69 pages 2-hour read

The Lesbiana's Guide to Catholic School

Fiction | Novel | YA | Published in 2022

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Chapters 6-11Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of racism, antigay bias, child abuse, bullying, substance use, and cursing.

Chapter 6 Summary: “Thou Shalt Procure a Pseudo Suitor”

After a month at Slayton Catholic, Yamilet has adjusted reasonably well. She enjoys the food and has made friends with Bo and Amber, with whom she studies in the courtyard after school while waiting for Cesar to finish his detentions. Cesar has been maintaining the lie that he’s on the football team to explain why he stays late at school, though he’s actually in detention for sleeping in class. While studying, Hunter joins their table and awkwardly invites Yami to watch his football practice. He hints at inviting her to homecoming, but Amber quickly intervenes, stating that Yami has plans. Later, Yami FaceTimes her father, discussing what they would change about the world—Emiliano mentions making it more immigrant friendly, while Yami suggests that women should be allowed to become priests.


The next day, Bo invites Yami to her house after school. Arriving at Bo’s large home, Yami notices many traditional Chinese decorations, which surprises her since Bo’s adoptive parents are white. In addition to Bo’s parents, Yami meets her two dogs—Gregory, a pit bull and basset hound mix, and Dante, a Mexican Xolo dog. Bo explains that despite appearances, her parents aren’t “orientalist”—they aren’t “those white people” who adopt Chinese children to be closer to the culture (95). Instead, the decorations represent their clumsy but sincere effort to help Bo connect with her Chinese identity. In Bo’s room, Yami admires the rainbow mural on the wall and Bo’s artwork.


At home later that evening, Yami catches Cesar kissing his friend Jamal in their backyard. When their mother arrives home unexpectedly, Yami introduces Jamal as her boyfriend to cover for Cesar. Afterward, Cesar comes out to Yami as bisexual, and Yami, in turn, comes out to Cesar as gay. They celebrate their shared understanding with “In lak’ech,” a Mayan phrase that they use to signify solidarity.

Chapter 7 Summary: “Thou Shalt Divert Thy Mother’s Gaydar”

Cesar reveals to Yami that he and Jamal have been together for a year and that Jamal gave him a promise ring with a jaguar symbol that he can’t wear openly. Yami agrees to continue pretending to be Jamal’s girlfriend to protect her brother’s secret. When Jamal comes to dinner, Maria interrogates him about being Catholic and going to church but ultimately approves of him when he consistently addresses her as “Mrs. Flores” and uses good manners. After dinner, Cesar suggests that Yami and Jamal go on a fake date to make their relationship more convincing.


The next day, Jamal picks up Yami for lunch. In the car, he plays spoken-word poetry by Saul Williams, and at the diner, they discuss their families while noticing that Cesar and Maria have followed them to the diner and are not-so-secretly spying on them. Jamal shares that his family doesn’t accept his personality, which they view as “unmasculine.” He plans to come out to them soon despite his fears. As they pretend to be a couple for Yami’s mother’s benefit, Yami contemplates what a real relationship would be like. She thinks about wanting to hold a girl’s hand, talk on the phone until falling asleep, and kiss someone she’s actually attracted to. Yami concludes that she and Cesar don’t have the privilege of being themselves like Bo does with her accepting parents.

Chapter 8 Summary: “Thou Shalt Mind Thine Own Business. Bitch.”

In art class, Ms. Felix assigns the students to pair up and draw portraits of each other. When both Bo and Hunter ask to be Yami’s partner, Yami awkwardly claims that she doesn’t know how to draw white people. Bo winks at Yami and becomes her partner, while Hunter pairs with David. As they draw, Yami struggles to maintain composure while studying Bo’s features. Though Yami finishes her portrait of Bo quickly, Bo takes her time and refuses to let Yami see her drawing, suggesting that she might display it at the March art show. Their session is interrupted by a public homecoming proposal, prompting a discussion about whether such displays are sweet or embarrassing. Bo believes that they’re romantic if you know the person will say yes, while Yami thinks that they put too much pressure on both parties.


At lunch, Amber helps Bo look for a girlfriend on a dating app, showing Yami a girl named Jamie with blue hair. The conversation shifts to speculating about closeted students at Slayton, making Yami uncomfortable. Jenna approaches their table and gives the impression that she is about to ask Bo to homecoming. When Bo responds with joyful surprise, Jenna reveals that the whole thing was only a cruel joke orchestrated by Karen, leaving Bo humiliated as everyone laughs. Yami stands up for Bo, who leaves the cafeteria before hearing the nasty comments. Yami and Amber follow Bo to her car, and the three ditch school for a horror movie. During the film, Bo holds both Yami’s and Amber’s hands, which prompts Yami to reflect on how her former friend Bianca made her feel predatory for normal friendly contact after learning that Yami was gay. The next day, Bo hides in the art room during lunch. She explains that she stopped playing sports after coming out because other girls thought she was always looking at them inappropriately. Yami responds with “In lak’ech,” the same phrase she uses with her brother. She tells Bo that it means “I understand you.”

Chapter 9 Summary: “Thou Shalt Not Self-Sabotage”

The homecoming game approaches, and Yami’s mother insists on attending to see Cesar play football, leading Yami to wonder how he will prevent her from discovering his ongoing lie about being on the team. Yami dresses carefully in a red off-the-shoulder romper and one of her mother’s handmade necklaces. At the game, they sit at the back of the bleachers to minimize their view of the field. Bo and Amber join them, and they’re introduced to Yami’s mother and Jamal, whom Yami awkwardly calls her boyfriend. On the field, David wears Cesar’s number and pretends to be him, waving to Yami’s mother from the field while the real Cesar hides in the locker room during the game.


After Slayton wins, Hunter enthusiastically hugs Yami, causing her to make an awkward squealing noise. The football team orchestrates a homecoming proposal for David to ask Amber, who excitedly accepts. Yami realizes that this means she and Bo will be ditching the dance alone together, making her nervous. Instead of attending homecoming, Yami and Bo watch bad horror movies at Bo’s house. Yami tries to convince Bo to come to the afterparty with her, and during their conversation, they have a moment of intense eye contact that Yami misinterprets. She abruptly blurts out, “I’m straight,” offending Bo, who says that not every lesbian has a crush on her and reveals that she has a girlfriend named Jamie. Yami leaves Bo’s house feeling like she’s ruined their friendship.

Chapter 10 Summary: “Thou Shalt Not Drink and Call”

Despite her earlier reluctance, Yami attends the homecoming afterparty at Hunter’s house, hoping to forget her fight with Bo. She decides to fully commit to her “straight” lie by flirting with Hunter. As music pulses through the large house, Hunter gives Yami a shot of vodka and teaches her how to take it, awkwardly pinching her nose for her. Yami decides to pretend to be interested in Hunter in order to convince her classmates that she is straight. Though she lets Hunter put his hands on her hips while dancing, Yami quickly grows bored. When Hunter offers to show her around his house, they end up in his bedroom, where she nervously declares that she’s not going to have sex with him. Hunter, taken aback, presents the spy comic book he wanted to show her and confesses that he’s never had sex. After an awkward hug, Hunter kisses her, prompting Yami to blurt out, “I’m gay!” He apologizes for misreading the situation and promises not to tell anyone.


As the party continues, Yami drinks more and dances with Emily, who grinds against her to make Hunter jealous. When the police arrive, Yami and Cesar hide behind bushes while other partygoers continue as normal after being asked to turn down the music. This leniency on the part of the police reminds Yami of a previous party in her neighborhood; the police were violent, and her friend Junior’s mother was deported. When Yami tries to leave, a guy makes a racist “la migra” joke about her and Cesar running from the police. Yami punches him in the face, knocking him unconscious. Too drunk to drive, she waits in her car and impulsively texts her father, “I love you […] I’m gay” (154). She then leaves Bo a rambling voicemail confessing her feelings and her sexuality. She immediately regrets it and attempts to send damage-control texts.

Chapter 11 Summary: “Thou Shalt Bear False Witness Against Drunken Voice Mails”

Bo calls Yami, who is still drunk in her car at three o’clock in the morning. Yami experiences memory gaps as Bo picks her up and takes her to her house, where Yami vomits while Bo holds her hair back. In her inebriated state, Yami searches for Bo’s portrait of her and asks Bo to cuddle with her, though Bo only provides an extra blanket. The next morning, Yami wakes up with a severe hangover in Bo’s guest room, where Bo has thoughtfully left water and Advil. When Yami asks if Bo is still mad at her, Bo confirms that she was but has gotten over it. Bo begins to play Yami’s drunken voicemail, causing Yami to chase her around the room, shouting to drown out the message. Yami manages to tackle Bo and delete the message before the confession of feelings plays.


At breakfast, Bo’s parents express approval that Yami called Bo for a ride instead of driving drunk. They even give Yami their phone number in case she ever needs help when she’s uncomfortable calling her own parents. After Bo drives Yami back to her car, Yami repeatedly tries to reach her father, worried about her coming-out text but also partly hoping to talk with him about it. She sends another text asking him not to tell her mother. That evening, Jamal arrives at their house with a cut lip and swollen face, having been kicked out by his stepfather after coming out. When Yami’s mother asks him what happened, he tells her everything except the part about coming out. She unexpectedly offers to let Jamal stay with them for a few days, assigning him to sleep in Cesar’s room to keep him and Yami separate, unwittingly allowing the real couple to be together.

Chapters 6-11 Analysis

The motif of secrets and lies pervades these chapters as both Yami and Cesar construct elaborate deceptions to navigate their hostile environment. Their parallel experiences of hiding their LGBTQ+ identities reflect the theme of Finding Self-Acceptance Despite External Judgment, with each lie serving as both protection and psychological burden. Cesar maintains his lie about being on the football team to explain his frequent detentions, while Yami pretends that Jamal is her boyfriend to protect Cesar. This need for concealment reveals how societal and familial expectations create psychological warfare for LGBTQ+ youth. When the siblings finally reveal their identities to each other, their mutual relief culminates in the celebratory exclamation, “In lak’ech, baby!” (105). This Mayan principle, meaning “You are my other me” (26), functions as a philosophical foundation for their solidarity, symbolizing their recognition of shared struggle and mutual protection.


The text explores how power is deployed unequally in different social environments, particularly in the scenes at the cafeteria and homecoming afterparty. Bo’s humiliation at Jenna’s cruel “dare” proposal exposes the social hierarchy at Slayton, where popular students are socially rewarded for cruelty toward those who are deemed as outsiders. At the party, the students’ reactions to the police convey the stark difference in police responses between wealthy and poor neighborhoods, revealing racial and class disparities. When the police arrive at Hunter’s party, Yami and Cesar instinctively hide, while white students remain unconcerned. This visceral reaction stems from traumatic memory: “I watched one of them bash my friend Junior’s head into the concrete floor of his garage before I ran away […] Junior’s mom got deported, even though she didn’t know about the party” (152). The casual racist joke—“La mee-grah, la mee-grah!” (153)—further demonstrates how privilege shapes different realities even in ostensibly similar teenage experiences. This juxtaposition effectively illustrates how Yami’s and Cesar’s LGBTQ+ identities cannot be separated from their racial and socioeconomic positions as they navigate Identity Formation in the Context of Intersectional Oppression.


Bo’s character represents some forms of privilege alongside the possibility of authentic self-acceptance. Her bedroom, with its “abstract rainbow mural” (96), contrasts sharply with Yami’s closeted existence. When Yami observes, “The things I would give to have a super-gay room” (96), she reveals her longing for both the physical space and psychological freedom to express her identity. Bo’s accepting parents further highlight this disparity; Yami notes, “I can’t help the pang of jealousy in my gut. I couldn’t imagine ever coming out to my mom” (97). This difference in identity expression and acceptance is reinforced when Yami concludes about herself and Cesar, “We don’t have the privilege of being ourselves” like Bo does with her accepting parents (116). The novel thus demonstrates how acceptance and visibility function differently across social hierarchies, with economic security providing Bo with a degree of safety that remains inaccessible to Yami.


The psychological impact of internalized antigay bias manifests in Yami’s self-sabotaging behavior throughout these chapters. Her panicked declaration of “I’m straight” to Bo demonstrates how deeply she has internalized what Bianca taught her—that her LGBTQ+ identity makes her inherently predatory. This fear emerges again when she reflects on how Bianca “made it seem like [she] was some kind of monster for letting her hold [her] hand without telling her [she’s] gay” (127). The novel illustrates how trauma from past rejection creates ripple effects in new relationships. When Bo challenges this mindset—“Not every lesbian is going to have a thing for you just because you’re a girl” (137)—she confronts Yami’s internalized anti-LGBTQ+ bias.


Yami’s drunken confession attempts operate as narrative turning points in her journey toward self-acceptance. Her text to her father—“I love you. […] I’m gay” (154)—represents her reaching for acceptance from a safe figure before embracing her full identity. Similarly, her voice message to Bo marks her desperate need to be honest about her feelings despite her fear. These confessions, though messy and immediately regretted, demonstrate Yami’s growing need for authenticity. The contrast between her sober self-censorship and drunken honesty reveals the psychological toll of maintaining her deception, suggesting that her fragmented self cannot remain divided indefinitely.

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