[kes] her giddy” (235). This sensation lets Lizzy know that she is doing what she was meant to do. Lizzy’s healing work is a calming experience, healing for herself as well as her customers. She recognizes that following this tradition is part of being true to herself.
Because Althea regrets following the rules of the Moon family too inflexibly, she avoids passing down strict rules to Lizzy. Instead, she advises Lizzy to make her own decisions about which traditions are right for her. In the journal, Althea says, “No one should write your story but you” (16). Lizzy has to find her own way on the Path that her family follows. Althea warns, “It won’t be easy. Stepping into the light never is, but it’s what we’re all called to do. To find our truth—whatever that may be—and live it without apology” (367). By marrying Andrew, Lizzy breaks with tradition to write her own story. Her story also includes honoring her ancestors by continuing with their healing work and helping people. In this way, she follows tradition. To be truthful, tradition and personal choice have to intersect.
When Lizzy returns to Salem Creek, she quickly realizes that in this small town, the past does not remain in the past but influences everything that happens in the present. This is most obvious in the vendetta that much of the town continues to hold against the Moon family for Althea’s supposed murder of two teen girls many years in the past. Though there was never any evidence for Althea’s involvement in the crime, her identity as a practitioner of magick made her a convenient scapegoat, and this false narrative continues to shape the lives of the Moons even after her death.
Althea’s journal, in which she speaks directly to Lizzy as if from beyond the grave, underlines the novel’s core claim: that the dead are never really dead so long as they remain present and influential in the lives of the living. This journal is part of a tradition in which each Moon woman leaves behind a book of her life, sharing with future generations the wisdom she has gained from experience. This tradition operates as a symbol of the influence of the past, keeping each generation in conversation with the traditions that have formed their family’s identity.
Ghosts of many kinds appear throughout the book as a reminder that the dead remain present in the living world. Several people think that they feel Althea’s ghostly presence and smell her perfume. Andrew says, “It would be just like Althea to hang around, to make sure the people she loved were okay and, if possible, to put the broken pieces of her family back together” (198). Rhanna also senses Althea’s ghostly presence. However, Rhanna can “see all their faces […] The dead people” because sees the deaths of people she touches(250-51). This is foreshadowed by how her mural on the barn has “faded to little more than ghosts” (21). Because the Moon family believes that all things have a spirit, plants have ghosts as well. When Lizzy goes into the drying barn of the wildflower garden, she is “inhaling the ghosts of a thousand harvested flowers” (55). Those flowers became part of healing remedies made by Moon women. Such hauntings make clear that the present world is shaped in large and small ways by the generations—not only of people but also of plants—that have gone before.
These benevolent examples of haunting can be contrasted with the ghosts of Heather and Darcy. The police chief’s churchgoing wife, Miriam Summers, claims that Moon Girl Farm is “haunted by the spirits of those poor dead girls” (268). This is published in the local paper and causes Lizzy’s realtor to refuse to list the farm and quit. When Lizzy visits the pond where Heather’s and Darcy’s bodies were found, she becomes determined to find their murderer. Because the murder was never solved—and was pinned on the wrong person—the girls remain present in the local imagination as angry spirits, unsettling the life of the town. Evvie thinks that closing their murder case will allow the girls’ spirits to be at peace, bringing peace to the town as well.
In The Last of the Moon Girls, Lizzy returns to a home she previously abandoned and rebuilds severed relationships. As she reconnects with Althea and Rhanna, she also works to give the Moon Girl Farm a second chance with the larger Salem Creek community.
The books that Althea leaves for Lizzy, especially the Book of Remembrances, are a second chance for them to connect. Lizzy thinks, “Even now, after her death, Althea was still teaching, reminding her who she was and where she’d come from” (36). Writing is how Althea has a second chance to tell Lizzy about her secret love and her regrets about following the family tradition regarding husbands. In life, Althea lost her chance to tell Lizzy this, but, on her deathbed, she was able to communicate information that changes Lizzy’s mind about her own life. Althea gives Lizzy a second chance at love in giving her permission to break the tradition of not marrying.
Althea also helps convince Lizzy to give Rhanna a second chance to be a good mother. Althea writes, “[W]e are all scarred, all broken in our own way. Some of us break more quietly than others, but break we all do, when this world dishes out its worst” (238). These words open Lizzy’s mind to the possibility that there is something that made Rhanna act inappropriately. Althea alerts Lizzy to the fact that Rhanna might have a secret: “There might be more to her story. More than either of us will ever know” (257). Althea’s death is an opportunity for Rhanna to share her story with Lizzy. Unlike Althea, who has to communicate in writing after death, Rhanna shares her regrets and secrets with Lizzy while she is still living. Once Lizzy knows that Rhanna’s behavior was due to her psychic gift of seeing people’s future deaths, she forgives her. This is the beginning of Rhanna’s second chance. Lizzy tells her own unborn daughter that Rhanna “taught [Lizzy] to forgive, to open [her] heart to all that has been, and all that can be” (381). Reconnecting with Rhanna helps Lizzy as well as Rhanna.
Finally, Lizzy convinces the people of Salem Creek to give the Moon family a second chance. Clearing Althea’s name, and finding the actual murderers of Heather and Darcy, is one way that Lizzy improves the Moons’ reputation. Solving the murders is also a way to give the dead girls’ spirits a second chance to enter another plane of existence. At the beginning of the novel, “Salem Creek ha[s] never forgiven the Moons. Not for the murders of two young girls, but for the sin of being different” (115). At the end of the novel, Dennis, Hollis, and their father are identified as the murderers, which means that the community can forgive the Moon family for the murders. This forgiveness paves the way for the community to forgive the Moons for being different, especially with the reopening of their apothecary that helps many people.



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