61 pages 2-hour read

The Last Samurai

Fiction | Novel | Adult | Published in 2000

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Books 3-4Chapter Summaries & Analyses

Book 4, Part 2: “I Know All the Words” - Book 4, Part 5: “For David, with Best Wishes”

Book 3, Part 1 Summary: “1, 2, 3”

Book 3 opens with an epigraph from Donald Richie’s commentary on Sugata Sanshiro in The Films of Akira Kurosawa (165).


On his sixth birthday, Ludo receives Japanese books as gifts from Sibylla, including Sugata Sanshiro by Tomita Tsuneo. She informs him that he will need a kanji dictionary, a “Kodansha romanized dictionary” (167), and grammar resources to understand these texts. Sibylla mentions that Sugata Sanshiro is not available in English and reads a passage from Donald Richie’s book describing an exhilarating scene from the story in which the protagonist, Sugata, excels in judo but is confronted by his judo teacher about the essence of martial arts. Ludo eagerly anticipates reading the book despite the linguistic challenges. Sibylla, noticing Ludo’s hesitation, encourages him to enjoy his birthday and offers to answer any questions he may have. This leads Ludo to ask about his father, to which Sibylla responds that he was a travel writer whom she only met once. Ludo can’t help but wonder if his father might be someone famous.


Ludo continues writing journal entries, documenting his daily routine of learning Japanese characters with Sibylla. They aim to learn two characters a day out of a total of 1945. Ludo’s curiosity about his father continues to grow, and he questions Sibylla about their encounter. She briefly mentions meeting his father at a party but doesn’t divulge more. The pattern continues: Ludo learns new characters each day, but his inquiries about his father remain unanswered. Sibylla playfully suggests his father’s name is “Rumpelstiltskin” (174), adding to Ludo’s curiosity, but the mystery of his father remains unsolved despite their daily character learning and other activities.


On April 25, Ludo reads travel books in the hopes of finding information about his father. He and Sibylla continue learning Japanese characters and have mastered 98. On April 26, they visit the library, where Ludo adds more travel books to his collection in his ongoing quest for information about his father. Ludo finishes reading Sugata Sanshiro on May 12 and expresses interest in buying another Japanese book. Ludo finishes reading Tracks Across Alaska on May 13, and he starts Ticket to Latvia. He tries to dig for information about his father from Sibylla, who reluctantly admits that someone at the office gave her one of his books. Ludo becomes more persistent in his quest, hoping to find the person in her office who was interested in his father’s work and learn more about him. The next day, Sibylla reveals that his father does not know about him, and she did not want to see him again. Ludo speculates that perhaps his father was setting out on an expedition, and Sibylla did not want to disrupt his dreams. As Ludo persistently inquires about his father’s identity, Sibylla sets up a seemingly futile test. She provides him with a tape by Liberace, a painting called Greek Girls Playing at Ball by Lord Leighton, and a magazine article, all of which she associates with Val Peters, Ludo’s biological father. She asserts that he cannot learn his father’s identity until he can find out “what’s wrong with these things” (178).


While Ludo continues learning Japanese characters and has now mastered 243 of them, Sibylla is occupied with her work and shows Ludo passages from J. S. Mill’s autobiography, describing Mill’s remarkable childhood and early education. Ludo feels some pressure as he’s expected to start school in just three months.

Book 3, Part 2 Summary: “a, b, c”

On September 6, 1993, Sibylla and Ludo visit the school to discuss Stephen’s education. Sibylla introduces Ludo as Stephen at the school. They encounter a problem when they find out that Stephen should have started school a year earlier, but due to not knowing this, they are concerned about him being behind. Sibylla discusses Ludo’s advanced studies with Ms. Thompson, the teacher, including languages that he has learned. Ms. Thompson explains that the educational system has changed since J. S. Mill’s time, emphasizing learning as a group and practical skills over learning dead languages. Despite the setback, they allow Stephen to attend school.


Ludo’s first week at school passes uneventfully. While attending school, he continues his studies and practice at home in languages and mathematics, focusing on multiplication and numbers. School, however, doesn’t seem to challenge him much, and he finds it boring. On the weekend, Ludo continues to master Japanese characters and expresses a desire to study other languages like French, Greek, Latin, Hebrew, Arabic, and German, as he believes that he will not get to learn them at school. On Sunday, Ludo continues to study, reads about Amundsen and Scott, and masters 30 Japanese characters. During the second week of school, Ludo begins to explore mathematical patterns with a focus on multiplication. On September 20, he learns about the journalist Red Devlin being taken hostage in Azerbaijan. Between September 21 and 24, Ludo engages in mathematical calculations, mainly dealing with the repetitive patterns that arise from multiplication.


During Ludo’s third week at school, he encounters some challenges related to working cooperatively in the classroom. He also continues his self-study in various subjects, including reading the Argonautica and mastering more Japanese characters. Ludo is eager to continue his independent learning because he believes that J. S. Mill’s unconventional education allowed him to excel. In the fourth week of attending school, Ludo continues his pattern of performing complex calculations and learning mathematical patterns.

Book 3, Part 3 Summary: “999999⁷=999993000020999965000034999979000006999999”

On October 11, 1993, Ludo receives a note from his teacher about disruptive behavior at school, leading to an emotional discussion with Sibylla about the futility of attending school. Despite his protests, Sibylla insists that he continues going to school and promises to discuss the matter with the teacher. The next day, Sibylla visits Ludo’s school to discuss his disruptive behavior with Miss Lewis. Miss Lewis expresses concern that Ludo’s advanced abilities and his tendency to disrupt the class may negatively impact his peers. She believes that there is more to life than just “academic achievement[s]” and that Ludo needs to understand the importance of cooperating and not interfering with others’ learning (198). Miss Lewis also suggests that there is a risk of Ludo becoming disconnected from reality, to which Sibylla counters with her own school experiences.


An argument ensues when Sibylla discovers a book with factual inaccuracies about samurai and condemns such educational materials. Miss Lewis tries to regain control of the conversation and reiterate her concerns about Ludo’s impact on the class. Despite the discussion, Miss Lewis and Sibylla do not reach a definitive decision. Upon reaching home, Sibylla is emotionally distressed, repeatedly asking herself what she should do next. Ludo reflects on the idea that sometimes you cannot truly understand something until you experience it firsthand. He uses this notion to justify the importance of studying judo. As Ludo’s enthusiasm for judo becomes evident, Sibylla, still struggling with a concern of her own, continues to pace and contemplate the situation. Eventually, Ludo firmly states that he believes that judo “solves everything” (202), expressing his eagerness to embark on this new journey.

Book 4, Part 1 Summary: “Trying to Feel Sorry for Lord Leighton”

Ludo is reading from The Eskimo Book of Knowledge about a dire situation in which a group of travelers faces starvation after a 10-day journey (208), having exhausted their supplies and sled dogs. Frustrated by the book’s lack of practical knowledge, Ludo laments its ineffectiveness in real-life situations, particularly concerning the Inuit people. As Ludo delves into the book, he also discovers a story about James Hatton, a man who undertook a solo expedition to the North Pole without informing anyone. Hatton’s journey involved encounters with a walrus and even self-amputation due to frostbite. Ludo contemplates whether Hatton might be his father. Meanwhile, Sibylla interrupts Ludo’s reading with news of Red Devlin’s daring escape into the “British Embassy in Tbilisi” (209), expressing her excitement. They discuss Red Devlin’s reputation for audacious feats and his ability to gain access to exclusive stories, along with his past accomplishments, including aiding a couple in adopting a Romanian orphan and bringing the child to the UK. When Ludo questions if Red Devlin could be his father, Sibylla avoids the question, focusing on learning the Inuit language from the book and singing an Inuit version of “God Save the King.” Ludo inquires again about James Hatton, but Sibylla starts showing her amazement at Hatton’s achievements instead and returns to her work, leaving the question of Ludo’s parentage unanswered.


Ludo feels that he might be wasting his time with The Eskimo Book of Knowledge and reflects on the elusive message he’s supposed to find within an artwork and a magazine article. When he listens to Liberace’s tape, he dismisses it as “complete and utter crap” (212). This frustrates Sibylla, who asks him not to play the tape. She remains stubbornly silent about the identity of Ludo’s father and decides to watch Seven Samurai instead of working on her computer. As Sibylla watches the movie, Ludo challenges Sibylla’s opinions on the artwork and magazine article he’s studying, seeking explanations. Their discussion shifts to literature, and Sibylla criticizes American novels in English; Ludo questions her arguments. Ludo probes further, asking if the person in question had raped her, to which Sibylla responds in the negative. He inquires about any likable qualities, prompting Sibylla to share insights into societal norms regarding relationships and politeness. She tells him about the societal taboo against ending something unpleasant, noting that it’s not nice to constantly offend people. Then, Sibylla rewinds the video and continues watching. Ludo thinks about how he could spend time with his father, perhaps traveling and learning useful skills. He expresses frustration at having to learn various languages and skills “just in case” (217). He decides to go to Sibylla’s room, thinking about an envelope marked “To Be Opened In Case of Death” and wondering if it might contain information about his father (217). He goes to her room and finds a folder with a thick stack of papers.

Book 4, Part 2, Introduction Summary

Ludo goes through the papers he found in the drawer, hoping to find information about his father. However, the papers only contain “a nickname” for his father (220). In addition, he does not find any mention of Liberace’s real name or the titles of his books. Just then, Sibylla calls Ludo to bring her the duvet, and he complies. He considers the enigma of his father and whether he could be as bad as Liberace.


While watching Seven Samurai, Ludo reflects on his growing proficiency in understanding Japanese, from recognizing spoken sounds to translating them into written characters. He helps Sibylla comprehend the film’s dialogue as they discuss the limitations of subtitles. As the film progresses, Sibylla grows bored and resumes working on her computer. Meanwhile, Ludo contemplates how to subtly inquire about the art pieces he wants Sibylla to explain and searches for the mysterious envelope he discovered earlier, but he cannot locate it.

Book 4, Part 2, Chapter 12 Summary

On Ludo’s birthday, Sibylla conspicuously avoids mentioning the occasion. Ludo tries to engage in a conversation about Lord Leighton, the author of the magazine article. He also offers a mild apology for previously calling the tape “crap” (228). Sibylla finds it amusing but doesn’t reveal more about his father. She questions Ludo’s apparent indifference to his father’s personality, to which Ludo responds by expressing his strong desire to know who his father is. Sibylla remains evasive, and Ludo emphasizes her unique preferences, underscoring that she’s “a market of one” (229). They discuss a book on aerodynamics that Sibylla gave Ludo as a birthday gift, and she laughs about its entertaining content, particularly the section on grebes, which further confirms her eccentric interests. She offers to buy more books, but Ludo declines, feeling overwhelmed by the complexity of the topics. Ludo decides to leave the room and go outside to ride his new skateboard, leaving Sibylla in contemplation of something she would rather avoid.

Book 4, Part 3 Summary: “Funeral Games”

Ludo and Sibylla are having an argument about buying a pricey book, The History of the Jewish People in the Age of Jesus Christ. Sibylla wants it, but Ludo argues that they can’t afford it. Sibylla agrees and sits “curled up” in her chair (232). Later, Ludo buys a movie for Sibylla, and they watch it together. Sibylla enjoys the film and makes humorous comments throughout. Meanwhile, Ludo is preoccupied with finding the envelope. Suddenly, it occurs to him that the envelope could be in Sibylla’s Fraser’s “Ptolemaic Alexandria” copy (234). He finally finds the envelope and discovers that it is not from Red Devlin as he had expected. Instead, it is from Val Peters.

Book 4, Part 4, Introduction Summary

Three days after discovering his father’s name, Ludo realizes that he might have been too quick to judge the travel writer. It’s common for travel writers to evolve in their narratives from being initially naive or cowardly to eventually doing something brave. He decides to give Peters a fair chance and goes to the library to look for more of his books. Over the course of a week, Ludo reads all of Val Peters’s books, hoping to uncover some hidden “genius or heroism” in his father’s writing (237), but he does not find what he is looking for. Although he is left with a sense of disappointment, the mystery of his father’s identity continues to elude him.

Book 4, Part 4, Chapter 13 Summary

Ludo considers various ways to track down his father, who had been married to his first wife when he met Sibylla and now resides with his second wife in a different house. Eventually, Ludo has an idea. He decides to look for articles or pieces of journalism written by his father since his father often made “factual mistakes” and “logical fallacies” in his writing (239), particularly regarding scientific topics. Ludo plans to write a letter pointing out these errors in an innocent, boyish manner and hopes that his father will respond with his address. He spends two days carefully crafting the letter, aiming to sound clever but not “obnoxious” (239), as he does not want to offend his father.

Book 4, Part 4, Chapter 14 Summary

Ludo patiently waits for a reply to his letter to Val Peters. He speculates about potential reasons for the delay. After a few weeks, he receives a letter from Val Peters in which Peters acknowledges the theories about dinosaur extinction and his use of a convenient one for his argument. Peters also discusses the selfish gene theory and praises Ludo’s understanding of its significance. Despite receiving a response, Ludo is somewhat disappointed, wishing for something more remarkable. Nevertheless, he now has Val Peters’s address, located not far from the Circle Line.

Book 4, Part 5, Introduction Summary

Ludo continues to visit his father’s house, observing it from across the street. He sees a woman leaving the house and later, a man who turns out to be his father, Val Peters. Ludo makes observations about Val’s appearance; he looks “older” and “less handsome” than he had imagined (243). Over the next few days, Ludo visits the house regularly, even carrying books and peanut butter sandwiches with him. He observes the house but remains mostly unnoticed by the residents. Eventually, he decides to ask his father for an autograph.

Book 4, Part 5, Chapter 15 Summary

Ludo visits his father’s house and engages in a conversation with him. He initially pretends to collect for “Christian Aid” but eventually confesses that he came for “an autograph” (249-50), leading to a humorous exchange. Ludo hands over a book for signing, and they discuss the book’s edition and Ludo’s school interests. His father invites him to see his workspace, and they chat about various topics, including language studies and a signed book collection. His father offers to give him a unique signed book in a foreign language, and Ludo chooses Finnish with a heartfelt message from his father. Before leaving, Ludo contemplates revealing his true identity but decides against it.

Book 3-4 Analysis

In Book 3, DeWitt employs Ludo’s early schooling experiences to critique institutional education and broader societal norms. Initially, Ludo harbors concerns that his peers will outshine him intellectually, but he soon discovers that his school assignments are “boring” and “so easy” (233). He solves far more intricate problems which makes his teacher label him a “disruptive element in the class” (198). This, in turn, makes Ludo disheartened at the prospect of enduring another decade of this unsupportive and unproductive educational system. Instead of nurturing his genius, his teacher stifles his independent pursuits, associating institutional education with uniformity and absence of intellectual rigor.


Ludo’s reactions to school also contributes to the tapestry of characters in The Last Samurai who grapple with boredom. Boredom is a reflection of the characters’ existential struggles and the contemplation of life’s monotony. Ludo’s hypothetical scenario­—comparing the lives of two children facing “10 years of horrible excruciating boredom at school” (198)—serves as a commentary on the futility and tedium that can characterize human existence. It also touches on the characters’ sense of impatience and unease in the face of waiting and uncertainty. This sense of restlessness and frustration in their lives can be connected to the postmodern notion of the individual’s struggle to find meaning and purpose in a world that often appears indifferent and compartmentalized.


Ludo’s thoughts on The Eskimo Book of Knowledge and his contemplation of “wasting [his] time” underscore the sense of existential uncertainty and nothingness (209). This internal questioning aligns with postmodernism’s interest in the ambiguity and difficulty of ascribing significance to life’s endeavors. Furthermore, Ludo’s inability to understand the postcard of Greek Girls Playing at Ball and his repeated attempts to see what he is “supposed to see” reflect the related challenge of interpreting and deriving meaning from art and culture in a world where established norms and expectations have been shattered (212). Ludo’s mention of Liberace’s music as “complete and utter crap” further emphasizes the sense of meaninglessness in the face of cultural expressions that do not align with traditional values or expectations (212). This critique of cultural forms is a common postmodern theme.


The Challenges of Parenthood is the central theme in Books 3 and 4, and it is intricately interwoven with the protagonist Ludo’s quest to uncover his father’s identity. Throughout the story, Sibylla’s reticence about revealing Ludo’s father creates tension and prompts Ludo to repeatedly question her. Ludo’s desire to know his father and understand his paternal heritage is evident when he confronts Sibylla, saying, “I have been trying all week to find out my father’s name but [you] will not even tell me the first letter” (172). Sibylla’s refusal to disclose his identity is a source of frustration for Ludo. He feels that not knowing who his father is places him at a disadvantage compared to his peers, lamenting, “nobody else has to wait until they’re old enough to know who their father is” (178). His curiosity and longing for information about his father are evident in his persistent questioning, hoping for even the smallest glimpse into his identity. This theme reflects the emotional complexity of family relationships and the profound impact that parental decisions can have on a child’s life. It also explores the tension between the need for autonomy and the longing for connection with one’s roots, as well as the consequences of parental secrecy on a child’s quest for self-discovery.


In Book 4, the influences that both Sibylla and Seven Samurai have on Ludo become evident as he seeks to learn about, and ultimately interact with, his biological father. The movie presents him with strong male figures, and Sibylla presents him with a tape by Liberace, a painting by Lord Leighton, and a magazine article, secretly linking them to Val Peters, Ludo’s father. This, pervasively, makes Ludo absorb her aesthetic preferences. When he eventually meets Peters, he finds him lacking in depth and interesting qualities, essentially assessing his father based on Sibylla’s aesthetic standards and characters of Seven Samurai. This establishes their intense connection before Ludo begins to grow independently.


Subsequently, Ludo’s coming of age in the novel is marked by a significant shift in his relationship with Sibylla and a growing sense of autonomy and assertiveness on his part. In the initial parts, Ludo is seen as a precocious and intellectually curious child, often interrupting Sibylla with questions and observations. However, as Ludo matures, he undergoes a noticeable transformation in his interactions with Sibylla. Ludo, in a more assertive tone, asks Sibylla to “shut up” and expresses his desire to watch a film without interruptions (234). Sibylla, in response, complies with his request, stating that she’ll be “as silent as the grave” (234). This moment reflects Ludo’s growing independence and his willingness to set boundaries with his mother. It also highlights a reversal in their roles, whereby Ludo, who once sought knowledge and guidance from his mother, now begins to establish his own voice and priorities.

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